transcript

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Speaker 2:
[01:18] Julia Sweeney, I was shared several years on Saturday Night Live, so did David. And we had this really nice interview with her. So we're bringing her back in case you missed it. She's, she had a character named It's Pat that was kind of a big hit on SNL. There was a movie that was controversial in its own way, but she's very talented and very open about her life.

Speaker 1:
[01:43] She's a heterogeneous character. Everyone tried to figure out if it was a man or woman. That was a big joke. And it was funny. She also was a strong utility player because like Phil, as a female, she would come in and she was in a lot of sketches because of this and she could play anything and throw a wig on and give her an accent. And it was fun to sit with her and look back because we were there a lot at the same time.

Speaker 2:
[02:08] Yeah, early 90s.

Speaker 1:
[02:10] Just good, you always focus on the fun and some of the tough times, but we overall, we all had a great time there. She was a trip down memory lane.

Speaker 2:
[02:22] Yeah, one of the greats, Julia Sweeney. You've done two or three one-woman shows based on...

Speaker 3:
[02:35] Well, really just one.

Speaker 2:
[02:37] Letting Go of God was the...

Speaker 3:
[02:39] Yeah, that's the religion one. The other ones are other things.

Speaker 2:
[02:42] God Said Ha, yeah, I got it. But they're really... So you're an atheist.

Speaker 3:
[02:46] Yes, although I really...

Speaker 2:
[02:48] It sounds so negative, but it's just atheism.

Speaker 3:
[02:50] Well, no, because to American ears, atheist sounds like, I hate puppies and flowers.

Speaker 2:
[02:58] Yes, it sounds kind of a Nazi-esque thing to it or something.

Speaker 3:
[03:02] Yeah, even though the Nazis weren't atheists, but which I'm always explaining to people. Okay, but anyway, well, comes from Catholicism, but yeah, I mean, I've had a... Yeah, I don't believe, let me put it this way. I don't live my life under the assumption that there is a deity watching what I do.

Speaker 2:
[03:22] Right.

Speaker 3:
[03:23] I guess that makes me an atheist.

Speaker 2:
[03:25] Yeah, I guess, I don't know what... I keep coming back to this, like I can't comprehend infinity, that there was no beginning or end to this, whatever. Why do things exist? And when did they get here? So I keep going around with that. I did know a Jehovah's Witness once who told me he could understand infinity. I said, so you can think of a God who never was not here, was always here. He looked up and he goes, yeah, I got it.

Speaker 1:
[03:53] Yeah, yeah. I want to say to the record, I like puppies and I like flowers.

Speaker 3:
[04:00] Me too.

Speaker 1:
[04:01] I think, Julie, it hits the ear like, if you don't believe in that, then you don't believe what we believe is that that created those things. So you're against everything. Is that what the vibe is?

Speaker 3:
[04:15] Yeah, that's it. And it's like a very I used to think I could. I don't know what I thought. I guess I thought doing my show, I would change people's mind. I wasn't doing it to change people's mind. Actually, the reason I did the show is because for me, it was a huge, huge the philosophical transformation. I wasn't particularly religious before. So it was about age 40 that this happened. Well, I was religious. I wanted to be a nun in high school. I was completely committed Catholic. But I let it kind of go away. And then I had a crisis in my life that made me believe more. Like I really felt, you know, like I had religious experiences. And then after that, I started trying to think, well, what was going on with those experiences? And then as I learned more and more about the brain and how we evolved, then I finally read the Bible, you know, and then over two years, I realized that I could explain it psychologically or naturally or, you know, like I didn't need a god to explain what happened to me. And then, so then I wanted, that was a big dramatic change in my life. And I had been doing these one person shows about things like that. So I thought, oh, that's a good challenge to kind of do a one person show about a change of mind, that all the dramas all takes place in your head. And that was really hard. And I didn't necessarily achieve it. I had to make stories and, you know, like I had to conform to normal dramatic structure. But I did it and it was probably my most popular show. And but I wasn't thinking I'm going to convince people to be an atheist.

Speaker 1:
[05:52] It was more like they have comedic tones, I'm sure.

Speaker 3:
[05:54] Oh, yes. It was actually I felt defensive about it because I felt like I was getting as many laughs per five minutes as comedians were. But because it was a difficult topic, I wasn't considered a stand up. You know, like, right.

Speaker 1:
[06:08] And well, it's a brave topic and that's hard to stand up. It's more respected in a way to try to tackle things instead of 7-Eleven, which I tackle.

Speaker 2:
[06:18] I walked about 12 minutes of it. I thought it was really charming and the way you walked yourself into it was very disarming for the audience. But yeah, did I ever believe in a magic god and all that stuff? No, I'm with you on that. I mean, I never never bought it and no one bought it in the Lutheran Church. Even the pastors, you could tell for sure.

Speaker 3:
[06:36] I fully believe now that everyone, no one really believes it. I mean, I think it's just about tribalism and history and affection for the ritual and an affection for the way of life. And so it almost is like it was useless to try to argue rationally with someone about it. It isn't a rational choice. It's usually you're born into it or you have an emotional thing that makes you join something because it helps your life. Like, and, you know, I don't care. That's fine with me, with people like I'm not, you know, so.

Speaker 2:
[07:10] I went back to the Catholic Church with my wife and I found it just interesting because they were talking about Pontius Pilate and stuff, you know, and it's like, wow, they're still doing it. It was like going back in time, but I'm still doing these bits.

Speaker 3:
[07:22] Yeah, but I know it's the old material.

Speaker 2:
[07:27] David, have you ever had to go ahead?

Speaker 3:
[07:29] Yeah, now I kind of as a hobby followed these right wing Catholics. It's interesting.

Speaker 2:
[07:35] Right wing. Okay.

Speaker 3:
[07:37] Oh yeah, there's a huge schism coming in the church, I think.

Speaker 2:
[07:41] Oh, that makes sense.

Speaker 3:
[07:42] I think there's the Latin masters and there are the people who were with Pope Benedict and not with Pope Francis and they think Francis is the anti-Pope.

Speaker 2:
[07:51] Did you say Pope Benedict or Pope Wannadick? Good night. Sorry. Okay. Anyway, I canceled. I'm sorry. I'm canceled every five minutes.

Speaker 1:
[07:59] I like that one.

Speaker 2:
[08:01] I just made it up. Anyway, so we talk about your other supernatural experience meeting David Spade in 19.

Speaker 1:
[08:11] When you got my question for Julia is, and then we're going to get to me and Julia, of course. When she, I think you came from groundlings. So when that happens and you can explain how it happens, is there any jealousy when someone gets plucked out of groundlings?

Speaker 3:
[08:28] Well, it's so funny. I think I was so naive. I didn't think anyone was jealous of me and I wasn't jealous of other people. But now I understand that most people get really jealous of those things. I mean, so I was just kind of oblivious about it towards me. And the people who got on before me, like Phil Hartman and John Lovitz, who I only didn't know well, but I knew Phil a lot better than John, but I didn't feel jealous. I just thought, wow, that's so exciting. Like I didn't, but there's something wrong with me that I don't feel that way. I actually don't feel that way.

Speaker 1:
[09:06] I don't feel that way. No, it's a nice innocence that you might, you learn later like, oh shit, they're mad at me because of this, or I started to feel those tingles of jealousy at SNL to be honest.

