transcript

Speaker 1:
[00:00] For Jada to get that.

Speaker 2:
[00:01] Let me try 1800, for real, let me see.

Speaker 1:
[00:03] You ain't tried it yet, you're on your fourth glass.

Speaker 2:
[00:07] Now this is my review. I like it.

Speaker 1:
[00:10] Let's try it.

Speaker 3:
[00:10] 1800, holla at us, we making make something work.

Speaker 1:
[00:13] They might be coming your way. You better like that shit. That shit by, In the man, it's still the time. 1800, we love you, Ben.

Speaker 3:
[00:26] Thank you.

Speaker 1:
[00:28] Yo, let me tell you something. Yeah, yeah, what up, y'all, it's Joe Crack the Don.

Speaker 3:
[00:47] You know who it is, your boy Jada. It's the Joe and Jada show, every show legendary, every show iconic. You see what my man got on that shit.

Speaker 1:
[00:59] Yeah, that's that. Let me tell you something, I was saving this for a rainy day. I knew our next guest was coming, I said, ah, fuck it, let me just shit on him, I'm gonna just throw that shit on him.

Speaker 3:
[01:09] You know what I mean?

Speaker 1:
[01:10] You know what I'm saying? You know, she in the, anyway, yeah, yeah, yeah, yeah, yeah, finish the rollout too.

Speaker 3:
[01:15] When you think about today's guest, you think about a Miami born force of nature who walked into this game with the City Girls and never left the conversation. Think about an unapologetic voice who turned personal pain, public drama, and sheer resilience to lyrics that slap and stories that stick. You know what I mean? You think about a woman who didn't just ride the wave, she created her own platform with Caresha Please, racked up hundreds of millions of streams and built the mogul level brand that stretches from music, acting, business and fashion. You think about a great mother, survivor tastemaker and rising solo stars dropping a debut album full of truth, fun and straight Miami energy. Ladies and gentlemen, make some noise for Yung Miami.

Speaker 2:
[02:27] Oh my God. That was an introductory piece. I got to resale. Y'all got to be kidding me right now.

Speaker 1:
[02:32] Caresha, please stop.

Speaker 2:
[02:37] Thank you.

Speaker 1:
[02:38] Yo, what's good with you, man? Yo, Caresha, let me tell you something. First of all, thank you for coming. This show is dedicated to hip hop, the hip hop culture, the hip hop experience. And you like, you love to do what we do. But when I said I'm coming over here to talk to you, I said, I want to know how Caresha grew up. Now everybody knows Fat Joe grew up in the Bronx, he was a hustler, whatever. We all got our stories. I never heard how you really grew up, like how you grew up, what part of Miami, how did you grow up with your mom's and pops there? What was it like coming to what we see now?

Speaker 3:
[03:23] So you mean you want to get in love a bit?

Speaker 1:
[03:26] Well, in the most, I want somebody to learn something from here.

Speaker 3:
[03:29] Opa-Laka, right?

Speaker 2:
[03:32] Opa-Laka.

Speaker 3:
[03:32] Let's hear about Opa-Laka, cause I know about Opa-Laka.

Speaker 2:
[03:34] I grew up in Miami, Opa-Laka. I did grow up with a mom and dad. My mom was a booster. She's just, you know, boosted, sell her clothes out to Trump. My dad sold drugs. He was in the feds. They both was like in and out of jail, but they made sure I had a good life, for the most part. But I grew up with a mom and dad. Both was hustlers and, you know, in Miami growing up, it's sad. So I grew up seeing mom boosts. I grew up seeing dad sell drugs, but I grew up seeing hustlers, you know, doing whatever they gotta do, feeding, eating dog shit to feed their kids. Yeah.

Speaker 1:
[04:10] You know, my studio, well, our studio is right by Opa-Laka. So believe it or not, 20 years I've been in that Opa-Laka area, doing all my music down in Miami. So the Opa-Laka, that's where they got that big Haitian sign, right? The big Haitian flag, or for the I-95, like 135th, right? Opa-Laka's 135th. Circle house and all that. So you grew up in the streets, basically. You become a young lady, right? You had a baby at a young age, right?

Speaker 2:
[04:45] I had my baby when I was 19, yeah.

Speaker 3:
[04:47] That's about right.

Speaker 1:
[04:52] Actually, we give her a PhD for that. 19 year old school.

Speaker 3:
[04:55] Right now, that.

Speaker 2:
[04:57] I think that's kind of like, I feel like people have babies 15, 16, 17.

Speaker 3:
[05:02] Fact.

Speaker 2:
[05:03] I had my baby once I graduated school. I was already-

Speaker 1:
[05:06] You graduated school better? I ain't graduate.

Speaker 2:
[05:11] I told my mom when she said I don't like school, but I'm going to get my high school diploma, but after that, I ain't going to college, baby girl.

Speaker 3:
[05:18] I don't think college is for everybody. It's not.

Speaker 1:
[05:21] You know, college just prepare you for a job, and we bosses.

Speaker 2:
[05:26] Yeah.

Speaker 1:
[05:26] We don't know shit about being workers and nothing like that. So college to me, it prepare you to be the best worker you could be, discipline and all that. The only good thing I would say about college, from my experience, I definitely ain't go to no fucking college. I got a doctorate though. My experience is you can network, and you meet like, put it like that, like Michael Jordan's son went to college with these dudes, and now they run his stores and all that. It's great for networking. Besides that, I've been an entrepreneur since I'm 14 years old. I don't know how to work for somebody, you know? So college to me, it ain't, yeah. I mean, you probably would have had a lot, you went to Atlanta the other day, the Atlanta college didn't turn that shit up.

Speaker 2:
[06:15] Yeah, I did. I love the HPUs. I think that like, college is an experience. Sometimes I wish I went to college. That's an idea. I wish I just went for the experience.

Speaker 1:
[06:23] Yeah, I get that. I get that. You know what I'm saying? It looks like fun. I would have fucked up in college. I would have been out in six months. For sure, I would have been, what's my man from? Tariq from Power? I would have been hustling all in that shit. They'd have been like, yo, get, well, I know somebody who hustled in college, but you know, I, yeah, anyway, that's just-

Speaker 3:
[06:48] With all of that-

Speaker 1:
[06:49] Everybody stay in school.

Speaker 3:
[06:51] With all of that, we heard about, you know, your background, open locker, now you turn in this new chapter, 32. With everything you accomplished, how does it feel now looking back?

Speaker 2:
[07:04] It feels great. I think that life is like a learning process. I think that we're going to continue to make mistakes as long as we growing. I always look back and be like, damn, I came so far into being where I am today. I really take care of my family. My mom and dad hosted to take care of me, and now I take care of my mom. I love that. When I look back, my mom would drive a G-Wagon.

Speaker 3:
[07:31] Tell them what mama pushing.

Speaker 2:
[07:32] She drives the same car as me.

Speaker 1:
[07:35] She good.

Speaker 2:
[07:35] I just be like, damn, I love that for me because I watched her go so hard.

Speaker 1:
[07:39] She beautiful too.

Speaker 2:
[07:40] My mama is one of those parents that does not play by her kids. Her kids can't do no wrong. Sometimes I have to tell her mom wrong. I'm wrong. It's okay to tell me.

Speaker 1:
[07:51] Sometimes you got to tell all my mom is the same way.

Speaker 2:
[07:53] I will tell my mom. It's okay. I'm wrong.

Speaker 1:
[07:58] I used to sit my mom down and I'd be like, because you know this rap game, this shit ugly, especially with social media and all that. So I would actually fly to Miami, sit down with my mom and be like, some bullshit is coming up or whatever. She'd be like, man, fuck that. Let's go to war. Like, yeah, my mom, she used to work in the numbers lot. So my mom's always been from the, I couldn't move my mother out the projects. I was rich. She would not move out the projects. So this time I spent Christmas, double platinum. New Year's with the limo outside, the whole crew waiting up in the jets. Happy New Year. Like, yo, JLo having a party. Let's get the fuck out of here. Like, she wouldn't move till I finally told her. I said, your mom, they gonna, which was a lie, but I said, your mom, they wanna kill me. They're gonna kill me if I keep coming here. I'm telling you, they wanna kill me. So I gasped and I went and bought the house in Miami. But I used to go to my mom's, I mean, just before she passed away, I was still just sitting there, I'd be like, yo, mom, I'm about to cease, you know, I'm about to set it off. We're about to get out.

Speaker 2:
[09:08] Well, why didn't she wanna move?

Speaker 1:
[09:09] She loved her projects, that's all she knew. She was there for 40 years before I was born. So my whole family existence was in the projects in the Bronx. So they thought that was it, you know what I mean? They didn't know no better. She was like somebody, the whole neighborhood and the whole building loved. So it was like, she, you know, I could get it, but I can't get it. Now you're saying, now I'm pulling up. There's no way to front like I ain't rich. I'm pulling up in the half a million dollar cars and all that. The neighborhood know what it is with Joe Crack. And my mom's in pop sitting in front of the building, talking shit, arguing with people, this and this and that. They acting like they don't know what's up. And I'm like, yo, y'all gotta go. Y'all gotta get the fuck up out of here. And I remember even when I went through, I said this, I think I said this to somebody.

Speaker 3:
[10:05] For sure you did.

Speaker 1:
[10:07] Man, you know, I've repeated my shit legendaries. Say it again. I didn't care no matter what I went through in the world. I bought my mother and father a house and the thing that made me the most proudest. And it wasn't even an ill house like that, but pulling up to my mom's and pop's house, knowing where we came from would always make me feel better than even me pulling up to a mansion or some shit like that. It was like, wow, I got my mom's house.

Speaker 2:
[10:33] Yeah. I think that's one of the best feelings.

Speaker 3:
[10:35] That's one of the best feelings.

Speaker 2:
[10:36] Taking care of your parents. I think that's going to always be a reward in feeling.

Speaker 3:
[10:40] When did you know that you wanted to be in the entertainment business?

Speaker 2:
[10:46] I would say since high school. I was like, I don't know how I'm going to be famous and rich, but I'm going to get there. I would just always manifest to me because I knew I couldn't be. I ain't never have a desire to work a job. So I wanted to be rich and famous and I always just spoke that to myself. I think it's just a short.

Speaker 1:
[11:06] I think certain women are born to live a certain lifestyle. I remember when I was in the feds and FBC, they used to tell me stories about Trina and they used to be like, yo, when she was in high school, the planet Earth was pulling up to that high school, trying to get with her, they knew she was top. I think you know something special about you when you feel like, all right, look, I'm going to make it on my own, I'll bust my ass, but I'm definitely going to live a certain lifestyle. That's what I feel like. I feel like I love and I enjoy that you live a great lifestyle and all that now, but I never felt like people understood your upbringing. I never courted like that. I never got the stories of people like, yo, I grew up with Caresha or whatever the case may be. So now you here, man, success.

Speaker 3:
[12:07] Yo, we just want to let you all know, 1800 is the official tequila of Joe and Jada.

Speaker 1:
[12:14] We're doing it big right now. We're keeping the 1800 the premier tequila. And let me tell you something, this 1800 is something special. When me and Jada get on that 1800, it's fire.

Speaker 3:
[12:26] You can see we got the Engraved Special Bottle.

Speaker 1:
[12:30] A staple, known for craftsmanship and consistency.

Speaker 3:
[12:34] Yeah, me, 1800.

