transcript

Speaker 1:
[00:21] Well, hello and welcome to Watch What Crappens, a podcast about all that crap on Bravo that we just love to talk about. I'm Ben Mandelker, and joining me today is Ronnie Karam. Hi Ronnie, how's it going?

Speaker 2:
[00:31] Hi, what's up?

Speaker 1:
[00:34] Not much, it's Ladies of London Day. Thank God, I desperately need this show. This weekend, whoa, Ronnie, you have a big weekend. You're going on a evening cruise with Hannah.

Speaker 2:
[00:48] Going on a city cruises cruise with Hannah Ferrier and Sheena from Vanderpump Rules and Zach from The Valley. Gonna be there little Andy Cohen and ask them some questions and stuff. It's gonna be really fun. If you want info, go to Hannah's Instagram. That's where you'll find links to it. It's Hannah Ferrier. Just look her up, Ferrier, Ferrier.

Speaker 1:
[01:08] Ferrier, are you gonna basically gonna be asking them questions about their time on the shows and things like that? Is that the plan?

Speaker 2:
[01:15] Yeah, just talk. Evening with reality stalls, you know how it goes.

Speaker 3:
[01:20] What do you think of me? What do you think of my show? What do you think of my hair? What do you think of my makeup?

Speaker 1:
[01:27] That sounds super fun. Yeah, that sounds super fun.

Speaker 2:
[01:30] Should be. Well, I haven't written any questions yet, so I guess time will tell.

Speaker 1:
[01:34] Yeah.

Speaker 2:
[01:36] Well, anything you want to know? Give me some, I'll write them down right now.

Speaker 1:
[01:44] I'm sure there were questions. I want to know how Sheena's book is doing. And I want to know from Zach, what he thinks about this guy Brandon that Brittany is dating. From Hannah, I want to know if she will ever come back to Below Deck. Those are my three questions.

Speaker 2:
[02:05] Okay, done.

Speaker 1:
[02:06] Done. Everyone, so go get your tickets for that if you're in the Southern California. Also join us on Patreon, patreon.com/watch what crappens for free newsletter and all that other good stuff. Add free listening, bonus episodes, video. You can watch us. Crappens is on demand. And on Monday, we have our Amazon Live. Come join us because we will be sharing our latest finds and we get our Stacey Rush on when we go on that. And it's really, really fun. And we have Crappy Hour after that later in the evening. But today we have Ladies of London. This show is just so divine. I am so delighted by the show. I'm so amused even before there's any fighting. There was a fight on this episode and it was the last five minutes of the show, but the rest of it was just them bantering, cracking jokes, being snarky. But also, this was truly insane this episode. This is the episode where we go to Emma's country estate and we've seen footage of it. We've seen her putting mud on a rhinoceros. We've seen that she lives basically on a safari. But I just don't feel like we fully grasped how large this place is. And it's crazy that Emma lives here. Like, this is her spot. I was just watching it, like, wow. This show is just doing something else right now, compared to the shit that we see elsewhere in Bravo. Compared to, like, you know, going to, like, Rula's house in Rhode Island. And then we have Emma's enormous country estate.

Speaker 2:
[03:38] Oh, God, or the rest comes with floor tiles on the wall in the valley, you know? Like, with flies and bar rot. And then you go here, it's like, wow. I mean, I will say about that, this is like a government owned, I mean, I know it's not, but it's, in America, it would be like living in, you know, the treasury department. You know what I mean? It's like the Pentagon, like, I'm gonna live in the Pentagon. It's like this big, massive building that people are always touring through, and there's tour buses coming to it, and it just seems not, like, it doesn't seem comfortable. Like, you're not walking around in your underwear, you know? Eating cold slices of pizza while Real Housewives reruns are playing. So I kind of felt bad for Emma. Is that weird? Like, I kind of felt like, oh my God, this poor lady, like, she's stuck, like, in her workplace, and they're like, okay, now make a safari event. Now go clean the rhinoceroses. Now do this. I'm like, well, what's the point of being rich? All she does is she walks around in a uniform and has to work. What the fuck is the point of marrying a rich guy? I'll stick to poor people.

Speaker 1:
[04:43] Yeah, but like, I just felt like this degree of wealth was something that I just feel like we haven't even seen on Bravo before. We've, there have been some people on Bravo, they're just not, it's not coming to me where I'm like, wow, these are some wealthy ass people. I mean, Caroline Fleming was also extraordinarily wealthy, but it just was like, Emma's just living in a whole different world. And I just was really struck by it this episode in a way where I was like, this is, this show is kind of taking me into a world I was not expecting. I mean, it wasn't deep into that world. All we saw was like the public areas that anyone else could go to, but still I just was like, wow, I love this show so much. It just makes me so happy.

Speaker 2:
[05:22] Yeah, they're rich on this show. So yeah, we see the packing scenes. Everyone's getting ready to go. Mark is speaking French to his housemaid and Mark is like, oh my God, what do I even pack for this? I'm sure it's gonna be something fucking terrible. So, let's see what it is. It ends up being tassels on boobs and a thong.

Speaker 1:
[05:46] So Emma, she's telling us, she's doing preparations at Longleat. She's like, at Longleat, we have open seven cottages on the estate, which are beautiful and they're all historic houses and they've been restored lovingly and curated and dotted about the estate. Like, can someone like wake up Emma?

Speaker 2:
[06:05] I know, Emma's just like resting her head on her shoulder at all times. She's like a doll that nobody, she's like a marionette that no one's picked up yet. She's like, hmm, yes.

Speaker 1:
[06:15] Yes.