Speaker 3:
[09:20] Oh, at SNL, that's different, of getting on them.

Speaker 1:
[09:23] Yeah, well, at Groundlings, everyone's good too, you know, but SNL is just a whole nother level, like going from college probably to the pros.

Speaker 3:
[09:30] Oh yeah, I mean, my experience at the Groundlings was all for one and one for all, and if someone gets something, we're all happy. And then at SNL, it took me a long time to understand how to be competitive. You know, like I didn't. It was really brutal. I was really kind of a lamb fed to the sharks in certain ways, but I did adapt.

Speaker 2:
[09:51] Melanie, Melanie Hutzel, we talked with recently, and she talked about her. And she's so sweet and so southern. And she talked about that. The difference, the stand ups were kind of trained to kill and destroy an elbow out. And it seemed like the groundlings were sweeter and nicer overall.

Speaker 3:
[10:07] Oh, wait. I mean, I'm sure I was naive and I was. And frankly, I was succeeding so much. I didn't know. That sounds arrogant to say. But at that moment, I was succeeding enough that I didn't have any awareness of the competitiveness of it. I was just thought we were all doing it. And but then when I got to SNL, well, actually, and I feel like I had mostly really good experience there. But now that I'm older and I look back, I think I really didn't understand what was going on. I didn't understand how hard you had to compete. I thought we were all just going to look out for each other.

Speaker 2:
[10:44] Yeah. Well, when Nora and Jan left and you came in, it seemed like you had a lot of you were very active. Initially, you were doing stuff.

Speaker 3:
[10:53] I was beaten down.

Speaker 2:
[10:54] Well, you became the go-to wife. Solid utility. You just did every sketch in a sense. You and Phil had a lot of sketches together, right? And you were very active your first year.

Speaker 3:
[11:06] Yeah. Jan was mostly his wife, but I was the B-Team wife.

Speaker 2:
[11:10] But then Jan left the show and there you were. And then you came in. You were the alternative wife.

Speaker 1:
[11:15] Did you and Jan overlap a year and maybe Nora?

Speaker 2:
[11:18] One year. Okay.

Speaker 3:
[11:19] A year, yeah.

Speaker 1:
[11:20] And Nora not at all?

Speaker 3:
[11:22] No, because I think I replaced her if you think of it like that.

Speaker 1:
[11:26] Oh, chased her out is what we call it. No, she quit.

Speaker 2:
[11:29] Sharp elbows, Sweeney.

Speaker 3:
[11:30] There was several shows she was not at.

Speaker 2:
[11:33] Sharp elbows. You got some sharp elbows, Sweeney. Yeah. Don't play it.

Speaker 1:
[11:37] That's a good SNL book title.

Speaker 2:
[11:39] Yeah, Sharp Elbows.

Speaker 1:
[11:41] Well, yeah, Julia, so you come in, you get plucked from the Groundlings. Was anyone else with you or was Phil and John already there, but you got plucked solo?

Speaker 3:
[11:51] Yeah. And you know, it was between me and Lisa Kudrow. And when I got it, I thought, you know, I hope Lisa gets something. Oh, she deserves success like me.

Speaker 1:
[12:04] Yeah. Bless her heart. And I hope she you go. I hope one day she makes some money. She gets on a show, you know, because you know what?

Speaker 3:
[12:12] She deserves it.

Speaker 1:
[12:13] You know what's funny? I'm not saying if there was room for two women. And I'm saying back then it was probably a lot tougher where they would even consider that. But you and Lisa would have been such a score.

Speaker 3:
[12:24] I mean, this is wonderful. I mean, yeah. So I mean, it was it did. I kind of bought into that culture, too. Like you have three women and seven to ten guys.

Speaker 1:
[12:34] That's how it is. Too many women.

Speaker 2:
[12:36] That's right. Yeah. It was a good ratio. Twelve guys and three women. I really enjoyed that.

Speaker 1:
[12:41] In fairness, it was true that there was, you know, talk about not enough for the women. And it was true. So and it's very it's I think nowadays they're more cognizant of it because there's a lot of great women have come through there. And I think I think you paid the way also changed everything.

Speaker 3:
[13:00] I think she revolutionized us now. Yeah.

Speaker 1:
[13:02] And doing update and writing and bringing women in. And yeah.

Speaker 3:
[13:06] And pointing out that there's no reason not to have women that if all the sketches are so male focused, that there's only women as weird archetypes and sketches here and there. It's like you're never going to get the women used. You have to really change your whole point of view. And I don't I wasn't there. But and I don't even know Tina Fey. But I, I sense that there was a huge revolution took place that was a good one.

Speaker 1:
[13:32] You know, it's funny when Tina was there. That was, it sounds crazy that it might have been the first time when there's like a sketch with all women.

Speaker 3:
[13:38] Yeah.

Speaker 2:
[13:38] Where people would be like, what?

Speaker 3:
[13:40] Well, she wrote about that in her book. I mean, not about the sketch, but just about why you couldn't have a whole sketch group that was all women or like, why can't why wouldn't you be able to think up a lot of sketches for a lot of women that didn't happen to have a man in it? You know, like and and I was I had that prejudice myself. Like, I really thought, oh, yeah, you think of something for a guy to do. And then you think how you could come in, you know, like it. It took a long time for me to see how much the sexism was even in myself.

Speaker 1:
[14:14] Yeah, that that was sort of the way it was. We were all there around the same time. And I remember it was just the way it was thought good or bad. It was just the way it was thought.

Speaker 3:
[14:22] Yeah, it's amazing how you don't even question certain things. Like I thought of myself as a liberated progressive person. And yet I didn't. I thought, oh, yeah, we'll always be three women and ten guys.

Speaker 2:
[14:35] Well, also, they Sarah Palin came in as a vice presidential candidate. So that was and then Hillary later. So that gave to political parts that were, you know, I don't know who you could do back then, really. I mean, Senator Feinstein, she was there.

Speaker 1:
[14:50] Oh, you said you did Chelsea. Did it say that you that she had that rubbed somebody wrong?

Speaker 3:
[14:56] Yeah, Hillary.

Speaker 2:
[14:58] Oh, you did Chelsea, okay.

Speaker 1:
[15:00] Chelsea Clinton.

Speaker 3:
[15:01] And then Hillary wrote a letter to Lorne. Oh, and then people were saying how unattractively I was playing Chelsea and all I did was not wear makeup and put braces on. I was like, if you say that, you're saying I'm unattractive, like, which maybe that's so. But it's like that's like I wasn't trying to play unattractive.

Speaker 1:
[15:23] With all that prosthetics, you made her look horrible. I just went, I just watched my face and then I walked in.

Speaker 3:
[15:29] Yeah, I just didn't wear makeup and put on braces. That was it. In a wig, a long wig, a curly wig. But anyway, but I understood what Hillary was saying, especially now that I'm a parent. It's like, yeah, fuck off, you know? I mean, don't play kids. I mean, that was wrong. She was right. That was wrong.

Speaker 1:
[15:46] What about when Farley played-

Speaker 2:
[15:48] The show Apology.

Speaker 1:
[15:50] Who was the mayor or was it? Who's kid did Farley play that he played him like such a moron, jumping all over his dad and while he's giving a speech? Do you remember that?