Speaker 1:
[12:36] 1800. I used to hear, was that you or was it JT that they were shooting at the car and all that shit?

Speaker 2:
[12:46] That was me. My car got shot up.

Speaker 1:
[12:47] That was you.

Speaker 2:
[12:48] I was trying to shoot up my car.

Speaker 1:
[12:52] No, they were shooting at her.

Speaker 3:
[12:53] That's drenched. You in the trenches.

Speaker 2:
[12:55] My car got shot up when I was six months pregnant. I was leaving.

Speaker 1:
[12:58] Yes.

Speaker 2:
[12:59] I was leaving the circle house.

Speaker 1:
[13:01] was telling me like, yo, they shooting the City Girls up. I said, yo, what? They like, yo, they shot the shit up. What's going on? I'm like, yo, fuck it.

Speaker 3:
[13:10] Six months pregnant?

Speaker 2:
[13:11] I was pregnant. That was the most traumatizing moment of my life. That shit was like, it was so, I remember that day like it was yesterday.

Speaker 1:
[13:20] Is there almost like a story with you dealing with a guy that was like had mad beef or something?

Speaker 2:
[13:27] I don't know. It was a lot of weird shit going on. It was so weird.

Speaker 1:
[13:30] They're shooting your car up. You're the City Girls, six months pregnant.

Speaker 2:
[13:34] I had to get out and run. It was a lot.

Speaker 3:
[13:37] You had to get out and run?

Speaker 2:
[13:38] Yes, because they shot up my tires.

Speaker 1:
[13:40] No, they shot up her car.

Speaker 2:
[13:42] When I tried to press the gas, it wouldn't go. They shot up my tires. They was trying to get me. They was trying to off me, but.

Speaker 1:
[13:47] Yo, but what's wrong with, you see, I always say that. He say I repeat myself, but I'm most likely to get killed in the Bronx at a Dunkin Donuts. Couldn't fucking anywhere in the world. I could be anywhere in the world, China, Africa, whatever. They not trying to kill me. When I go to the Bronx, that's when somebody who think they know me try to come out their face. That's, it's always people you grow up with that feel like you won't do nothing serious to them no matter how serious you are. Some people make them a secret and they catch a hell of a bad. So that was you. Oh no, they catch one bad, like bad. They catch that catch up. I don't play that shit. Did you have to move somewhere else, like Atlanta, New York, somewhere?

Speaker 2:
[14:36] No, I stay, I'm not going to lie.

Speaker 1:
[14:38] Bro, Sherwood House is where she grew up. They shooting up the block, they shooting up the car. Where are you going? Miami, this small.

Speaker 2:
[14:45] I'm not leaving Miami. I can't leave Miami. I don't know if you can ever leave New York.

Speaker 1:
[14:50] Yeah, so where you went, Palm Beach or some shit?

Speaker 2:
[14:53] They shot my car, I'm leaving the studio. So I stayed at my house. I took a flight to LA, I got out of there because I was pregnant. Oh no, you got to get out of here. I had to call my doctor, hey, what's going on? But I went to LA, but I'm in Miami. I can't go there.

Speaker 1:
[15:10] I know you in Miami, but that got resolved like your old squash, the Beats over.

Speaker 2:
[15:15] I hope so.

Speaker 1:
[15:17] Oh, you hope so?

Speaker 2:
[15:18] I don't know if I hope so. I take that back.

Speaker 1:
[15:21] But Saucy Santana going to have to step up for you. Come on.

Speaker 2:
[15:27] Saucy Santana, okay.

Speaker 1:
[15:28] Saucy Santana, boy, he going to have to step up for you. Cause y'all.

Speaker 3:
[15:45] I don't know what's wrong with this guy.

Speaker 2:
[15:46] Oh my God!

Speaker 1:
[15:48] No, that's your guy right there.

Speaker 2:
[15:51] He was going hard for you. Yes, you need people that go hard for you. And your point of that genuinely supports you. He genuinely supports me, and he ain't like, when it comes to a man, Oh yeah. He gonna step up.

Speaker 1:
[16:04] He ready to fight.

Speaker 2:
[16:05] He ready to fight. He know how to fight.

Speaker 1:
[16:06] Like, yo, that means, so Steve Santana, fuck you up, your career is over. I'm telling you the truth. Move on. Eat your own bottle of 1800. You're late. That's like Jack Carlos saying these black, now in the R&B shit.

Speaker 2:
[16:22] And now you gonna put like in it later.

Speaker 3:
[16:23] What you call him, Jack Carlos?

Speaker 1:
[16:24] Jack Carlos. Who's my man, Jack Carlos?

Speaker 3:
[16:29] Jack Carlos. His name is Jack Carlos. Call him Jack Carlos. Yo, that's my man, Jack Carlos. How you gonna call him Jack Carlos?

Speaker 2:
[16:40] Oh my God.

Speaker 1:
[16:41] Don't act like that boy wasn't on fire like two years ago and was selling out stadiums in the morning.

Speaker 3:
[16:47] He's going, he's going.

Speaker 1:
[16:49] What you want me to go? What were you talking?

Speaker 2:
[16:51] It's Jack Carlos.

Speaker 1:
[16:52] It's what?

Speaker 2:
[16:53] Jack Carlos.

Speaker 1:
[16:54] Man, he's a beautiful guy, man. That guy right there. I'm sorry, he stumbled on some shit, but what happened?

Speaker 3:
[17:03] We got Caresha here.

Speaker 1:
[17:05] Caresha with us? What are you talking about?

Speaker 3:
[17:08] She's got things going on.

Speaker 2:
[17:10] I don't know.

Speaker 3:
[17:10] That's another, that's another.

Speaker 1:
[17:12] That's another subject. You're going to bring Jack Carlos up here?

Speaker 3:
[17:17] He called him Carlos again. Jack Carlos.

Speaker 1:
[17:20] Puerto Rican, they can Puerto Rican and Cuban. You grew up with the Cubans out there, huh? Oh, my God.

Speaker 2:
[17:26] I grew up with everybody. Bet that up, bro.

Speaker 1:
[17:28] Bet that up.

Speaker 2:
[17:29] Cubans, Haitians, Jamaicans, Colombians, everybody.

Speaker 1:
[17:32] You know how many arguments I had in my, I've been in Miami 20 something years. You know how many arguments I had when it was like, yo, you a Chico. I never knew Cubans like actually like that. That's like saying, what's up my in Miami? The be like, yo, what's up Chico? I be like, who the fuck on the earth you calling Chico? I had the biggest problem, I think Pitbull sent me that. I was like, yo, Chico mean love.

Speaker 3:
[17:59] He the first person to have a hit song like that.

Speaker 1:
[18:01] They got number love for you.

Speaker 3:
[18:02] That's why I never took it.

Speaker 1:
[18:04] He called you Chico?

Speaker 3:
[18:06] He calls everybody Chico.

Speaker 1:
[18:09] He broke it down to me. He was like, yo, they showing you love. I was like, fuck, they talking about. Like, you know, we grew up with a different slang in New York, in Miami. So who was it for you? Like Trina, Trick?

Speaker 2:
[18:22] Trina, Trick, Ross, Balgreezy, Iceberg, Pitbull.

Speaker 1:
[18:28] Balgreezy, what's up, baby?

Speaker 3:
[18:29] Balgreezy was good.

Speaker 2:
[18:30] Yeah, Balgreezy.

Speaker 1:
[18:33] DJ Khaled.

Speaker 2:
[18:34] DJ Khaled, of course.

Speaker 1:
[18:35] So you used to listen to him on the Raw Young?

Speaker 2:
[18:37] DJ Khaled. Yeah, I was in, they did a I'm So Hood video, DJ Khaled.

Speaker 1:
[18:41] I was there.

Speaker 2:
[18:42] I was in that video.

Speaker 1:
[18:43] Yeah?

Speaker 2:
[18:44] Yeah.

Speaker 1:
[18:45] I gotta check that out.

Speaker 2:
[18:46] I mean, Trina is like my godmom. Trina, Trick and my mom, they all grew up together. So I start always seeing Trick videos and things like that.

Speaker 1:
[18:54] He cooked his ass off.

Speaker 2:
[18:56] Yeah, Sunday, that's the best restaurant in Miami. They got the fried ribs.

Speaker 1:
[18:59] You got the pork in my pot. They got the fried what?

Speaker 2:
[19:01] Fried ribs.

Speaker 1:
[19:03] Fried ribs?

Speaker 2:
[19:04] Fried ribs.

Speaker 1:
[19:05] Like pork ribs.

Speaker 2:
[19:06] Yes, the best. Do you eat pork?

Speaker 1:
[19:13] No, I don't eat pork, but on top of that, fried ribs, like this shit getting out of kitchen. Like my sugar go up.

Speaker 2:
[19:19] Minimum fried ribs.

Speaker 3:
[19:20] My sugar ain't gonna go nowhere.

Speaker 1:
[19:22] Oh no, your sugar going up. Fried ribs?

Speaker 3:
[19:25] It's blood going up.

Speaker 1:
[19:28] My monitor be bing bing bing bing bing bing bing bing. It's like some crazy, I just ate Jamaican food in Miami. My sugar went to the moon and I ain't even eat no carbs, but it's just how they cook the shit up. But Trick them really cook.

Speaker 3:
[19:44] It's what they cooked in.

Speaker 1:
[19:45] Huh?

Speaker 3:
[19:46] It's whatever they cooked in and whatever kind of oil.

Speaker 1:
[19:48] He got that, you know what I learned from Miami y'all? Well, I learned a lot of stuff, but conch.

Speaker 2:
[19:54] Oh yeah, fried conch.

Speaker 1:
[19:55] You guys with the conch salad and fried conch.

Speaker 2:
[19:58] You know, conch salad is equivalent to like ceviche.

Speaker 1:
[20:01] Yeah.

Speaker 3:
[20:03] It is. Yep. In Spanish people, we eat octopus.

Speaker 2:
[20:09] Yeah.

Speaker 1:
[20:09] Yeah, that conch, I don't-

Speaker 2:
[20:11] You ever had some?

Speaker 1:
[20:12] Turks and Caco conch. You ain't with it like that, huh?

Speaker 3:
[20:16] Wow.

Speaker 2:
[20:16] What's that? You had fried conch and a conch salad.

Speaker 1:
[20:20] Trick Daddy, the first person to-

Speaker 3:
[20:21] I think I tried the fried one.

Speaker 1:
[20:23] Fried conch.

Speaker 3:
[20:24] Like a fritter.

Speaker 2:
[20:25] Yeah, it's a conch fritter.

Speaker 3:
[20:26] I tried the fritter.

Speaker 2:
[20:27] Oh yeah. You had like the extra, the one like a pancake or the ball.

Speaker 3:
[20:31] The ball.

Speaker 1:
[20:32] Balls.

Speaker 2:
[20:33] That's why.

Speaker 1:
[20:35] Nah, we in the hall of hall. We got like pancakes?

Speaker 3:
[20:37] I'm gonna try.

Speaker 2:
[20:38] Yeah, you gotta get the real food. That's like, I don't like conch balls. I like the fritter, like the one that's like a pancake.

Speaker 3:
[20:45] So they lied to me. They gave me a ball that told me it was a fritter.

Speaker 1:
[20:48] Nah, they didn't give you the real shit.

Speaker 2:
[20:49] No, it is a fritter, but it's a conch ball. It's conch fritter, it's a conch ball. You had a conch ball.

Speaker 3:
[20:53] Flat one is the one.

Speaker 1:
[20:54] You know, we in Turks and Caicos, they came and brought the conch. It's in a fucking seashell.

Speaker 2:
[21:00] Yes.

Speaker 1:
[21:01] They brought the shit, pulled it out, started making like the ceviche. Yeah, the real shit.

Speaker 2:
[21:06] Yeah, they do that in Turks and Caicos.

Speaker 1:
[21:08] They do that, huh? Yeah. Man, you done toured the world growing up. If you could look back, do you ever look back at a young Caresha and everything you dreamed of has happened for you on a different level? Like, you know.

Speaker 2:
[21:23] I love my younger self. I always reflect. I always look back at my younger self and be like, I love her because I just, I'm strong and I think that like my upbringing made me who I am today. Like, I don't, I don't fall under pressure. You know, I like stay, I stay like, stay through the storm and I think that I look back and I just be like, I love you because that's what got me where I am today. Like, just going through shit, just gonna happen to like fucking raise my mom with kids and just seeing her husband, seeing her survive. Like, I got that survival with me. Like, I ain't no punk ass bitch. Like, you could throw anything at me, I'm gonna come out. I'm gonna come out the fire smelling like smoke. Like, I'm coming out that bitch like, what's up?

Speaker 1:
[22:10] I seen it, I seen it. We totally invested in you coming out to smoke. We all realized that that's gonna, that's gonna happen for you. You, you, you, you solid. Look, you got shot at six months pregnant. That shit real as fuck. That's, that's like the realest shit we ever heard. That's crazy.

Speaker 3:
[22:31] I wasn't expecting.

Speaker 1:
[22:33] Huh?

Speaker 3:
[22:33] I wasn't expecting.

Speaker 1:
[22:34] You wasn't expecting that?

Speaker 3:
[22:36] No, not that one.

Speaker 4:
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Speaker 3:
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Speaker 1:
[24:39] Man, I don't know. It's a lot of times where you from, where that shit is always where you from. Like me growing up, I just kept getting in trouble here in New York. I went to Miami, I never had a fight. Well, maybe one or two, but not really in Miami.

Speaker 2:
[25:00] What do you hang out in Miami? You be on the beach.

Speaker 1:
[25:02] I'm bouche here in Miami. Here, I'm the hood. Here, I'm in Harlem, the Bronx, wherever. Wherever it's that, I'm here. In Miami, I'm still shirts, I'm on the other side. You know how they say, the other side of the bridge?

Speaker 2:
[25:14] Yeah.

Speaker 1:
[25:15] Yeah, I don't know much about the hood.

Speaker 2:
[25:16] So you're not really in Miami.

Speaker 1:
[25:17] Oh no, I'm not in the hood. Oh, I've been to Rolex. I've been to all those shit you ever thought of. The Bullet Scar Strippers. KOD, I've been to all that shit. I've been in Miami. I was in the hood. Right. No, I've been in Miami for real, but I'm bouche here, man. You'll see me at no-

Speaker 2:
[25:43] You got to be bougie in Miami.

Speaker 1:
[25:44] Car bone or this. The cops actually say hi to me in Miami. You ask the cop in New York. Really not now. Now I'm an OG, but if you would have asked the cop in New York about Fat Joe, man, the type of things they would have told you, then you ask the cop in Miami, they'd be like, oh, it's the greatest guy I ever seen.

Speaker 2:
[26:04] Yeah, that's Miami.

Speaker 1:
[26:05] He's got all the fundraisers. This guy is a great guy. Over here, that shit was night and day. But when I had moved to Miami, I moved over there to live a peaceful life. I was like, yo, we gotta repeat. We can't come over here and start shit with everybody because we went down there. So when I moved, 30 of my dudes moved down there too. We was just super deep in Miami. But I was telling everybody, yo, this is not the Terrance Squad in New York. Let's just chill. You know what I'm saying? Let's figure it out. So I seen the whole come up. The only guy who had me beat in Miami was Uncle Luke. His shit was popping way before I got out there. His shit. He's the king. Him, Uncle Al. You know, the first time I think I ever went to Miami, I seen Luke. He was, Uncle Luke. He had the dancers doing the City Girls in the street. So it was like, what?

Speaker 2:
[27:08] Oh yeah. What's the City Girls?

Speaker 1:
[27:10] Now you know, busting it open and all that. That man, that man, that man. I remember-

Speaker 2:
[27:17] I just saw a fan go to play on the, hold on now.

Speaker 1:
[27:19] No, I'm telling you.

Speaker 3:
[27:21] Hit him with a flat.

Speaker 1:
[27:22] No, I got Instagram. Caresha, I got Instagram. I see you. I see you.

Speaker 2:
[27:30] What you see?

Speaker 1:
[27:31] In the club.

Speaker 2:
[27:33] Okay, wait, wait. What are we doing on Instagram?

Speaker 1:
[27:36] Putting that work in, putting that pain in. But listen, who cares? Luke would do that in the middle of the street. When Luke was popping, he'd take like a bunch of girls and on the sidewalk, you'd be in South Beach, and they'd be like, yo, Luke over there. And they just bust in, they open on us. You feel like you went-

Speaker 2:
[27:57] I think that was like back in the day.

Speaker 1:
[27:58] To Magic City, yeah, way back. I'm old. I'm telling you about way back in the day.

Speaker 2:
[28:03] Yeah, I think it was like back, back. I don't think there was City Girls.

Speaker 1:
[28:07] What you mean? Oh no, y'all wasn't, y'all, you was a baby. I'm talking about when Luke had it poppin. I'm that old that I used to go to Miami. You know what's crazy is one day we went to Miami, it was like very, me and my brother, we went, you know, I think everybody who just go to Miami for the first time, they went to Convertible, Mustang and shit, the regular.

Speaker 2:
[28:30] You gotta get a Burt.

Speaker 1:
[28:31] The car, or what?

Speaker 3:
[28:33] Burt, man, you lived in Miami 20 years.

Speaker 1:
[28:37] What's a Burt? What you mean? Like the old school car with the dunks? Y'all been had that shit. That shit break down too much. I need new shit. I don't care if it's a Honda Accord dude. I can't fuck with them.

Speaker 2:
[28:49] I gave them shit for free.

Speaker 3:
[28:51] You gave your shit away?

Speaker 1:
[28:52] Bro, I drove that shit every two blocks.

Speaker 2:
[28:55] Somebody had to come tow me.

Speaker 1:
[28:58] This, that, I gave that shit away. Matter of fact, I think 4 Master Flex, did I give it a? I think I gave it a 4 Master Flex. I was like, yo, I got an old school for you. I was done.

Speaker 2:
[29:08] I wanna be with me at old school. I have to.

Speaker 1:
[29:11] Well, you from Miami. That makes sense.

Speaker 2:
[29:13] And my shit ain't gonna break down.

Speaker 1:
[29:15] No, my shit broke. It can't be old school.

Speaker 2:
[29:18] No, they always be on the side of the road.

Speaker 1:
[29:19] I'm not gonna lie. Cause they be like, yo, is it really old school so your motor gotta be old, all that shit. You do that, you're stuck every three, four blocks. I had the flyest old school shit with the top off. It was fucking like the Knicks. Roll you blue, orange, convertible. It was the flyest old school shit in the world. That shit broke down every two blocks. They do. I was like, yo, that's it, give me a Honda Accord, my. And I had a convertible so it didn't even have AC. So that shit in Miami. Yeah, that's another level. Some of the girls you vibe with, some of the girls you've looked up to and giving you inspiration throughout your career, your life or whatever.

Speaker 2:
[30:06] I'm going to say Trina. I love Trina. I feel like Trina is the blueprint to me. I love the way she carry herself. I love the way that she respected. I love how low key she is. And she's just a real ass bitch all around. Like Trina is my inspiration. And she's from Miami. She put on for the crib, she's a legend.

Speaker 3:
[30:24] Big up to Trina.

Speaker 1:
[30:25] Trina is a super legend. That's my girl. What's up, Trina?

Speaker 3:
[30:28] What's up?

Speaker 1:
[30:30] That's my girl, Trina. She's always been like you. She's been a hustler. She's been working. She work hard, got a crib. She never hear no stories about, she just take care of business.

Speaker 2:
[30:42] She keep her face clean. She will be gon keep her face clean about her business.

Speaker 1:
[30:46] You know what's crazy? One day I'm, I think I'm in Vegas and I'm going through the TSA. And I'm hearing a little, you know, a girl going back with the TSA and I pull up, it's Trina. I said, yo, sis, don't get these that type of time. She was like, you know what, bro, you right. She just walked in. Boom, Trina don't play that shit.

Speaker 2:
[31:08] She don't play with nobody.

Speaker 1:
[31:10] Nah, she don't play that shit. New music, new album, who's some of the people you worked with? Who's some of the people you might want to work with?

Speaker 2:
[31:22] Some people that I might want to work with? I want to work with Rihanna.

Speaker 1:
[31:28] That's an excellent choice. Bing, bing, bing, bing. That's an excellent choice. Goddamn it, I want to work with Rihanna.

Speaker 2:
[31:37] Shit.

Speaker 1:
[31:38] You see that boy Khaled be going. Khaled go to fucking Barbados and be like, I want to smell the air, Rihanna. Like your nickname, boy, he want that. What's that shit? Wow, wow, wow. You want to block two of that. God.

Speaker 2:
[31:53] Yes, I would love to work with Rihanna. Chris Brown, Bryson Tiller, Brent Faiyaz.

Speaker 3:
[32:02] That's sound like an album right there.

Speaker 2:
[32:04] Yeah.

Speaker 3:
[32:04] You do all of them, that's an album. That's a nice album.

Speaker 2:
[32:07] Yeah.

Speaker 1:
[32:08] You never worked with Chris.

Speaker 2:
[32:10] I never worked with Chris. He lied to me actually. He was actually supposed to do Good Love, the song that's the City Girls feature Usher.

Speaker 1:
[32:20] Yeah.

Speaker 2:
[32:20] He was supposed to do it.

Speaker 1:
[32:21] That's, you got Usher on there.

Speaker 2:
[32:23] He was supposed to do it and then he never got around to it. So I should be trying to go.

Speaker 1:
[32:28] Well, I can tell you he ain't full of shit. I can be honest with you. Chris tell you, listen, I was down bad. I'm in fucking Africa. I got a show. When I say I was ice cold, and Chris Brown was on the show, all this, like meaning like I didn't have a hit at the time. Chris was like, yo, it's time we should do a song. I said, yo, Chris. Don't tell me.

Speaker 2:
[32:54] Chris is so talented.

Speaker 1:
[32:55] No, I'll tell them all. When you lie to, you can't lie to Fat Joe. I said, Chris, I ain't ask you about this song. You telling me you want to do a song? He said, yo, send me this shit. Then we did the song Another Round. I sent it to him. He sent it right back. Oh, Another Round.

Speaker 2:
[33:12] That's my song. Another Round.

Speaker 1:
[33:14] That was Another Round.

Speaker 2:
[33:16] That's my song. Chris, I need one of those.

Speaker 1:
[33:20] Give me one of those.

Speaker 2:
[33:20] I don't know, I might have to have you call him, Joe. I ain't gonna die.