Speaker 3:
[15:59] Oh, yeah. Was it Phil?

Speaker 1:
[16:02] Was it Giuliani?

Speaker 3:
[16:03] I can't remember.

Speaker 2:
[16:04] Giuliani's-

Speaker 1:
[16:05] Yeah, it was Giuliani's 10-year-old boy, Andrew. Yeah, and he would just wear a suit and grab and eats hamburgers. And yeah, if I was, I would have been furious, of course, if you had to watch that as your own kid. Yeah.

Speaker 2:
[16:19] We did a lot of things that we couldn't do now. I was in Lyle Bullop, the effeminate heterosexual.

Speaker 3:
[16:26] I know, but people mention that to me so often. I mean, people love that. That describes the type of person and behavior that is recognizable, that hadn't been labeled yet. I mean, like that was at least in a pop culture sense. So I feel like that. And I think that's true. That is true. There are people who are effeminate, and heterosexual, who are men. That's a true thing. I mean, like, I don't actually don't even why. I don't see how people could be offended by it.

Speaker 2:
[16:56] Well, what I found out later that pained me was that I think it was the mixer in the booth. The gentleman at the time was gay. And when that sketch came on, he recused himself.

Speaker 3:
[17:09] Oh, really?

Speaker 2:
[17:09] Someone else worked to leave her.

Speaker 3:
[17:11] So and why does he think that being effeminate mannerisms is pejorative towards a gay person?

Speaker 2:
[17:19] I mean, like it goes both ways. You're right.

Speaker 3:
[17:22] You know, like, I guess. I don't. Yeah, I find it hard to understand some of the stuff that people object to. But anyway, I'm with you.

Speaker 2:
[17:30] We're we're comedians and we're not very offendable. And we want to say the thing you're not supposed to say. It's just instinctual and do the thing you're not supposed to do. And so we're not normal. And then but that one I couldn't do today. And I did an Asian character, too. Oh, you're making our way to a character called Pat, too, which is has had a resurgence in notoriety in the last few years.

Speaker 1:
[17:57] I mean, there's been a lot of talk about you're way ahead of the game on that or behind or behind. That's right.

Speaker 3:
[18:03] I. Yeah. I mean, the thing for me is that I always thought the joke was mostly about the people who were around Pat, who were so flummox, who were so freaked out, which I thought was Christine and I at the beginning, because we wrote all those sketches together. Xander, Christine Xander, as we said at the beginning, the jokes are not on Pat, the except that Pat looks weird and drools and is annoying. It's not because people aren't going to laugh at Pat for Pat's androgyny. What we're laughing at is the people around Pat. How do we understand it that Pat's androgynous? So to me-

Speaker 1:
[18:43] It makes them frustrated.

Speaker 3:
[18:45] Yeah. And so, but that's a subtle comedy thing, you know, that people. Yeah, there's people. Yeah, there's a lot of people upset by Pat. And it's and the truth is, I wasn't thinking of androgynous people as an SNL audience. You know what I mean? I was doing a character like we're laughing at this idea. If I if I thought the audience was filled with androgynous people, I probably would have played it a little differently. You know what I mean? Like we didn't think of those people as our audience. But now you would. Now you would.

Speaker 2:
[19:18] It would be aware of them. But then to me, to me, the character forget that it's Pat and no one knows whether it's a man or a woman is just a funny character. You know, that's what I mean. The way she moved, the way she talked, it was just a funny character.

Speaker 1:
[19:33] Goofy.

Speaker 3:
[19:33] I guess if I did it again, I would make Pat more enigmatic and make it clear that it was about the other people and not Pat. Almost more Charlie Chaplin-esque, like just people not talking much, just about everyone else's reactions. Yeah, falling down. But anyway, no one's asking me to do that, so.

Speaker 1:
[19:52] No.

Speaker 2:
[19:53] It's never too late for a, it's Pat too. You know, I think it's time for another one. We do it for 8 million at Warner's.

Speaker 3:
[20:01] Oh wait, let me tell you the saddest story.

Speaker 2:
[20:04] Okay, now I love it.

Speaker 3:
[20:05] I was going to, I was going to New York and I was going to go to SNL and bring my daughter who hadn't, I guess we've gone twice in her life, but this was one of those times. And the Supreme Court had just had a case where they had brought up Pat at the Supreme Court during the case and Alito didn't know who Pat was. And then there were these jokes about it. And Lauren and I had been emailing each other for something else. I think I had to get permission for something anyway. We had had this email and either he or I was like, oh, it's not funny that the Supreme Court joked about Pat and who on the Supreme Court knew who Pat was or whatever. And then he said, when you come to the show next week, bring your Pat outfit with you to New York. Because maybe, you know, I don't know. Who knows? You know, maybe we'll do something out of the Supreme Court thing. But then the actual act of the sad fact of me, you know, like at 58. Not it really like packing my Pat outfit in a suitcase and bringing it a little weird hoping that maybe we do a Pat sketch like it was really. And of course, no one even mentioned it. And the whole like I had to bring the fucking Pat suit. And it was so it was such an offhand comment. And then I took it. I shouldn't have. Oh, God.

Speaker 2:
[21:28] Was it on a hanger? Did you show up with it on a hanger?

Speaker 3:
[21:31] Hello, here's my outfit.

Speaker 2:
[21:33] Yeah, it's a really funny character.

Speaker 1:
[21:36] Or is it an update piece? And everyone's like, is what?

Speaker 3:
[21:39] No, no, no one even mentioned it. And then it was like in front of my husband and daughter, which we all just took care of. And it's like, no, I have to check my my Pat outfit. And then and then it's like, oh, well, I guess I I really didn't need to.

Speaker 2:
[21:53] How come Church Lady never got together with Pat? Why was Pat not on Church Chat? That seems like we should have done that.

Speaker 1:
[22:01] God, I always travel with my Tom Petty hat.

Speaker 2:
[22:05] He did it no matter where I go. Mutt and chops, right?

Speaker 1:
[22:08] Pork chops. Yeah, the chops on the side. And just, you know, you never know when someone is going to want it at a birthday party or something.

Speaker 3:
[22:14] Oh, my God.

Speaker 2:
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Speaker 3:
[24:56] I came and visited the show when he did his Patrick Swayze sketch. Oh, I watched that show from the audience, but I wasn't on the show yet.

Speaker 1:
[25:07] So you came in mid-season probably.

Speaker 3:
[25:08] Well, no, it was just, I think it was the next episode.

Speaker 1:
[25:11] Oh, okay.

Speaker 3:
[25:12] Maybe I knew I was going to start, but I wasn't in that episode.

Speaker 1:
[25:14] Yeah, I came the week before to look at his show. They said, why don't you come early? And I think that maybe they do to us. But and you watch it and going, oh my God, we're going to be part of this shit. It's moving so fast. I have no idea what's going on.

Speaker 2:
[25:26] I think it's scary watching a practice show, knowing, projecting yourself out there a week later. How will I be out there?

Speaker 3:
[25:33] But you guys are, because you guys see, to me it wasn't, but it wasn't scary to me. But that's not saying that it shouldn't have been scary. But I think because of doing sketches at the groundlings, like I, it was just like, I was in so many sketches and you had to learn. It was very similar to being at the ground.