Speaker 1:
[33:23] Well, I gave him the hook. You know what he... Call him. You know how I came up with that hook was... And I want to say we came up with the hook. I'm not that... You know, Lean Back Me, Make It Rain Me, Another Round, I think I had help. But I used to go to this fucking Club Liv every Sunday and Little Wayne be right there. He had that song. He said, I want to fuck every girl in the world. I want to fuck every girl. And he used to be in there just pointing. I want to fuck... They play that record? What was that record?

Speaker 2:
[33:58] Fuck Every Girl in the World.

Speaker 1:
[33:59] It's Every Girl in the World? He used to be sitting in the next table. He'd be like, I think I could fuck every girl in the world. And I was like, you and her and her and her and you and her. That's how that song came out. It's crazy. But yo, Chris Brown keeps it real. He gonna keep it real. I got him to do the song with Rami.

Speaker 2:
[34:22] We need another round for Fat Joe. We need to do another round with me.

Speaker 1:
[34:25] Wow. That'd be a great collab-o. Rihanna on this album, do we got a title for the new album? Cause I know you got the T in all that, right?

Speaker 2:
[34:34] Yeah. So...

Speaker 1:
[34:36] What's the deal with the red cup? Everything. Tell me what you selling.

Speaker 2:
[34:39] So the red cup...

Speaker 1:
[34:39] Cause you selling something, the cars, the red cup.

Speaker 2:
[34:43] I'm like a walk in the steady. So the red cup is like, whenever I go out, whenever I got my red cup, I know it's early. And I say, damn, I'm going to, I'm going here kind of early to be in my red cup. Like I just woke up, but shoot, I was bringing the vibes. When I have my red cup, that mean it's about to be a lit night.

Speaker 1:
[35:00] Oh, it's going over the top.

Speaker 2:
[35:01] That mean we going there. Like we going up, we about to have fun. So I used to have my red solo cups. And I was like, I need this shit to feel like me though. Cause it was like my aesthetic. Like I need this to, it got to be a part of my brand. So I came up with my own red cups. And it's called a red cup type of night.

Speaker 1:
[35:19] And you sell them? People buying them?

Speaker 2:
[35:20] Yeah, carreshaplease.com, carreshaplease.com. They come in a 10 pack, a 20 pack. You can get them online right now. Oh yeah, you can get them online right now.

Speaker 1:
[35:29] I heard that.

Speaker 2:
[35:31] I brought y'all some goodie bags too. I got y'all some.

Speaker 3:
[35:33] Oh, I need cups.

Speaker 1:
[35:35] What's the cards?

Speaker 2:
[35:37] It's cards. I want to play. I think we should put up some cards.

Speaker 1:
[35:41] Oh, I don't know how to play.

Speaker 2:
[35:44] Oh, now you're on the-

Speaker 1:
[35:45] This is a game, but no, I can't play.

Speaker 2:
[35:47] No, it's just like, if you done what's on the card, you take a shot.

Speaker 1:
[35:51] I can't play a carreshaplease game. No fucking way.

Speaker 2:
[35:57] Why not?

Speaker 1:
[35:58] Not me, I seek the kingdom.

Speaker 2:
[36:00] No, you got a lot of- I seek the kingdom. I need Caresha Please to be a part of one of your stories. I need you to be like, I'm gonna interview her.

Speaker 1:
[36:07] No, you here, you're a part of our story.

Speaker 2:
[36:09] No, I need you to be like, I'll interview her. I play her game and that shit got crazy.

Speaker 1:
[36:12] I know, but I'm not doing it. I'm not doing, not me, wrong shit. I can't play no Caresha Please. Caresha don't play that shit, man. They know that shit.

Speaker 2:
[36:22] Okay, well-

Speaker 1:
[36:23] Know what I'm saying?

Speaker 2:
[36:25] Yeah, so I said-

Speaker 1:
[36:25] You want to play the Caresha Please?

Speaker 3:
[36:27] No, I want to hear about the album.

Speaker 1:
[36:29] She got cards. You want to hear about the album.

Speaker 3:
[36:31] No, I want to hear about what you're selling the album. I want to hear about her.

Speaker 1:
[36:36] All right. Are you trying to say I'm over talking?

Speaker 3:
[36:41] I didn't say nothing you said. I didn't say anything.

Speaker 1:
[36:46] I didn't say anything.

Speaker 2:
[36:48] I have a new album that's coming this summer, and the album is so good. The album is good. I'm very excited about it. I think that it's going to show where I'm at in life. I get vulnerable on the album. I answer all the questions that people are, that they want to know. I get it to all the things. I get vulnerable. I get open, and I think it just shows where I am in life right now, and I'm in a happy space. I am a healed woman in my new era, and I'm alright.

Speaker 1:
[37:26] Make some noise for that. Let me ask you a question, right? Because your biggest hits, the biggest hit was more like booty music, right? Let me just explain something. I was there when they signed Flo Rida for the first time. Shout out to my family out there, E-Class, Freezy. But E-Class was a real Miami rapper. Like, he used to spit bars.

Speaker 2:
[37:54] I ain't never know where E-Class from.

Speaker 1:
[37:56] No, no, not E-Class, Flo Rida. Flo Rida came out, I want some cake for my birthday. I want my cake every day. Like, he was spittin, like just like Pitbull. Spit, they caught that lick. And they never looked back to the bars and raps and shit like that. Like, you, I don't know why. Maybe I'm crazy, but I feel like. No, she got one.

Speaker 2:
[38:22] Oh, I got, please.

Speaker 1:
[38:23] That you wanna, like, I feel like you wanna rap. I don't know why.

Speaker 2:
[38:27] I wanna have fun. I mean, I am rapping. I'm rapping. I'm gonna play y'all a song. All right. Like, before I leave.

Speaker 1:
[38:33] Cause I got it, I never heard. I just feel like you wanna rap. Like, I get that from you.

Speaker 2:
[38:40] I wanna pop my shit. I wanna talk about my life experiences. I wanna pop my shit. I think music is therapy. I think that's why I like music feels good to people. Like, it don't matter what you're going through in life. It could be an anniversary, graduation, death, anything. Like, you could put on music and it can relate to a situation that you got going home. And I think that that's kind of like what I did with my album. Yeah, it's fun. Yeah, it's poppin pussy. Yes, Uncle Luke. It's all that. But I also got like some vulnerable moments on there. I also get open. Like, it's a lot of sides to me. I am always gonna be a city girl. But I'm also a mom. I'm also a daughter. I'm also a woman. And I think that, you know, when you press play, it's fun. And you gonna share this here. You gonna be like, damn, I wasn't expecting that from her. I didn't know she could speak like that. I didn't know she had metaphors. I didn't know she could articulate herself like that.

Speaker 1:
[39:31] See, I knew she wanted to speak, you see?

Speaker 2:
[39:34] I knew she wanted to speak.

Speaker 1:
[39:37] I'm telling you, I knew she wanted to speak. What happens is, in this rap game, since the beginning of time, and I've been here since the beginning of time, you catch.

Speaker 3:
[39:46] You say that?

Speaker 1:
[39:47] You catch. You see this rainbow shit all night.

Speaker 2:
[39:53] Don't do that, bro.

Speaker 1:
[39:54] Come on, baby is sick. Lavi is sick out here.

Speaker 2:
[39:58] I like that meat fur though. I ain't gonna lie. With the rainbow, with the rainbow.

Speaker 1:
[40:02] See, if I had it like that, I would give it to you. I was the type of that if a girl said something like that, I might just give it to you. But to be honest with you, I ain't got it like that. I'm gonna keep this shit on right now. Oh no, the his and hers, now we got, my daughter's is hers and hers. So now this shit had a control right now. This shit is like bang, bang, bang, bang. I got a, this is a different type of thing going on now.

Speaker 2:
[40:27] That's what it's about.

Speaker 1:
[40:29] Oh yeah.

Speaker 2:
[40:30] That's what it's about.

Speaker 1:
[40:31] Well, that's what it's about for me. You know what I'm saying? It's always been like, I just like, still my guys came today, looking extra fly. They knew Caresha was in the building.

Speaker 2:
[40:40] Hey guys.

Speaker 1:
[40:41] They can get best fits on. You know what I'm saying? looking splizzy out here. You know what I mean? They can't do, you know what I'm saying? But that's what it's about. You know what I'm saying? Taking care of the family. How about taking care of the family after life? That's the illest shit. Because you don't want your family after life. Meaning, I'm trying to tell you.

Speaker 2:
[41:07] He mean after death?

Speaker 1:
[41:08] Yeah.

Speaker 2:
[41:09] Right.

Speaker 1:
[41:10] So you mean after life? So well.

Speaker 3:
[41:12] Now you confused. Yeah, but.

Speaker 1:
[41:14] She's right. You're right. You're right. After death. But after death doesn't sound as good as after life.

Speaker 2:
[41:21] You know, I like God, Kim, she's together.

Speaker 3:
[41:24] Yeah, because you like her. Biggest in the game.

Speaker 1:
[41:26] Tell me about it, Carisha. Tell me about it, girl. This shit on fire. Netflix, number one. Oh, they're sick out here.

Speaker 3:
[41:34] They are sick.

Speaker 1:
[41:36] You know, before we started doing podcasting, dudes was coming with white tees on and they're talking that shit. They ain't never really did shit in their life. They ain't got no hits. They ain't got no shit. We came up on here like this. This shit disgusting.

Speaker 3:
[41:53] How you want it? My jeans is 7,000. They ain't wearing no shit.

Speaker 2:
[41:58] What part of New York you from?

Speaker 1:
[42:00] He from Yonkers.

Speaker 3:
[42:01] I'm from where Mary Blige is from in D.

Speaker 1:
[42:03] Oh, you're from where Mary Blige is from?

Speaker 3:
[42:09] I am from where she from.

Speaker 1:
[42:10] In DMX, we had the locks on here last week. The first thing she says down, he goes, oh yeah, we met Mary J.

Speaker 3:
[42:19] Black.

Speaker 1:
[42:19] Like he knew the questions.

Speaker 3:
[42:21] He was like, yo, don't come with me.

Speaker 1:
[42:22] I know.

Speaker 3:
[42:23] They always ask us that.

Speaker 1:
[42:24] That explains where you're from.

Speaker 3:
[42:26] You're from Yonkers. I'm from Yonkers, like 15 minutes outside of the city.

Speaker 2:
[42:30] Well, I never heard of Yonkers. They normally say like, hi.

Speaker 1:
[42:32] No, that's DMX, that's Mary J.

Speaker 3:
[42:34] Blige.

Speaker 2:
[42:35] Queen, locks.

Speaker 3:
[42:36] You heard of Mary, you heard of X, you heard of the locks, you heard of Yonkers, baby.

Speaker 1:
[42:40] That's it. Yeah, that's that real thing.

Speaker 3:
[42:44] You know one of them three.

Speaker 2:
[42:45] I know all of them.

Speaker 3:
[42:46] Yeah, you know about Yonkers.

Speaker 2:
[42:48] Okay, Yonkers, period.

Speaker 3:
[42:49] Yonkers is like a gumbo. Yonkers got a little bit of everywhere in it, the Bronx, Brooklyn, Harlem, Baltimore.

Speaker 2:
[42:56] Okay, so it's like.

Speaker 3:
[42:57] Yeah, I'll take you around, Yonkers. You take you to seven different.

Speaker 1:
[43:06] Huh? I'll take you a few walks. No, it's not like West Palm, cause they shoot people in, that's the East Palm.

Speaker 2:
[43:13] Well, West Palm Beach?