Speaker 1:
[25:48] Yeah, yeah, you're right. That's right, that's different for me and Dana.

Speaker 3:
[25:51] So it didn't seem scary. I actually had the opposite. Like I thought, as I watched it, I thought, oh, I can do this. I can do this.

Speaker 1:
[25:58] Oh, good, yeah. Wow. So you come in and you see all of us. So Phil, you knew and you have great admiration for Phil and you guys were good.

Speaker 3:
[26:07] He's been my teacher at the groundlings.

Speaker 1:
[26:10] Oh, teacher. Yeah. God, who's better to teach? He's so good.

Speaker 3:
[26:13] Oh my God. No, he changed my life with his teaching. He was such a, he could really, not very many comedians can explain why they're funny and how they do it. And he could, you know.

Speaker 1:
[26:25] Funny thing about Phil singing around the office is how Dana knows him way better, but how unassuming and how eagoless. And he's always thinking about other things at work when I'm only thinking about SNL, because I'm so, but he's so good. He would be like, hey, I might go fishing this weekend or hey. And then you think, how are you thinking of one other thing? This is driving me mental to try to, but he's just great.

Speaker 3:
[26:46] How organized he was. He had his folder, all the sketches, all the lines. He really made sure he knew his lines. He took it so seriously.

Speaker 2:
[26:55] Yeah. And then he was so disciplined around it. And then he would have a popular mechanics or some kind of Motorboat Today magazine.

Speaker 3:
[27:03] Or Surf magazine.

Speaker 2:
[27:04] Schematics of an Evan Root. And then he'd put it down and then he'd go in a rehearsal scene, nail it, perfect, go back out.

Speaker 1:
[27:11] I think he had that red hard cover that says Saturday Night Live in the corner in that circle. And then it was like a red hard notebook and you'd open it up, three ring binder. And you put your, I'd put my two pages of script for that week in there and open it up. My update bit.

Speaker 2:
[27:27] It's a consistent theme with David. He had a rough time.

Speaker 1:
[27:30] I keep saying it. And then, so you got along pretty much like you knew, what were your first thoughts of like an Adam or something?

Speaker 3:
[27:41] What's my first thought about?

Speaker 1:
[27:42] What about like Sandler or Farley?

Speaker 3:
[27:46] Sandler came a little later, I think.

Speaker 1:
[27:48] Oh, right.

Speaker 2:
[27:48] Maybe a year later.

Speaker 3:
[27:50] I think he wasn't there right away.

Speaker 2:
[27:52] Ellen Cleghorn was with you. Siobhan Fallon.

Speaker 3:
[27:57] Yeah, I love Siobhan.

Speaker 2:
[27:59] Melanie Hutzle and Beth. Beth for each season.

Speaker 1:
[28:03] Beth Cahill.

Speaker 2:
[28:04] Those were kind of your primary.

Speaker 3:
[28:05] I didn't really know Beth very well. She was just there for one year. But yeah, I mean, it was exciting. I mean, of course, it was the most exciting thing. You're at the center of the universe and you're at the top of what you would want to be for your, you know, your skill set. I mean, like it's the best. I mean, it was the greatest, most thrilling thing. I would say it was completely great till the last year. And what happened the last year? Well, I for one thing, the sketches changed. They were more bros sketches.

Speaker 2:
[28:39] And who would be doing that?

Speaker 3:
[28:41] I wasn't there was no place for me in those sketches. I mean, like there was no and I wasn't getting my own stuff on and no one was casting me and Christine had left. That was the big thing. So we had written together every week and she'd gone to work on Third Rock from the Sun with Bonnie and Terry.

Speaker 2:
[28:58] Christine Zander, great writer.

Speaker 3:
[29:02] I just was lost without her, frankly. And and I felt like the sketches were more. I remember something. I mean, that's my it was kind of terrible. There was some sketch where they had to have a beautiful woman. And I was listening to everyone talk about how none of the women who were on the show could play a beautiful woman.

Speaker 2:
[29:21] Yeah.

Speaker 3:
[29:21] And they had to bring in a model. Because there was literally no one there that even with makeup and everything, who could pass as sexual? Like, and so and then I was like, wow, I'm.

Speaker 2:
[29:36] Oh, my God.

Speaker 3:
[29:36] Really have. I mean, not that I would have necessarily been that choice anyway, but it's like that point of view, there just was no room for me. Now, looking back, I think I should have pushed harder of my own comedy and I should have, you know, should have, would have, could have. Let everybody does, but.

Speaker 1:
[29:54] Well, Xander and the Turners who have people listening, Bonnie and Terry Turner were great writers together. Christine Xander was wonderful. So so having them in your corner or at least a piece of it or something.

Speaker 3:
[30:07] Yeah.

Speaker 1:
[30:08] Really takes a chunk away and you need every piece to keep going. And if you have a little bit slipping.

Speaker 3:
[30:13] And I knew it would be harder, but I didn't know it would be devastating. You know, I didn't know that it would be.

Speaker 1:
[30:20] I thought bottom would drop out.

Speaker 3:
[30:22] Yeah, the bottom really seemed to drop out. And so there were for the first time there were sketches. I have shows I wasn't even in it, you know, like. And yeah, that was hard. It was really hard. I could hardly wait to leave at the end of that year. But up until then, though, it was fantastic.

Speaker 1:
[30:39] Yeah, sure.

Speaker 3:
[30:40] It really was very exciting.

Speaker 2:
[30:42] Yeah, it seemed like you I was there three, three years with you. And it just seemed like you were really, really active in the show.

Speaker 3:
[30:48] Yeah. And I think that was a big part was my youthful enthusiasm. And also Christine.

Speaker 2:
[30:55] Yeah. And who wrote the reconciliation sketch? It was such a me.

Speaker 3:
[31:00] That actually I had written that sketch. Well, Christine and I wrote it together. But I had had the idea and done a kind of early form of that sketch.

Speaker 2:
[31:11] You want to describe what it what it was?

Speaker 3:
[31:13] I mean, well, it was. Now I'm thinking, is that really true?

Speaker 2:
[31:17] Well, it's the one with Alec Baldwin plays the handsome priest.

Speaker 3:
[31:21] It was Alec Baldwin came on and he's so handsome. And, you know, he's just he's like he's one of those guys who's handsome and funny, as you know, blah, blah, blah.

Speaker 2:
[31:28] Yes.

Speaker 3:
[31:28] And I was telling Christine that in my Catholic high school, they had changed confession and that now called it reconciliation. And you looked at the priest in a room instead of going to a confessional. And that at our high school, I went to an all girls Catholic high school. And the priest was Father Bollie. And he was so handsome that people would get so distracted telling them their sins. That's funny. They couldn't like he was so handsome.

Speaker 1:
[31:53] Father Baldwin.

Speaker 3:
[31:54] And then I would go in and start flirting with the priest. And then it was creepy and that I would start making up sins just to stay in the confessional, you know, like just so we could keep this conversation going.

Speaker 1:
[32:06] Yeah.

Speaker 3:
[32:07] And so we wrote that with and Alec came in and wrote it with us. I mean, at least parts of it with us. And God, that was really fun. It was so much fun.

Speaker 2:
[32:15] Very, very funny. He was perfect casting and you were you played it beautifully.

Speaker 3:
[32:20] I mean, it just and then the best thing about that, we had written a line at the end where because I'm like, I cheated on my diet and he's like, well, that's not really a sin. And I'm like, oh, and then he goes, but I know, I know what it's like to try to go on a diet. What did you cheat with? And I go, I ate a whole box of Oreos. And he says, oh, do you like to unscrew it and eat out the creamy center or something like that? And then the standards and practices like, you can't say eat out the creamy center. We suggest you say, lick out the creamy center.

Speaker 2:
[32:54] They always get it more pornographic, don't they?

Speaker 1:
[32:56] It's so funny.

Speaker 2:
[32:57] Every time.

Speaker 1:
[32:58] Classic.

Speaker 3:
[32:59] Okay.

Speaker 1:
[33:00] Really?

Speaker 2:
[33:01] Wow, good.

Speaker 1:
[33:02] Can you say go down on the Oreo? I think that would be better.

Speaker 2:
[33:08] This is just a Catholic 22nd story. My wife and I were married in a Catholic church. The priest, we went to dinner with him, this and that. They usually have a few pops, you know what I mean? My wife, very pretty, 23 at the time, gets up, goes to the bathroom with her tight jeans. He looks and says, if you don't marry her, I will. That was the priest. Good night. That's all I got. David?

Speaker 1:
[33:33] Julia, were you there when Alec, I'm just looking at your thing where it says, you brought up Alec, and then it says, she demonstrated an early talent for mimicry.

Speaker 3:
[33:45] What is that? Is that like an IMDb or something?

Speaker 1:
[33:47] Yeah, it's awesome.

Speaker 2:
[33:49] I love it.

Speaker 3:
[33:50] Because I didn't, by the way, I was not good at mimicry, and people were often assigning me famous people to play, and I feel like I really was like C, C minus at that. Like, I actually don't have a good-

Speaker 1:
[34:03] It feels like more special skills at the bottom. Mimicry, I heard you're good at mimicry, and you're like-

Speaker 2:
[34:09] You're a mimic in third grade, right?

Speaker 1:
[34:11] Do you remember Dana, I don't think Julia was there, but Alec's first show was my like third one, and he did a sketch called The Mimic, unless he did it later.

Speaker 3:
[34:19] Oh, I think, no, no, I think he had done it when he came. He had already done that.

Speaker 1:
[34:23] It's the stupidest sketch, and he was so funny. He goes, the mimic, and he'd pick up the phone and go, hello, he goes, he can do anything. And then he was like kind of bad at all of them. And because he actually is good at all these accents and stuff, but they just, and he dressed all black. The mimic.

Speaker 2:
[34:38] Well, the classic was Frank Gorshwin. He was a brilliant impressionist on Ed Sullivan in the 60s. And he would do the classic turn away from the camera and kind of fluff his hair up and then come back, which is like, look at me now, you know.

Speaker 1:
[34:52] I like that kind of impressionist.

Speaker 2:
[34:56] Yeah, we can do voices.

Speaker 3:
[35:03] So, Dana, do you live in LA now, not in Mill Valley anymore?

Speaker 2:
[35:07] I was just in Mill Valley. The actual address is, no, yeah, I was just there. We have the 1912 haunted house up there, and I've experienced, I don't know if I believe it, but poltergeist up there.

Speaker 1:
[35:22] What?

Speaker 2:
[35:22] And I told Dan Aykroyd about it, and he says, I gotta get someone in there, check it out. It's in one particular bedroom, and at night, I would hear white noise because my son had moved out of that bedroom and moved in with his brother because he felt... And I would hear white noise because there was a portable radio there, so I would walk in and then the white noise would stop. All that... And it happened a couple of times a year, and I saw some things. Anyway, I'm in LA now.

Speaker 3:
[35:47] I happen to know the top paranormal debunker in the United States, if you're interested.

Speaker 2:
[35:55] I don't necessarily believe in it. I've had the nightmare where you feel a pressure on your chest, even though you're in a waking dream state, and that made me leave the San Ysidro hotel one night with my wife at three in the morning. I woke her up and said, we have to go now, because I felt the pressure on my chest when I'm sleeping and bouncing up and down on me, and then I went and used the bathroom and thought, okay, that's, I was dreaming. Then I laid back down and I felt like I was awake as I am right now, and then massive pressure that felt angry pushing down on me, and I was just couldn't move, and then it released me.

Speaker 3:
[36:29] Didn't you have heart issues? Like isn't there a physical explanation for that?

Speaker 1:
[36:34] Yes, Dana.

Speaker 2:
[36:35] I had seven stents and a botched bypass 25 years ago. Look at me now.

Speaker 1:
[36:41] Those are my issues.

Speaker 2:
[36:42] Let me charge myself.

Speaker 3:
[36:43] No, but I mean, there's, I mean, there's always a natural explanation.

Speaker 1:
[36:48] I mean, always. By the way, Julia, I know a paranormal bunker. They should meet your debunker. Dana, I get scared at my house, because I just moved and I don't want to hear that story because I hear like clicking in the house, settling in quotes. It's like, and Julia will say it's a house settling, which I say, because I can't in the middle of the night, when it's dead silent, you're so scared. You're like, I have to think of a reason what's going on, because it's always scary, but I haven't felt pressure or anything like that. I would fucking freak out.

Speaker 2:
[37:19] Oh, I rent a house.

Speaker 3:
[37:20] Since I became a person who doesn't believe in supernatural things like that.

Speaker 2:
[37:25] Except us.

Speaker 3:
[37:29] I never get scared. I mean, I get scared when I think there's a reasonable chance that something's truly wrong. But that kind of stuff, I just think there's some things making the sound.

Speaker 2:
[37:40] I'm not frightened of it at all because I never got hurt. It just flipped me out the first time. But I don't know if I said this, but Mike Myers who read the encyclopedia as a five-year-old, Nightmare is from the word, it's some medieval Latin prefix for a mare, and I eat a horse, feels like it's laying on top of you. It's just a waking dream state. I read about it in the New York Times. The brain disconnects. David, you're fine.

Speaker 1:
[38:07] That scared me and I've never heard about the horse part, but I like it. Julia, you were in Coneheads. You were in Coneheads, weren't you? That was sort of a sign, wasn't it or no? You weren't in Coneheads?

Speaker 3:
[38:22] Well, I remember thinking I'm playing the principal and Chris Farley is playing a high school student and we're only like four years apart in age. That tells you a lot about show business. Yeah, that was fun. I don't remember that much about it.

Speaker 1:
[38:37] Yeah, I was in it too. Believe me, we were all in it. I think Lauren just said, David, you'll be reporting to Coneheads. I was like, oh, yes, sir.

Speaker 3:
[38:44] Yeah, I think it was like it was like you just were told that you were going. But David, you know what I remember is that sketch you wrote, not necessarily for me, but I got to be the main comedy driver of it. I always bring that up. And the sketch, remember the sketch where I go on the date and I just keep ordering expensive food and then I start talking about how I'm not going to put out and trying to push me towards the more cheap, the cheaper food. Do you remember that?

Speaker 1:
[39:06] I don't. That's hilarious.