Speaker 1:
[43:15] Yeah, West Palm Beach, once you go on Trump Land or like you ain't fucking, a ain't spittin on the floor. He going to jail. No, no, you go to the left.

Speaker 2:
[43:23] It's like the hood hood.

Speaker 1:
[43:24] If you take 9-5 to both of West Palm, if you go the left route.

Speaker 3:
[43:30] Yonkers is fucked up.

Speaker 1:
[43:31] I've been to some shit in Miami, where I done made the wrong turn on the highway. And man, let me tell you something. I had to call Cool and Dre so fast, we like, how do I get out of here? They like, yo, where you at? I'm like, yo, Fort Lauderdale made a right. They was just out here riding bikes with no shoes on and everything. They just like, I'm in the Rolls Royce, I made the wrong turn, B. They just like, yo, yo, yo, where you at? What block? Make a left, make a left, make a right. Yeah, yeah, yeah, 9-5 will be that way. I had to get the fuck up.

Speaker 2:
[44:05] Nah.

Speaker 1:
[44:06] You know in some places, like where the football players grew up, you ever been there?

Speaker 2:
[44:10] Where?

Speaker 1:
[44:11] Where they chased the chickens.

Speaker 2:
[44:13] No.

Speaker 1:
[44:13] In Florida. Oh, where's that? What's that, Rich? Where all the football players grew up at in Florida. In the West Not Miami, the West. Where all the big, let me just ask you a question. The biggest in Florida history of football, what town they came from?

Speaker 2:
[44:32] You saw at Liberty City?

Speaker 1:
[44:34] No, I lived in Liberty City. What's it called? A Mockley, you ever been to a Mockley? I have. Don't let them shut down that Florida turnpike. No, not in Miami, but it-

Speaker 2:
[44:49] I thought you were saying it was in-

Speaker 1:
[44:50] No, the way I went was not even Miami. I've been to Porker Beans. Where's the shit that we just got the plaque from? We talking. No, that's not Liberty City, Overtown.

Speaker 2:
[45:00] Oh, Overtown. Okay, yeah, don't make the wrong turn over there.

Speaker 1:
[45:03] Overtown, all the crackheads from the Bronx moved down there. I went down there, I was like, you know, because I tell you, I've been bougie. I've just been going from Manchester to Manchester, fly shit to fly shit. I go to Overtown. They got the projects where everybody be outside, right? Like, I'm so hood video.

Speaker 2:
[45:21] Yeah. I mean, that's a palafal. It's like different hoods. Like, you know, go to different cities in every state. You got people everywhere.

Speaker 1:
[45:30] I could tell you they don't play Miami. What's one of these songs we're going to hear right now?

Speaker 2:
[45:35] I want to play Spend Dat.

Speaker 1:
[45:36] See, the thing with...

Speaker 3:
[45:37] Tell them again, Natina.

Speaker 2:
[45:40] I want to play Spend Dat.

Speaker 1:
[45:41] The thing with Caresha is she got so much to talk about.

Speaker 2:
[45:46] Wait, y'all drink. You drink.

Speaker 3:
[45:47] Oh, shit.

Speaker 2:
[45:49] Because it's like shot o'clock. It's shot o'clock. Yes, it's shot o'clock.

Speaker 3:
[45:52] You got to take a shot.

Speaker 2:
[45:53] Shot o'clock. It's always shot o'clock. Someone in the world. It's shot o'clock. Right here on Joe and Jada. It's shot o'clock. Right here on Joe and Jada. We're taking a shot.

Speaker 3:
[46:01] Listen, you got to do it.

Speaker 1:
[46:03] Let me ask just to Caresha. When you do your podcast, do people just come there? This is a heavy drink two times. Two times. This shit, I won't make it to the wedding. I gotta go to a wedding later. Shout out to Pristine.

Speaker 3:
[46:16] They tried to finish my name.

Speaker 1:
[46:19] They ain't give me a gallon of 1800. That shit, are you crazy?

Speaker 3:
[46:23] They tried to finish.

Speaker 1:
[46:24] No.

Speaker 3:
[46:26] This right here.

Speaker 1:
[46:28] Over the top records.

Speaker 3:
[46:30] Wow, wow, wow, wow, wow.

Speaker 1:
[46:32] So, Caresha, let's-

Speaker 3:
[46:33] That shit is real. Cheers.

Speaker 1:
[46:35] Cheers.

Speaker 3:
[46:36] Trying to finish me. You say you wanna-

Speaker 1:
[46:39] I said, because I'm a fan of your podcast. And I watch it. And do people just come there wanting to talk like that? Or you just ask them the craziest shit?

Speaker 3:
[46:52] You red couple. You red couple?

Speaker 1:
[46:54] You red couple?

Speaker 2:
[46:55] No, I don't red couple.

Speaker 3:
[46:57] Look, you laughing.

Speaker 2:
[46:58] I'm not gonna lie. It's the vibe. I do have a little ice break. And you do gotta drink. You gotta drink on there.

Speaker 1:
[47:04] So Fat Joe's not a good contestant on there.

Speaker 2:
[47:07] Yeah, you are. You are.

Speaker 1:
[47:08] Oh!

Speaker 2:
[47:09] Cause Caresha Please is coming back and I actually wanna get into the smoke with you. And then, the smoke is not always smoky.

Speaker 1:
[47:16] I've been hearing these guys say smoke shit on me.

Speaker 3:
[47:19] Are we supposed to do some business?

Speaker 1:
[47:22] Yeah, we trying to do some business, man.

Speaker 2:
[47:24] Yeah, I mean, you know, the podcast is so fat right now.

Speaker 3:
[47:26] We trying to do some business.

Speaker 2:
[47:28] We trying to right partner right now.

Speaker 1:
[47:30] We gonna fight that uno, yo.

Speaker 2:
[47:32] Because everything gotta be larger than life.

Speaker 1:
[47:35] That guy laced her up.

Speaker 2:
[47:35] Everything gotta go, continue to go up.

Speaker 1:
[47:38] Yeah. I don't know how much higher you wanna take it. Cause when I look, I look at your Instagram, you got the house on the water, you this, that, that, that. The Birkins don't stop, the this, this, this, this, this. Is it that like, if a guy, you definitely not dating a broke guy, now.

Speaker 2:
[47:58] I'm dating my music right now, right now. I'm like-

Speaker 1:
[48:01] Oh, no, no, no, no.

Speaker 3:
[48:01] All about the music. Hold up, hold up.

Speaker 1:
[48:04] Curve dust, hold up.

Speaker 3:
[48:05] The tater tell her to let us talk.

Speaker 1:
[48:08] Caresha, please, curve dust. I'm not asking you if you're actually dating. I don't care. What I'm saying is, a broke guy cannot come up to you and be like, yo, what's up, Caresha?

Speaker 2:
[48:20] What I'm saying right now, I'm focused on my music right now. If a not really come in, it's like a myth. I'm 32 and I got two kids, so we got to stop the small talk. I want to have fun, but it's time to talk business. You know, it got to be like, you got to be able to do something for me. I got to be able to learn from you. We got to be able to help each other. I don't want no to have to do this.

Speaker 1:
[48:44] All my cousins and I'm like, yo.

Speaker 2:
[48:46] Sex is sex, but it's like, we got to be able to make money off of each other. We got to be able to communicate differently. My communication is different. I don't want to just talk small talk. Like, I want to do mobile talk.

Speaker 1:
[48:59] And guys are paying. Let me ask you something, Caresha. Guys are paying too, huh?

Speaker 2:
[49:05] I want to make love.

Speaker 1:
[49:05] No, let me ask you, we from the old school, we would feel bad about paying for an Uber. I want to know if the guys from the new school, they paying? Are they paying, Kareem? Like.

Speaker 2:
[49:15] Paying what?

Speaker 1:
[49:16] I mean, would a guy meet you and be like, yo, I bought you a gift before he gave you a kiss on the cheek. Is that something?

Speaker 2:
[49:23] A kiss on the cheek.

Speaker 1:
[49:24] Cause I've been hearing girls say this shit lately. They not Caresha. I know you 32. I'm with you.

Speaker 2:
[49:31] What I'm saying is.

Speaker 1:
[49:31] You should not be with no broke guy. What I'm saying is.

Speaker 2:
[49:34] That's why I'm dating my music. I'm dating my career right now. Because.

Speaker 1:
[49:38] I just want to know if there's tricks out there. I'm not with tricks. I want to know if there's tricks out there. There's a guy be like. I really like you. Why don't when you go back to your hotel room, you just look at the bags I sent you. They never even kiss you. You won't even shake your hand.

Speaker 2:
[49:57] At this point in my life. At this point in my life. I'm not going to lie. Like I do like bags and stuff, but I like tricks. I like some shit that's like mind blowing. I want to go vacation.

Speaker 1:
[50:10] Float you out.

Speaker 2:
[50:11] Float me out, yes. I want to go vacation in like Italy, in the middle of the water. Like we, I want, like I'm grown now. Like I want to go eat some shit I can't pronounce. I want to go eat some shit for the first time, baby. I don't want no bag.

Speaker 1:
[50:26] Now, if this ain't got nothing to do with you, is tricking right now? is tricking.

Speaker 2:
[50:30] God, they don't the game up.

Speaker 1:
[50:33] You got, who did it? The basketball players? Who the game up? Because you used to be like, I like you, can we take you to dinner? Can we go to a movie? Like, who the game up?

Speaker 2:
[50:44] Okay, I can tell you, niggas be competing, right? You got the athletes competing with the rappers, the rappers competing with the athletes. So, everybody going after the same bitches, so everybody's tricking.

Speaker 1:
[50:54] I can tell you right now, the rappers ain't got the ball playing money. I can tell you that much. Because they be bragging and I smoke some all the time. I don't know, I can't do the math. When I'm looking, when I'm judging guys, they always talking about this money they got, and this and this and that. I smoke them on every level. If we in the same hotel to go out, what's smoking is boys?

Speaker 3:
[51:16] When I'm judging guys.

Speaker 1:
[51:19] When I'm... So, they all trying to impress each other. I'm not even saying you, let's take you out of here crazy, because you dating your music.

Speaker 2:
[51:34] I'm dating my music, because guess what?

Speaker 1:
[51:36] It's dudes' tricks, because they come around me and act like they're not tricks.

Speaker 3:
[51:40] We ain't let her talk. She's trying to explain it, you ain't letting her.

Speaker 2:
[51:50] Oh my God, I need another shot. It's shot o'clock.

Speaker 3:
[51:54] Another shot.

Speaker 1:
[51:55] Another shot, 1800. 1800 will get you right, it'll get you better.

Speaker 3:
[52:01] Best in the world.

Speaker 1:
[52:02] Oh, he love his dick. Y'all love him, my man got paid, but he get paid.

Speaker 2:
[52:08] That is a different type of a sponsor.

Speaker 1:
[52:11] He go hard, when he get paid, he go good, you better pay this man.

Speaker 2:
[52:16] We love a good sponsor.

Speaker 1:
[52:17] You want somebody.

Speaker 2:
[52:18] We love a good sponsor, whether it's me, whether it's friends, we love a good sponsor.

Speaker 1:
[52:21] That's what I'm trying to tell you. Get them sponsors, Caresha, get them sponsors.

Speaker 2:
[52:27] Thank you.

Speaker 1:
[52:28] So, these guys, these tricks. Yeah, y'all turn off.