Speaker 3:
[39:08] Oh, my God. I have this idea for you. I'm going to write the sketch. And it was wow. I'm forgetting who the guy was, but it was some handsome guy. And I'm just and the whole thing was like me, like, oh, I'm so happy to be on this thing. Oh, lobster and steak. That's what I'm going to get. And then it's like, I just want to tell you that I don't ever have sex with anyone. And then it kind of goes. I mean, it wasn't that obvious, but it was really well written. And when people say those guys at SNL, they were so, you know, together and not really into the women that much. They say, David Spade wrote a sketch for me. That was one of the best things I ever did.

Speaker 1:
[39:45] That's so great. I love that.

Speaker 2:
[39:46] And he wasn't even in it.

Speaker 3:
[39:48] He just wrote it. You know, like, it was so, it was a very loving thing to do. I don't know how much it meant about me, but I took it as a very loving thing.

Speaker 2:
[39:57] You probably performed it great.

Speaker 1:
[40:00] Right, I know you were good.

Speaker 2:
[40:02] That's what you do.

Speaker 1:
[40:03] And it's fun to have a sketch and you probably had the host in there, but when you get the funny parts, it's really hard.

Speaker 3:
[40:11] Yeah, I mean, because usually you're not getting to be the driver of the comedy and you will end that this character was. I mean, it was really the host was kind of just reacting to me. And you had just written it and it was just the most wonderful gift. I mean, it was just an incredible thing. I and I bring that up at least once a month. I'm telling people that.

Speaker 1:
[40:28] And David Spade.

Speaker 2:
[40:30] And David doesn't remember.

Speaker 1:
[40:32] I said that's the most baffling part of the sketches I wrote. I didn't write that many. That's crazy.

Speaker 3:
[40:37] Yeah.

Speaker 1:
[40:37] Well, thank you. And I'm glad you did it. And I'm glad you remember it and say it. That's great. I don't want to talk about me forever, which I but I like that you want to talk about the not many people.

Speaker 2:
[40:48] This will go full circle. Got a movie out of a character like. And you did. There was no Church Lady movie. There was a Stuart Smalley movie. There was a Pat movie in the 90s with anybody else of a character. I think those were the two. Those two should have been in the movie together. They would have been great.

Speaker 3:
[41:06] I know it.

Speaker 2:
[41:08] But is that a bittersweet memory or is that a good one?

Speaker 3:
[41:11] Bittersweet. I had such a good time making it. We didn't know what we were doing. I didn't do it with Lorne. I didn't understand the politics. He wanted to do it. But then, oh, I didn't.

Speaker 2:
[41:21] He owned it. Didn't he own the character?

Speaker 3:
[41:23] No, I was one of the people when I came in. My lawyer got me to own Pat. I don't know how it doesn't even matter.

Speaker 2:
[41:29] I mean, got it. So you owned it and did it outside the system.

Speaker 3:
[41:32] So I could have because I had done that character at the groundlings. I don't know why. Anyway, so it was my choice and I think I made a dumb choice not to have Lauren be the producer of it, because all kinds of awful things happen, aside from the fact that we didn't write a good script. I mean, so I don't know. It was really fun to do it and it was really fun to make it. Oh my God, it was so much fun and I learned so much, and then it was really a big bomb. And but I always felt grateful for it. And I wrote to Eisner afterwards and said how I know I made it. I know I just wasted eight million dollars of your money.

Speaker 2:
[42:21] Really?

Speaker 3:
[42:21] But I learned so much and had a great time. And I know that shouldn't compensate for it because that's a lot of money. But I just want to say everything about it was really great. And thank you. I'll never forget that, obviously. And then he sent that letter around Disney as like, I'm sure somebody was grateful for a failing.

Speaker 1:
[42:39] Yeah. You know, Julia, I did that with a movie once. And I think that's so cool you did that. I felt so bad after a movie. I called the guy and said, I appreciate you doing it. I'm just so sorry I didn't do what you wanted kind of thing. And I don't think he wrote me back. But I do think for myself, I felt like I needed to do that.

Speaker 3:
[42:59] I mean, you realize like now, of course, everything's so different now. But I don't know how I would have done it differently. And maybe I wasn't really up to the task of turning that into something successful, but it wasn't. And, you know, yeah, but I got the chance. I mean, I got the chance.

Speaker 1:
[43:22] But Julie, is it hard to take a sketch? I'm sorry, David.

Speaker 2:
[43:25] Yeah, no, no, that's difficult.

Speaker 1:
[43:26] Take a sketch and you've done a sketch and you feel like a lot of the good jokes is the reason the sketch is doing well. And then you're not really starting from scratch, but to fill the whole.

Speaker 3:
[43:38] Yeah, no, I think it is. I mean, actually, it wasn't till late. I didn't watch all the Charlie Chaplin movies till much later in my life. And when I watched them, I realized not that Pat is any the character of Pat is anything like the Charlie Chaplin character, but that the way he was enigmatic and let everyone else be reacting to him while he was doing physical things would have been the way that I think it could have succeeded, but I didn't know enough to know that.

Speaker 2:
[44:08] I was in some very shitty movies, but I never felt like I was driving the boat. But I do think that funny with the sound off, like if the sound broke on a Pat movie, it would be nice to think it could still work. But to solve that dilemma, especially, you know, Stuart Small, these are quirky characters, they're not... I think Wayne and Garth just followed Bill and Ted, and they're like dudes, you know, party on. They're very accessible. And to make Pat, yeah, it would be a challenge, because such an eccentric character. But well, and it's funny, it's audio.

Speaker 1:
[44:39] It's sort of like more for adults, and Wayne and Garth could be for adults or kids, you know. They can get into it, too.

Speaker 3:
[44:47] Yeah. Because it's like very, you know, Stuart Smalley, I watched. I did. I when I lived in Chicago for 10 years and I was helping to teach at the Harold Ramis Film School. They have this film program that I was teaching. I was really not teaching. It was a friend of mine teaching it, but I kind of helped for one semester. And we were watching some Harold Ramis movies and he directed Stuart Smalley. And so we watched it. And you know what? I liked it. I thought it was a successful film. I mean, it's a really quirky movie, but I was really unlike Pat. When I watched the Pat movie, I was like, yeah, this doesn't work. I mean, this really didn't work. But Stuart Smalley, I thought worked.

Speaker 2:
[45:30] Yeah. I mean, Harold Ramis is so talented. I think talking to Al Frankeny, I think he's going on Fallon soon. And I told him he should do Stuart Smalley for the young audience and hold Jimmy's hand, make it all about Jimmy. You know, good enough, strong enough, you know, that kind of thing.