Speaker 3:
[52:47] joeandjadashow.com, we got new merch, fresh off the presses. Go get it. Bam, joeandjadashow.com, you can get these.

Speaker 1:
[53:01] It's my favorite right there, I need a extra large. joeandjadashow.com, go there and get it. Track is ready, I know Track is ready, but wanna hear that shit. Know what I'm saying? Cause lately, women...

Speaker 3:
[53:23] You never let me see it.

Speaker 1:
[53:24] Well, you never said it. Women been making big claims out here, and they don't even have to be fake. They just saying like, yo, like I told you, I like to trick on my wife, my daughter. So you be tricking. On my wife and my daughter. I'll give them anything. You don't even have a clue, girl. You don't have a clue.

Speaker 2:
[53:41] Tell me.

Speaker 1:
[53:42] I did shit, Nick. Man, I did shit out of this.

Speaker 2:
[53:45] What's the most money you spent?

Speaker 1:
[53:47] I don't even know. I'm in the poor house because of this shit. You're talking to the wrong.

Speaker 2:
[53:52] I'm not. We're talking about tricks.

Speaker 1:
[53:53] I don't even know. No, no, no, no. On my family, I don't think it's tricking. I'm convinced that-

Speaker 2:
[54:00] You just said you be tricking.

Speaker 1:
[54:02] On my family. Now, what I'm saying to you is, these guys, let me tell you what the guys say to us. I never do that. I ain't paying no chicks this and this and that. I ain't this and that. But the girl get up on there, when you let one of them get on the podcast, they be like, y'all, 50 up at it, papa. Something got to come up. And I believe them. It's not cat. I'm looking at them, I'm like, oh yeah. Say, baby, could you be, you might meet a gargoyle out there, one of them guys.

Speaker 2:
[54:35] I don't like trees.

Speaker 1:
[54:35] We look stuck in the face. We call them stuck in the face.

Speaker 2:
[54:38] I don't like trees.

Speaker 1:
[54:39] You don't want a dude that's so ugly, he's stuck in the face. You don't want to wake up in the morning.

Speaker 2:
[54:44] I don't like a that I just got to suck his dick.

Speaker 1:
[54:45] You like an ugly guy?

Speaker 3:
[54:47] I don't. Will you let her say something, please? Anything.

Speaker 1:
[54:52] Amber Rolster, she like ugly guys.

Speaker 3:
[54:54] She did? Yes.

Speaker 1:
[54:56] There's women who believe in, they want to be with ugly guys.

Speaker 3:
[54:59] Where you seen that at?

Speaker 1:
[55:01] I've been saw that. I know.

Speaker 3:
[55:03] So is she calling all the up?

Speaker 1:
[55:05] Anyway, I just go, no, she said, no, I ain't saying no, lad, let's not violate the premises. I'm just saying, there's women that say like ugly guys. Why would you think a woman likes ugly guys?

Speaker 2:
[55:16] I don't know, they need the money. I don't like no ugly ass man on top of me. Sorry, not sorry.

Speaker 1:
[55:22] I seen that young lady.

Speaker 2:
[55:23] I look at people's features, cause we gotta have a kid one day and it's like features matter. Cause when they get some shit.

Speaker 3:
[55:28] That's that shit. It might not.

Speaker 1:
[55:29] That's that shit. No, no, my Mac. Let me tell you something, one day, it was an all star weekend. I did go in the strip club. Okay, you want me to throw a play? I came out and I saw a girl that I thought, you know, we all thought was beautiful. She was with a gargoyle. This guy was a monster. Stuck in the face, like beyond. I never looked at that girl the same. Like I looked at her, I said, oh, what you got to do. That guy, for the bag and the watch, you know, like you got to, like that's, that's, is that a tough task?

Speaker 2:
[56:09] Ladies, I promise you, you have to get something out of these men more than like materialistic things because the funds gotta keep funding.

Speaker 1:
[56:16] Right now you're scaring me, because everything you've been telling me is like you want property, you want a business.

Speaker 2:
[56:21] I just want, I just want to ask that. Like your shit is like out of this world right now. No, I just want, I just want to date a man dead. It makes sense, like I don't want to just have sex. I think anybody can have sex. Like I'm at a point in life where I want to date somebody that is beneficial both ways. Like if we make love, I want to be able to make sure the kid is straight on both sides. Like I don't just want to date to date. I'm too old for that.

Speaker 1:
[56:44] Yeah, but if you meet a guy. Yeah.

Speaker 3:
[56:46] Girl, that loaf is older than you.

Speaker 2:
[56:52] I mean, listen, these men, these things, they shit. So you gotta get what you can. These men ain't shit, these shit. No, they're not.

Speaker 1:
[56:58] Are you serious?

Speaker 2:
[56:58] No.

Speaker 1:
[57:00] Not by what you just said. They drinking, they buying $50,000 bags.

Speaker 2:
[57:03] That's all I know.

Speaker 1:
[57:05] That's better than nothing.

Speaker 2:
[57:06] Bought bags and stuff, that's not nothing. That's not nothing. Like they can do that shit.

Speaker 3:
[57:10] How much more bags you gonna buy it? You don't want no more bags.

Speaker 1:
[57:13] She want property.

Speaker 2:
[57:14] Baby, go give me a podcast, go give me a car, it's better than line of something.

Speaker 3:
[57:18] When the podcast change.

Speaker 2:
[57:22] I won't stop, god damn. I'm trying to have a mobile talk. I don't want to keep saying like, what you like to eat? What you like to do for fun? That shit is boring.

Speaker 1:
[57:33] What about a guy like, yeah, they do it in the movies like a guy be like.

Speaker 2:
[57:40] What's our first date look like?

Speaker 1:
[57:41] If you like me, let's go to Red Lobster.

Speaker 3:
[57:45] I got a family.

Speaker 2:
[57:46] Okay, you married?

Speaker 3:
[57:47] Yes.

Speaker 2:
[57:48] Okay.

Speaker 3:
[57:49] But life is different now because it's digital talking. It's like a dating app. Yeah, everything's on the app or button or phone.

Speaker 2:
[57:58] I feel like Instagram is a dating app.

Speaker 3:
[58:00] Yeah, the kids today don't know how to go up to a girl.

Speaker 1:
[58:03] It's definitely a dating app or horny.

Speaker 3:
[58:05] And introduce themselves and meet them.

Speaker 1:
[58:06] No, no, no, no, no, no, hold on. Let me ask you a question. Let me ask you a question. If we're looking at-

Speaker 3:
[58:12] Somebody else's Ferrari might show somebody else's money.

Speaker 2:
[58:16] Picking around with it.

Speaker 1:
[58:17] I'm asking her the question because she don't play.

Speaker 3:
[58:19] Me and her, talk quickly.

Speaker 1:
[58:20] You ain't letting us- Is it a dating app or is it horny?

Speaker 2:
[58:24] It's a dating app. Shout out to y'all for being married though. I'm not gonna lie.

Speaker 1:
[58:28] Spanish dip, thank you.

Speaker 2:
[58:29] I love that. That's that grown man shit. And a lot of y'all need to grow the fuck up.

Speaker 3:
[58:34] Tell him again.

Speaker 2:
[58:36] A lot of y'all need to grow the fuck up.

Speaker 3:
[58:39] Let me get another shot off that two-time felon.

Speaker 2:
[58:41] Shout out to all the family men that's raising kids and not doing fucking broken homes.

Speaker 3:
[58:47] Make some noise for that.

Speaker 2:
[58:51] I love that. I love to see men being married and raising their kids in a household, mom and dad, and spoiling their wives. We need more of that.

Speaker 1:
[59:02] Dang, just men don't get no. When I go to a restaurant, men don't get no.

Speaker 3:
[59:07] You want a Father's Day gift?

Speaker 1:
[59:09] They don't talk about it.

Speaker 3:
[59:10] You don't get nothing.

Speaker 1:
[59:11] You get a beautiful son, this fucking host in the red carpet and all that in the BET Awards and this and this and that, you get a good example.

Speaker 2:
[59:19] That's a great father.

Speaker 1:
[59:20] A family. You have your-

Speaker 3:
[59:23] Don't give me your fake ass ass.

Speaker 1:
[59:25] You have your- No, this whole shit been fake. You bullshitting me, you faking me.

Speaker 3:
[59:29] I don't be on the couch.

Speaker 1:
[59:31] You don't want me to join the team? You don't want me to-

Speaker 3:
[59:34] What are you talking about?

Speaker 1:
[59:36] I have one question before we go to music, right? Because you got Caresha, you got to ask. All right, fuck it.

Speaker 2:
[59:42] Forget it.

Speaker 1:
[59:44] I forgot what I was going to say. All time this shit.

Speaker 3:
[59:47] I'm talking about good men.

Speaker 2:
[59:49] Okay, go ahead.

Speaker 1:
[59:49] Good men are good men. Good men are good men no matter how you look at it right now. I'm just afraid that some woman might not get to meet good men in 2026 because they just saying, yo, when a girl tells me, right, first of all, I'm far from single, but if I met a girl and I don't care how beautiful she is, and before we ever went on a date, she told me, fuck 50,000, I want a business, I want a this, I want a that. Do you hear this girl? I'd be like, damn, what happened to love? My mother and father grew up with love. What happened when me trying to talk to you and get to know you? And that's what I'm seeing right now. When you look at social media, it's direct to customers.

Speaker 2:
[60:40] That's not what I was saying.

Speaker 1:
[60:41] It's direct to customers.

Speaker 2:
[60:43] That's not what I was saying.

Speaker 1:
[60:45] You got a lot of yourself. I don't even think I could function if a girl said, y'all, I need that bag. I can't even work.

Speaker 2:
[60:52] What I'm saying is, a lot of me and mine are trained on tricking.

Speaker 3:
[60:56] No, that was good.

Speaker 2:
[60:57] It's what I'm saying. A lot of me and mine are trained on tricking. So they think that they're gonna come to you a certain way. And I'm saying, when you're a certain woman, you carry a certain type of stuff away. You're not entertaining a certain type of shit. I don't want to keep doing the same shit.

Speaker 1:
[61:10] I'm right, Gabriela, I tell all my female family members, I tell them, yo, don't get with no broke dude. I tell them, I'm not gonna lie to you. Why you gonna get with a broke dude? He can't do shit for you. Where you wanna go to siblings?

Speaker 2:
[61:24] And my whole thing is, if I don't see no instances, we're not even going past a date. So you know how like on the first night, you know if you fucking, that's like what that is. It's like I'm not even entertaining nothing. I know I'm not even entertaining. So if I'm entertaining you, it's potential there. So we wanna get to know each other, but after that, what's up? Cause it's a short period of time, cause I got a lot of shit going on.

Speaker 1:
[61:46] That ain't him than me. I'm supposed to be like, I throw a sign up like we'll work for food. I'm like, all right.

Speaker 2:
[61:52] Thank you.

Speaker 1:
[61:53] Rich niggas that way.

Speaker 2:
[61:54] The ones that get to get the ones that don't go.

Speaker 1:
[61:56] Supertrickologist of fact. That way. You heard that shit, man? Oh, Rich play ain't playing that game. Yo, they ain't playing. Yo, listen, what's the name of this song right here? Cause we've been-

Speaker 2:
[62:08] The name of this song is called Spend Dat. It was produced by Jay White.

Speaker 1:
[62:11] Okay.

Speaker 2:
[62:12] It's one of my favorite songs.