Speaker 3:
[45:47] So, oh, my God, you know, I almost canceled myself, except that no one cares if I'm canceled. Because after Al Franken's debacle and demise from the Senate, I was so angry and upset. I was so angry. I couldn't sleep for a month. I was so angry. And then I wrote a one person show about it and did it for like five Saturdays at the Groundlink Small Theater until people came up and said, Julia. First of all, this isn't even funny in any way. It was just me. I was all I did. I went through all the allegations. Allegation number four. You know, like I was I was crazed with anger at how the Me Too movement had been twisted up in the worst possible way to go after this great guy, in my opinion, and complete. It was so angry, you guys. And then I had somebody come and say, you know, you'll never work again if you open this show, because it's really just even though I'm a Me Too supporter. But in when it came to Al Franken, I just could see how that all that shit went down. And it was bullshit. And it was and then people weren't talking to me. And then I finally just dropped it because I couldn't make it entertaining enough. It really was a show of me for 90 minutes talking about each allegation against Al Franken. And why am I bulletin board and this? And why? And why? And why? And I had to stop it. I think that's when I really had went over on the other side of the culture, because I felt like, OK, this I'm so angry about this. It's so unfair. And and yet the culture is, you know, I'm not I can't influence the culture. And I'm just going to wreck my own career and health over it. So I kind of just dropped it. And then I also realized I didn't really have the standing for anyone to care about it, you know, what I thought about it. So I couldn't really even help him. And then later I finally saw El Franken. And then I realized he didn't really care if I was doing that either. I was like, I've just been doing a one person show about you. And he's like, oh, thanks.

Speaker 2:
[47:59] You don't have to. It's kind of scary because anybody, if someone from high school said, I looked at him wrong in 1973 or something, exactly. And so it's like, whoa, I mean, you know, there's there's the other, the big players, we don't have to name them where it's pretty obvious.

Speaker 3:
[48:14] Yeah, exactly.

Speaker 2:
[48:15] There was a lot of people that maybe behaved a little boorishly or something. But to be canceled for life is just a bit much.

Speaker 3:
[48:21] No, it was really that was really anyway. I didn't mean to take us into sad territory, but that was really, really, really just fucking got my goat. I just couldn't believe it. I couldn't believe it and I wanted, I just couldn't think of anything else. And it took a long time to just accept that's how life goes in an unfair way. Sometimes for some people and that's how it's always been. I mean, not for everyone, obviously not for everyone, but sometimes you're at the wrong place at the wrong time. I could thinking it's almost like there was a huge pile up on the road and Al Franken was driving on the outside of the road and his fender caught it and he just caught up in it, you know?

Speaker 2:
[49:03] One thing about Al, you can rest assured, he's very resilient, obviously, and a tough character.

Speaker 1:
[49:09] Oh, yeah, yeah.

Speaker 3:
[49:10] No, no. When I saw him, he's already had a million ideas. Yeah.

Speaker 1:
[49:13] Yeah.

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[52:30] That's right.

Speaker 1:
[52:31] You don't know this about me. I'm pretty particular. So, whether it's specific brands, fresh produce or ingredients for meals I've already planned. I can be really specific when you're on the app. You can message your shopper if you want certain ripeness and avocados, you can really just get on them and say, swap that out. It all makes a big difference. Honestly, convenience is huge.

Speaker 2:
[52:55] That's right. That's right. It's amazing. Being able to order on my schedule and have everything arrive in as fast as, get this, 30 minutes, saves me so much time and mental energy. It just takes one more thing off my plate. Instacart brings convenience, quality and ease right to your door. So you can focus on what matters most. Download the Instacart app now and get groceries just how you like.

Speaker 1:
[53:24] All right. I have a gear change question for Julia.

Speaker 3:
[53:27] You have a what?

Speaker 2:
[53:28] A gear change. He's going to shift gears.

Speaker 3:
[53:29] Okay. Yes. I'm sorry.

Speaker 1:
[53:31] No, I don't care.

Speaker 2:
[53:32] We love all of it.

Speaker 1:
[53:33] We love all questions. Before I got off, I wanted to ask you if you, I read that you felt badly that you might have cracked up during Motivational Speaker and I never thought of that of you. I never thought anything negative about that. I thought I did.

Speaker 3:
[53:48] I did. I do have a problem controlling laughing during sketch.

Speaker 1:
[53:52] I didn't really think that of you. I thought I fucked that sketch up. Me and Christina ruined it. But we were just laughing, which didn't really ruin it. It was just it just it was so rare to happen.

Speaker 3:
[54:02] Yeah, that was really just seeing the funniest thing. And you knew it was going to live forever. And you're in the middle of it and you have the best seat in the house. And I can't stop laughing. Like, I thought that was good.

Speaker 2:
[54:13] Farley in that character. I said it on another podcast. I think that's the most, I don't know, most potent thing someone's ever done. Maybe just the way he squatted and got ready for his next line. It's very crisp moves. They were just it was like it was like chaplainess. He's just going to get squatted, get set with his body before. Yeah, I that might have broke me if I was in it.

Speaker 1:
[54:35] I think, yeah, Phil might be the only one that didn't laugh.

Speaker 3:
[54:39] I know Phil is so good. He could really I couldn't control it. I couldn't control myself.

Speaker 1:
[54:44] We all started to break. And that's the problem is that we and back then, I think they do it more now. They crack up a lot. But it was definitely a no, no.

Speaker 3:
[54:52] No, it was terrible to do that. You're being like, yeah, Carol Burnett show now.

Speaker 2:
[54:59] Yeah, we didn't have as much fun as we could have had, you know, because I was just thought you get fired. I mean, when Phil finally broke, Phil finally broke doing Tonto, Tarzan and Frankenstein. And he's Frankenstein, he crashes through the thing or whatever. And then that first time Phil broke. Phil was done. Fire bad. And then he was, I was toast. And I thought, wow, this is amazing. Is he going to be in trouble? There's always fear on that.

Speaker 3:
[55:28] Yeah, there was. I wonder what it's like now. Because I was thinking, you know, Lauren is so much older now than the people who are performing than he was from our age. You know, like, for us, he was kind of an older guy, but now he's a much, much older guy.

Speaker 2:
[55:40] Yeah, 76. And then a new cast member is like 22, and they're chatting about comedy.

Speaker 3:
[55:45] That's a whole different feeling. I mean, I wonder what it's like. I don't know.

Speaker 1:
[55:51] The meetings are like, who's your favorite rappers? Rap singers.

Speaker 2:
[55:57] Right. Is Dr. Dre really a doctor?

Speaker 1:
[56:01] Does anyone know?

Speaker 2:
[56:04] I think they always seem to find a way that show to find great people, you know, Kristen.

Speaker 3:
[56:11] You know, it's an incredible success that I didn't, I didn't think. I thought, oh, it'll go for a few more years, but you really have to hand it to him. I mean, like, it's really incredible.

Speaker 2:
[56:21] He is the show and he never panicked because there were so many years of like, we got to do it taped or we got to change the name and change the band. And he knew he had an incredible brand and he just stuck to it. And like Steve Higgins said, Lorne wrote the Constitution of the House. And then he lets its liquid form. It can be whatever it becomes because now, going full circle with women, they play a lot of men on the show. You probably would have done George Bush or Ross Perot.

Speaker 3:
[56:49] Yes. Well, the reason I played Pat at first is I was trying to play a man, but I didn't feel like it was very convincing. And so I thought, oh, I'll just make a joke that you don't know if it's a man or a woman to kind of cover my lack of acting ability. But now I probably wouldn't think that I'd think I could just play a man if I wanted.

Speaker 2:
[57:08] Julia, can we just get up because we need something to trend. We're behind smart lists, but we're getting close. Inside your mind, have you ever thought to yourself, was Pat a man or a woman? Just internally to yourself. Do you know the secret?

Speaker 3:
[57:26] I'm sorry. There is no secret.

Speaker 2:
[57:29] There is no secret.

Speaker 3:
[57:31] I wish I could, so you had a little sound bite. You could be out there, but I'd be lying.