Speaker 1:
[62:14] Your favorite joint song. Now, let's get to it.

Speaker 2:
[62:15] It just feel good. Jay White, turn me up. Who's one?

Speaker 3:
[62:51] Let me go on my A&R bag, Latina.

Speaker 2:
[62:53] Okay. I love a good A&R bag. Let's pop music.

Speaker 3:
[62:55] If you do it deluxe, right?

Speaker 1:
[62:57] You gotta put 42 Dubs on it.

Speaker 2:
[62:59] 42 Dubs?

Speaker 1:
[63:00] Got to.

Speaker 2:
[63:01] Okay.

Speaker 1:
[63:02] You got that vibe.

Speaker 3:
[63:03] I want my- I don't want nothing, but I want my- Just shout me out somewhere.

Speaker 1:
[63:08] You know I blame it on-

Speaker 3:
[63:09] We're doing it right here. We're doing it right here. We got the money.

Speaker 1:
[63:12] This song was exactly what I was talking about. Let me tell you something. I blame it on Kobe. I blame it on Kobe. I came out of Biel Saenz Corbera and I seen a midget with three girls look like they work in fucking- You can't say that. With gold chains on the back.

Speaker 3:
[63:28] You can't say that.

Speaker 1:
[63:30] I blame it on Kobe. Let's hear the first one. Take that line.

Speaker 2:
[63:34] Wait, let me introduce this again. This is my new single called Spend Dat.

Speaker 1:
[63:40] I love this song.

Speaker 2:
[63:41] This is my new single called Spend Dat.

Speaker 3:
[63:43] Hold on, before you even did this, this shit is out of here. When you play it on here, then Tina, this new single, Spend Dat, is out of here.

Speaker 1:
[63:52] I'm telling you. This is going, this is shit.

Speaker 3:
[63:54] You heard it right here on Joe and Jada. Now introduce it in the bar.

Speaker 1:
[63:59] We know when this shit out of here.

Speaker 2:
[64:00] Okay.

Speaker 1:
[64:01] How about we broke it on this show?

Speaker 2:
[64:03] What's up, y'all? It's Joe Miami. I'm here on Joe and Jada. This is my new single called Spend Dat. And I need all y'all to spin that show. Don't give a what Joe's talking about. Yo, in Jada, I need y'all to spin that shit.

Speaker 1:
[67:16] Everybody, go trick all your fucking, everything you got.

Speaker 3:
[67:22] I'ma spin that back from the 1800s. You know what I mean? They gave us some fucking.

Speaker 1:
[67:27] I always say I love 1800s Jada. When Jada get that.

Speaker 2:
[67:32] Let me try 1800 for real, let me see.

Speaker 1:
[67:34] You ain't tried it yet, you're on your fourth glass.

Speaker 2:
[67:38] Now this is my review. I like it.

Speaker 3:
[67:41] 1800, holla at us, we make it make something work.

Speaker 1:
[67:44] It might be coming your way. You better like that shit. That shit might be in it man, it's in the test. 1800, we love you back. Thank you. Yo, let me tell you something. Well, that's a hit.

Speaker 3:
[68:04] That's it, that's it.

Speaker 1:
[68:05] If you don't know, hold on.

Speaker 3:
[68:06] Hold on, make some noise for that song.

Speaker 1:
[68:10] Hold on, yo, kids, let me, if you don't know, whenever somebody come up here and play new music, it's usually a hit. That shit don't.

Speaker 3:
[68:18] It's usually a hit.

Speaker 1:
[68:19] This shit gonna go viral mania, that song right there. That shit is a smash. So congratulations on that.

Speaker 2:
[68:25] Thank you.

Speaker 1:
[68:26] You know. Shout out to my brother, Lake. You got the real ones with you.

Speaker 3:
[68:30] Lake in the building.

Speaker 2:
[68:32] Thank you.

Speaker 1:
[68:33] You got the real ones with you. At least he said the name right there. He ain't calling Jack Carlos. Yo, that's my guy, Lake. I'm not shy from it. This one, you know they got your back for real. He in a little hot water. And I'm telling you, that's my guy, Jack Carlos.

Speaker 2:
[68:56] It's Jack Carlos.

Speaker 1:
[68:58] Jack Carlos, you know I got to...

Speaker 3:
[69:00] Yo, Steph, it's Caresha.

Speaker 1:
[69:03] You know I got to throw that spicy on it.

Speaker 3:
[69:06] Caresha.

Speaker 1:
[69:07] I know Caresha's name, okay?

Speaker 3:
[69:10] But this is a Caresha episode.

Speaker 1:
[69:13] No, Caresha.

Speaker 3:
[69:13] Yeah, with Jack Carlos.

Speaker 1:
[69:15] You got a nice Caresha episode. Caresha know how to go.

Speaker 3:
[69:19] I'm messing up with Jack Carlos.

Speaker 1:
[69:21] No, no, that's my guy.

Speaker 3:
[69:22] You're messing up with him? Yeah.

Speaker 1:
[69:23] No, that's my guy. Lake, that's your guy, right?

Speaker 3:
[69:29] That ain't his guy. Jack Harlow is his guy. Jack Harlow don't exist.

Speaker 1:
[69:36] Let me tell you something. He's a great guy, Jack Harlow.

Speaker 3:
[69:40] Yo, dog.

Speaker 1:
[69:41] Great guy.

Speaker 3:
[69:42] I'm going to get up and walk. I'm going to walk off.

Speaker 1:
[69:44] You don't want me?

Speaker 3:
[69:45] I'm going to walk off. Leave this shit alone.

Speaker 2:
[69:48] OK, Joe and Jada, I have a question for y'all. I know I'm doing something. I have a question for y'all. I want to interview y'all now.

Speaker 1:
[69:55] Right now?

Speaker 2:
[69:56] Yeah, right now. Why not?

Speaker 1:
[69:58] Let's practice like we on a career. Are we on a career?

Speaker 2:
[70:01] No, wait, this is live.

Speaker 3:
[70:02] No time to do your hair, baby. Brother is bossing me.

Speaker 1:
[70:06] You want some make up? You want some make up?

Speaker 2:
[70:11] No, let's go.

Speaker 1:
[70:12] What's the question?

Speaker 2:
[70:13] What have been your favorite episode so far of Guess?

Speaker 1:
[70:16] Of this? Yeah. Damn. It's been a lot of great episodes.

Speaker 2:
[70:21] Can y'all talk about y'all dynamic? Because I feel like y'all balance each other out well. Joe is kind of like, like Wendy, you was kind of like like that.

Speaker 1:
[70:28] If you call a guy saying I'm a capper.

Speaker 3:
[70:31] I'm going to play back. Because he wasn't at the store. You got to get used to that. He's a quiet, he's in the quiet.

Speaker 2:
[70:37] So how do you deal with y'all?

Speaker 1:
[70:39] By the way, if they don't like, yeah, answer the question.

Speaker 3:
[70:44] I said a lot of prayers before I leave the house. No, I just wish for positive energy and seek the kingdom.

Speaker 1:
[70:54] Seek the kingdom, huh? Me, I don't know if you know some real New York guys.

Speaker 2:
[71:03] I know real New York guys.

Speaker 1:
[71:04] Well, they'll tell you I'm a legend out here.

Speaker 2:
[71:06] No, of course.

Speaker 1:
[71:07] In every way, shape or form, I'm a legend in these streets.

Speaker 3:
[71:13] I'm a legend, too. But the show is about you. I'd rather leave my past in it. Where is that? He likes to tell you. Yeah, all the stories and stuff.

Speaker 2:
[71:25] That's what legends do.

Speaker 3:
[71:26] He's also-

Speaker 2:
[71:27] They tell you a lot of stories.

Speaker 3:
[71:28] He's also my elder.

Speaker 2:
[71:30] Okay.

Speaker 3:
[71:31] That's why I got to listen.

Speaker 1:
[71:32] I'm your elder?

Speaker 3:
[71:32] You got to respect your elder.

Speaker 1:
[71:33] Yo, this is a bullshit, kid.

Speaker 2:
[71:38] I like Joe and Jada.

Speaker 1:
[71:40] No, no, Joe and Jada is sick.

Speaker 3:
[71:41] We love you.

Speaker 2:
[71:42] Joe and Jada, y'all balance each other out. You got on the- I'm just feeling everything about Joe and Jada's aesthetic. I ain't gonna lie.

Speaker 3:
[71:50] We keep it in New York. I mean, we keep doing that shit. We raising a bar for these dudes.

Speaker 1:
[71:55] These guys not like us.

Speaker 2:
[71:56] They not like us.

Speaker 1:
[71:57] No, they not like us. They know it. They get really, really bad when we come through floating. All the ladies in the audience, my friend, but you know Joe smell good every time.

Speaker 3:
[72:10] Yo, Cook Coke smells good.

Speaker 2:
[72:11] Joe, what you smell like? Joe, this-

Speaker 3:
[72:14] Wait, Jada, I want to hear this.

Speaker 2:
[72:16] I ain't smell Joe. Joe, what you smell like?

Speaker 1:
[72:19] I ain't smell that to yourself.

Speaker 3:
[72:20] Let's do this.

Speaker 2:
[72:21] Okay, let me see, because I'm going to describe it. Oh, come on.

Speaker 1:
[72:24] I don't know this shit.

Speaker 2:
[72:26] Oh, I ain't going to lie.

Speaker 3:
[72:30] What it smell like?

Speaker 2:
[72:35] Okay, I don't know if this a good- like, it smell like Ocean Blue.

Speaker 4:
[72:41] There's some different shit.

Speaker 1:
[72:42] You don't know what I'm talking about.

Speaker 2:
[72:43] I don't know what Ocean- I'm just saying it smell like something-

Speaker 1:
[72:45] I promise you, you don't know what I got off.

Speaker 3:
[72:47] I'm not going to have it to be.

Speaker 1:
[72:48] You don't know what I got off. I'm not going to have a strange list to be. It smell like money. Right. You know, that's my job in life. I got to give them the pain every chance we get. I'm similar story to you. I grew up on projects, fucked up, anything. I get eaten motherfuckers, the pain. Give me the bottom. Okay, I feel like I see- 1800, you want to help? This game right here, what you're talking about is this game for life. So, we know a lot of guys, we call legends. We know a lot of guys who had it. We know a lot of guys who did what they did. We know a lot of this, but then we'd be like, yo, remember homie used to have the Benz? Remember homie used to have that truck? Remember when yo, he was the flyest? Nah, this is a game for life.

Speaker 3:
[73:33] A lot of rich fell and started pumping gas.

Speaker 2:
[73:37] Who pumping gas?

Speaker 1:
[73:38] Nah, I'm just saying.

Speaker 2:
[73:39] Cause I would love to know.

Speaker 1:
[73:43] You know what, we was just talking about a friend of ours, right, Dan? No, no, he's a get money dude. He done did a couple of bids already. I mean bids, right? And I asked about him yesterday, right? And they looked at me and they were like, finish. No, back to the bag.

Speaker 3:
[74:11] But I don't want to, no, no, no, no, no, no, no, no, no. That's all they know.

Speaker 1:
[74:17] No, I-

Speaker 3:
[74:18] And Ken is, that's it, man. I got dudes, some friends that's in jail still. They been there for years, they short, they getting out and like, yo, apa, get out. You know.

Speaker 2:
[74:41] Who's your, what's your favorite song and favorite artist right now?

Speaker 1:
[74:46] It's all one.

Speaker 3:
[74:47] I don't have like a bunch of Kimbo Slice to them.

Speaker 2:
[74:53] Favorite song and favorite artist right now?

Speaker 3:
[74:55] My favorite song and favorite artist right now. Can anybody help me? It's probably Ella Mai.

Speaker 2:
[75:02] Okay.

Speaker 1:
[75:02] Yeah, how you know about that? You don't know about that shit. out of here. You don't know about that shit.

Speaker 3:
[75:08] I know about Ella Mai before you.

Speaker 1:
[75:09] You don't know about that shit.

Speaker 3:
[75:11] You just getting on Ella Mai.

Speaker 1:
[75:13] What?

Speaker 2:
[75:14] Okay, what's your song about Ella Mai that you like?

Speaker 3:
[75:17] I like her whole new album. I mean, we gon go on hip.

Speaker 1:
[75:20] You up on the album?

Speaker 3:
[75:21] We gon keep it rap. We gon keep it rap. My son.

Speaker 1:
[75:26] All right, you know, but that's a low hanging fruit. We won't win.

Speaker 3:
[75:31] I don't cheat with him. I'll give him a king's plate.

Speaker 1:
[75:34] What's the song you got out right now?

Speaker 3:
[75:36] I was in the Citigull Lounge with him yesterday playing some new shit. Got a new project coming up.

Speaker 1:
[75:42] I'm not gon lie to you.

Speaker 3:
[75:44] That wasn't like free cross-promotion, is what I'm listening to.

Speaker 1:
[75:47] TI shit.

Speaker 3:
[75:49] Oh, TI. That new TI single, number one.

Speaker 1:
[75:52] TI shit, the best shit out. That French Montana Max V. I went deaf on the bitch. You know that shit.

Speaker 3:
[76:01] Don't say no more words. You got it right. You said it right. Don't just keep it right.

Speaker 1:
[76:06] I got it right. I got it correct. And believe it or not, I'm loving this Bruno Mars album. He got this one fucking song. That shit.

Speaker 3:
[76:19] After he did that to you.

Speaker 1:
[76:22] I don't give a. You think I take these people.

Speaker 3:
[76:26] Rino Mars flipped on. He went to talk to Bruno Mars and he wowed up.

Speaker 1:
[76:32] I don't give a fuck. I don't care about this shit.

Speaker 2:
[76:35] This business is not personal.

Speaker 1:
[76:36] It's never been.

Speaker 3:
[76:37] But after this Miami album dropped, that's going to be the shit.

Speaker 1:
[76:40] Oh, no, no, no. She working.

Speaker 3:
[76:42] You know what I mean?

Speaker 1:
[76:43] She working. So, they...

Speaker 2:
[76:44] Okay, for real, unspeak. Cause I like, you know, I'm gonna interview her soon. Did you, when you heard T-Time, did you like T-Time? When you first heard the snippet.

Speaker 3:
[76:58] I understood it.

Speaker 2:
[76:59] You understood it.

Speaker 3:
[77:00] See, I'm...

Speaker 1:
[77:01] This song would have been like... Hold on, hold on. This song would have started, it would have been like... Caresha, please. You know, when I first looked at you, I just knew you had to have him. Oh baby. I know, that's the back of it. You would have been talking like that back in the day.

Speaker 2:
[77:26] Okay, I guess that's it today, no.

Speaker 3:
[77:28] I'm not gonna lie.

Speaker 1:
[77:30] Caresha, please.

Speaker 2:
[77:32] I promise you, today when I woke up, because the music that I play will blow your mind.

Speaker 1:
[77:38] Okay.

Speaker 3:
[77:38] That you like when on your own time?

Speaker 2:
[77:40] Yeah, I'm gonna play five songs from my playlist and y'all gonna be like, oh shit. But I was saying, I was just like, music back then was so soulful. It had like a feeling and a meaning to it. I said it had like an introduction to it. It was just like, I get lonely.

Speaker 1:
[77:57] Yeah.

Speaker 2:
[77:58] I get lonely. Like there was talk and cry their heart out. Now we're so powerful. It's like, I ain't no bitch, put it on the floor. I'll get lonely. Like on my knees, I'm begging you, please call me back.

Speaker 1:
[78:14] You want that shit.

Speaker 2:
[78:15] Yes. You wouldn't even say that, it's just like-

Speaker 1:
[78:19] It was a different time.

Speaker 2:
[78:20] It's the air. It's like, we need that back now. Like we need that soulful music that talks to us. That speak to us. And it's like, it's an intro. Like, baby, I want your voicemail and I'm telling you to bring your ass the fuck home.

Speaker 1:
[78:36] 1800? Yo, we got you off the 1800s. Yo, 1800, Jada is out of control. You got some more stuff going on out here in New York while you out here?

Speaker 2:
[78:48] Yes. I'm in New York. I'm in my press morning right now.

Speaker 1:
[78:50] Yeah, but don't do none of these other interviews because they don't matter.

Speaker 2:
[78:53] Okay. They don't matter.

Speaker 1:
[78:55] They don't matter.

Speaker 2:
[78:56] I'm in my press morning right now.

Speaker 1:
[78:58] Hold on. You're wasting your time. You understand? You know, let me tell you something. You know, if you want to get Jack Carlos out the hot water, Jack Carlos is right there, right there. You bring that here.

Speaker 3:
[79:13] Look at the camera.

Speaker 1:
[79:15] No, I know what I'm talking about. This is the spot. This is the destination. Anything else, blow them shits up. Get them out of here. It's a wreck. These guys looking like fucking dinosaurs. All these guys, they look like to the hip.

Speaker 2:
[79:30] Hot.

Speaker 1:
[79:32] Like, yo, my man, get the fuck up out of here. I love Sugar Hill. Shout out Leland and Sugar Hill. That's not what I mean. What I mean is ever since we came, and this ain't our real set.

Speaker 2:
[79:42] Well, what about Caresha Please?

Speaker 1:
[79:43] The fluidity. Well, Caresha Please in the land of our own.

Speaker 3:
[79:46] We about to do some business. Don't worry.

Speaker 1:
[79:48] Caresha Please is on the land of our own. I love Caresha Please. How about I can't get enough and I need more? How about when I go to my house to put on Caresha Please at the TV? It's already been watched.

Speaker 2:
[80:01] Thank you.

Speaker 1:
[80:02] So I go up in there to watch it. My daughter already watched it. They watch, I watched Caresha Please, each and every one of them. Some guys be saying some shit. You ever think some guys you interview want to get with you and so they say, wow, shit, like to maybe try to impress you in there? Because some of them be saying shit.

Speaker 3:
[80:20] Or do you think it's the red cups?

Speaker 2:
[80:22] I think it be the red cups. I think it be the hookah in the red cups.

Speaker 1:
[80:26] The hookah in the red cups?

Speaker 2:
[80:28] I ain't had a red cup since.

Speaker 1:
[80:30] Did you have a guest on the show that you felt like he was saying some shit where he was trying to like talk to you through the shop? That's not much tea.

Speaker 3:
[80:42] You trying to get in a rat, dog? We don't do that on the show. I don't rat.

Speaker 2:
[80:47] I don't rat, so I listen and I don't judge.

Speaker 1:
[80:52] Are you listening to your job?

Speaker 2:
[80:53] Whatever you talk to me about on my couch, it stay between me and you.

Speaker 1:
[80:56] And 10 million people.

Speaker 2:
[80:58] Check this out.

Speaker 1:
[80:59] Do you think that?

Speaker 3:
[81:00] That ain't this.

Speaker 1:
[81:01] It's Tracking Kiss, god damn it.

Speaker 3:
[81:09] That was hilarious.

Speaker 1:
[81:10] I was gonna ask you one thing, dog.

Speaker 3:
[81:13] Keep the cameras rolling. Cam is still rolling.

Speaker 1:
[81:18] Tiana Taylor, she grew up around here. We so proud of her. She went to the Oscars. She had that Chanel shit on, legendary Latina back from the Oscars. Yeah, Tina, I can't even hang. I gotta get you security. But, she had an incident with some guy might have pushed her, shoved her. You might know the real story, right? Has that ever happened to you where you had to go off on somebody where-

Speaker 3:
[81:44] On the carpet.

Speaker 1:
[81:45] It was pushing you on appropriate or something like that?

Speaker 2:
[81:48] No, but I think I react the same way because I think that, you know, like I said, as women, you gotta handle us the same way. It's the same way you can handle certain situations. So it's like, if we on the carpet, I'm a woman.

Speaker 3:
[82:00] A man shouldn't be pushing you on the right way.

Speaker 2:
[82:02] Approach me as such. Don't handle me like that. So, shouts out to Tiana.

Speaker 1:
[82:07] Not only that, she the breakthrough star of the year. She's nominated and all that. You know who the she is.

Speaker 2:
[82:14] Yeah.

Speaker 1:
[82:15] You know, I hate that shit. They locked up Killer Mike at the Grammys. The man won three Grammys and they locked him up. Yo, listen.

Speaker 2:
[82:22] That was like a minute ago.

Speaker 1:
[82:23] I'm gonna say something. That was three years ago.

Speaker 3:
[82:25] Hold on.

Speaker 1:
[82:27] It's the same thing.

Speaker 3:
[82:28] No, it ain't.

Speaker 1:
[82:30] Killer Mike won three Grammys. It was the biggest night for hip hop.

Speaker 3:
[82:34] If they would have pushed him, he would have pushed him back.

Speaker 1:
[82:36] And they locked his ass up. They know who Tiana Teller is. Let me explain, son of you. And I don't wanna, cause this man and me, we got different views. This is why he's Jadakiss. Trevin Crack Charpton.

Speaker 3:
[82:47] Let's go. Crack Charpton.

Speaker 1:
[82:49] Let me explain, son of you.

Speaker 3:
[82:50] Look in your camera, Crack Charpton.

Speaker 1:
[82:53] Let me explain, son of you. And don't take this the wrong way because I love everybody. And I don't care what, realistically in this world, I don't care if you're super rich, you're super poor. I don't hang out with rich bozos just cause they billionaires or this. I don't do none of that. But let me tell you something. You know when you're not in your pay grade. You know when you get $15 an hour and you're trying to tell a millionaire, billionaire person like, yo bro, stay in line. I had an argument with TSA, he about this short. Like I smacked the shit out of this thing. I had to, like in the middle of it, I said, yo, yo, you're not allowed to talk to me. Go get the boss, cause this right here, he not allowed to talk to a dude. Like imagine you walk by and you say, that guy talking to Fat Joe like that? And so they get around these places or positions where they think somehow, someway, someway, they got some sort of authority, which you really don't. And so, you know, start calling people ma'am and miss and guys sir, if they being respectful to you, be respectful to them and they'll be mad at them. Cause the thing we got is a whole lot of jealousy out here. That's the stand. I like to live a life. When my brother Khaled throws an airplane and all, I don't give a fuck. I call him up and be like, get ahead. Any one of my boys come out, shit, and I'm like, with him. Every time I see him, the first thing I ask him, yo, them chains is. I don't give a fuck. I'm all about living the life. And I don't think you should feel guilty that you never life. That's my true instincts and what I believe.

Speaker 3:
[84:40] And I'll follow the art in heaven. I'll obey that name. I'll obey the clue. This ain't that. That ain't this.

Speaker 1:
[84:48] It's Crack and Kiss for the 36th time.