Speaker 2:
[57:35] I was just making fun of sound bites. Here's a sound bite. Church Lady wasn't religious. No, I don't.

Speaker 3:
[57:43] We could have done it. Church Lady becomes an atheist.

Speaker 1:
[57:45] That would have been funny.

Speaker 2:
[57:46] I do think Church Lady with Pat would have been perfect.

Speaker 3:
[57:50] You know what I think is that they just live together and you just don't ask questions about that relationship.

Speaker 1:
[57:56] They moved in together, you think?

Speaker 3:
[57:59] I just think it would be funny if they just like you find out that they lived together for 35 years in separate rooms. But it's just curious.

Speaker 1:
[58:07] Yeah.

Speaker 2:
[58:07] Church Lady just says we anyway. That would be the thing. We like to get dressed, don't we, in our clothes. Wow, we have our special clothes on. That fit us in a certain way. So we can't tell quite what we are under. That's why I'm out of shape.

Speaker 1:
[58:23] Anything else for the lovely Julia Sweeney to ask her?

Speaker 3:
[58:27] So you guys are both mainly living in LA now.

Speaker 2:
[58:29] I'm living in LA. Are you?

Speaker 3:
[58:32] Are you back from Chicago? And OK, so I bought a house in 1992 that I thought was going to be a starter house, but it's an ender house.

Speaker 2:
[58:41] And prices have gotten pricey.

Speaker 3:
[58:45] No, because I couldn't afford to live in this neighborhood. There's no way.

Speaker 1:
[58:48] No chance.

Speaker 3:
[58:49] So now we're my husband. I just married about 15 years ago and my husband and I. 15 years.

Speaker 2:
[58:55] Yeah.

Speaker 3:
[58:55] Yeah.

Speaker 2:
[58:56] Yeah.

Speaker 3:
[58:57] He's a good guy.

Speaker 2:
[58:57] Go ahead.

Speaker 3:
[58:58] And we're remodeling that house. It's a small house, but it's perfect for two retired people. And so we're remodeling it and we're living next door while it's being remodeled. But it's supposed to be done in about a year.

Speaker 1:
[59:13] It's supposed to be done in 10 and a half years.

Speaker 2:
[59:15] So are you?

Speaker 1:
[59:16] Yeah, it takes a while.

Speaker 3:
[59:17] So when it's done, I want to have you guys over. That's more like it'll be really pretty and we can sit in the backyard.

Speaker 2:
[59:24] And I would love it. Will you invite us?

Speaker 1:
[59:29] I'll go.

Speaker 2:
[59:29] Do you have my email or Greg will give it to you?

Speaker 3:
[59:33] No, Greg, you'll give me both their emails. Yeah, I think I saw you, David, at somebody's. Who was it? Some a party anyway.

Speaker 2:
[59:44] David at a party?

Speaker 1:
[59:45] Yes.

Speaker 2:
[59:46] No, Dana.

Speaker 1:
[59:48] Those are the good old days. But I still go out if it's someone's dinner or some small thing like that. Yeah.

Speaker 3:
[59:53] Yeah, that's what I used to have big parties all the time. I used to have a Sunday night party that was huge every Sunday. I think I remember that.

Speaker 2:
[60:00] Yeah.

Speaker 3:
[60:00] But now I like four to eight small, the right people, nice food, early.

Speaker 2:
[60:08] And early is the key. I like to eat early.

Speaker 3:
[60:11] I like to eat at four or five.

Speaker 2:
[60:13] I eat at five. And so I would have an adult's bed reach.

Speaker 3:
[60:17] We're on the same page.

Speaker 1:
[60:18] Yes.

Speaker 2:
[60:19] Yes. Early, fun, maybe Sunday, four to eight, boom, get in, get out.

Speaker 3:
[60:24] Yeah, maybe four to seven.

Speaker 2:
[60:25] And you're an atheist, so you won't care it's a holy day. Sorry. I am too. No, I'm an agnostic. I'm pretty sure I'm not an atheist. I don't know. Whatever. Joke to come.

Speaker 1:
[60:38] Julia, send us a mass e-mail and get Dana and I on there.

Speaker 2:
[60:43] Julia Sweeney, one of the all time great cast members of Saturday Night Live.

Speaker 3:
[60:47] Thanks for having me. It's really nice to see you guys.

Speaker 2:
[60:49] And when your house is done, we will see you. And if we don't see you then, we'll see you at the 50th. And my hair is going to even be more weird.

Speaker 3:
[60:56] I guess it's pretty close to that now, right?

Speaker 1:
[60:59] Oh yeah.

Speaker 2:
[61:00] 2025.

Speaker 1:
[61:01] Get the Pat outfit back in the suitcase.

Speaker 2:
[61:03] I'm going to get a few little things done, right? Right before I go.

Speaker 3:
[61:07] The last one, I really cared about being there, and it was really important for me, my identity that I was on SNL. I'm in such a different place now, I don't even know if I'd go because I just feel like, yeah, okay.

Speaker 1:
[61:18] I know. I want to fly.

Speaker 2:
[61:20] You just, yeah, I know, it's really about Lauren, kind of.

Speaker 3:
[61:25] Well, no, I mean, it is fun, but it's not like you can really talk to people. I mean, like, you just kind of be in this.

Speaker 2:
[61:31] No, you're going, hey, there's, there's, there's Bill Hader or there's, there's Melanie Hustle. Yeah, I know. It's everywhere but nowhere. I like a small party, six day people.

Speaker 3:
[61:41] I think instead I'll just, I'll have it after you guys go. I'll have my dinner party and we'll tell you all the juice.

Speaker 2:
[61:47] Yes.

Speaker 3:
[61:47] Yes.

Speaker 1:
[61:48] Juice it up.

Speaker 2:
[61:49] All right, you see.

Speaker 3:
[61:50] Okay, honey. I'll get your emails.

Speaker 2:
[61:52] Yes. Get our emails. We'd love to keep in touch and so great to see you.

Speaker 3:
[61:56] So good to see you.

Speaker 2:
[61:56] This is a fun part of this podcast.

Speaker 1:
[62:03] Hey guys, if you're loving this podcast, which you are, be sure to click follow on your favorite podcast app. Give us a review, five-star rating. Maybe you can share an episode that you've loved with a friend.

Speaker 2:
[62:14] If you're watching this episode on YouTube, please subscribe. We're on video now.

Speaker 1:
[62:19] Fly on the Wall is presented by Audacy, an executive produced by Dana Carvey and David Spade, Heather Santoro and Greg Holtzman, Maddie Sprung-Kaiser and Leah Reese-Dennis of Audacy.

Speaker 2:
[62:30] Our senior producer is Greg Holtzman and the show is produced and edited by Phil Sweeteck.

Speaker 1:
[62:36] Booking by Cultivated and Exhame.

Speaker 2:
[62:38] Special thanks to Patrick Fogarty, Evan Cox, Maura Curran, Melissa Wester, Hilary Shuff, Eric Donnelly, Colin Gaynor, Sean Cherry, Kurt Courtney and Lauren Vieira.

Speaker 1:
[62:53] Reach out with us any questions to be asked and answered on the show. You can e-mail us at flyonthewallataudacy.com, that's audacy.com.