Speaker 2:
[06:15] Yeah, so we have seven cottages, it's lovely, curated, they're dotted about the estate. Some are in the safari, some are in the forest. It's very, very sweet, you know? Like staying in a cottage in the country, you know, playing country house for the weekend. Oh, my God, someone pick up the doll, pick her up. It's gonna break off. It's like when a baby is born and they're too, they don't know how to hold their neck up yet, and you're always having to support the baby. So support her head, support her head, somebody.

Speaker 1:
[06:47] She's always sort of flopped over, but like somehow she's the only one who could be so flopped over and so elegant at the same time. I just love her. You know, I'm not usually the sort of gay that's like, oh, she's so glamorous. I love her, but honestly with Emma, I kind of am like that. Like she doesn't really have too much personality. She's just sort of reserved and nice, but like I really am obsessed with her. So Emma, she's gonna, she's gonna have like, they're gonna have like tea and the rangerie, and then they're gonna do, they're gonna go on the boat tour, which is hilarious. That's like, yes. So today's itinerary, once you get to my house, is we're gonna get on the giant boat, and we are gonna go through my private safari. And then afterwards, we're gonna go to my orangerie and have tea, which is just, it's just wild. It's just so wild to me. I'm like, I don't know. I think I'm, I don't know what to do to myself.

Speaker 2:
[07:39] Yeah, to me, it's like hanging out at a mall. It's like hanging out at a really fancy mall. I feel bad for her. You're like, oh my God, she's so glamorous. I'm obsessed. And I'm like, this poor girl has to work 24 hours a day. I'm exhausted just watching her. Like we see her walking around in her little, you know, safari sweater uniform thing. I'm like, I just, I wouldn't marry that. I wouldn't marry somebody who, this was my job to like walk around and please people all day. So it's weird. It's like marrying into wealth, but then having to become like a waiter captain is what it felt like to me. And I felt bad. I want her to be, I want to come pick her up and like let her escape because this shit looks hard.

Speaker 1:
[08:16] The worst is when you like, when your job is like you're there to just to professionally make people happy.

Speaker 4:
[08:21] Anyway, watch what crappens.

Speaker 2:
[08:27] Yeah, but our job doesn't require constant grace or being classy all day, thank God.

Speaker 1:
[08:32] Well, I'm not saying I'm envious of her because I wouldn't want to live there. I'm just saying I think it's like wild. I love when Bravo can take us into a world that is like totally foreign to me. And just like, I just think it's such a contrast from everything else going on. I'm just like so amused and like impressed, not impressed, but like, I just find that the gulf of experiences between something like this versus Tom Schwartz's apartment is like so amazing that Bravo can have this all. So I just am, I love seeing it. I love gawking at it. So it's time to go to Longleat. So they get into their amazing black cars. I love these black cars too, by the way, just for the cars alone. I love this show. Yeah, the cars are nice.

Speaker 2:
[09:17] Yeah, they're really, they're very glamorous on the inside.

Speaker 1:
[09:21] Can we ever go back to a Sprinter van? I'm just not sure.

Speaker 2:
[09:24] Yeah, so they're in two different vans. And there's the M car with Miss A, Margo and Martha. And Mark and Micah are in another car. So they're also Ms. There's a lot of Ms on this show, basically. And Micah's like, oh my God, you are fat. Look at your little suit. Like if I was a man, I would want to look just like you.

Speaker 3:
[09:44] And he's like, oh, well, if I was a woman, I would want to be just like you.

Speaker 1:
[09:50] Oh, so then they're like, Kimmy's like, well, I'm here. I've got a booze back. She does that thing where she like throws her shoulder into her joke.

Speaker 4:
[10:02] She's like, ha ha ha ha ha.

Speaker 1:
[10:04] She's like, I love drinking. I love wine. I call it, I call it just a little personality and it's like, ha! And Micah's like, yeah, any journey with Kimmy, you know, it's going to be a good time. I'm like, maybe for you. I don't know if it's going to go the other way around for Kimmy with Micah. Oh, I got stuck in the Micah car.

Speaker 2:
[10:24] So we see Emma riding a bike around the property and making preparations for tea. And she's like, I haven't guessed it, Longleat. It's quite complicated. You've got to always streamline whatever you're doing alongside what's already happening. Longleat's open to the public all throughout the year. So if people are coming, have to curate the experience around the time of the year, what's happening on the estate, what event. There might be concerts, there might be hot air balloons. It's always something. And when people come to Longleat, it should feel like a dream. Unless you're me, Richard Case feels like shoveling shit and scheduling hot air balloons.

Speaker 1:
[11:03] And they keep showing footage of this Diana Ross concert that was there, which is hilarious. So what I also like is that the one car stops at a gas station and they actually go into the convenience store. And I feel like we didn't spend enough time in here. We didn't see how amusing it was to see these women in the convenience store, maybe because they were just totally chill and normal. Unlike if it had been Real House as a Beverly Hills, we'd be like, oh my God, look, they've got candy bars, candy bars.

Speaker 2:
[11:31] Can you believe it?

Speaker 1:
[11:31] They've got so many candy bars by the cash register.

Speaker 4:
[11:34] Have you ever seen so many candy bars?

Speaker 2:
[11:37] But yours, Kimmy, just- I doubt Kimmy was subtle in the 7-Eleven. You know what I'm saying? What's an M&M? Can I drink it?

Speaker 1:
[11:47] I'm gonna throw these M&M's at Margot if she's a bitch. She's just getting some coffee. I just loved it. I love Kimmy just sitting there getting coffee from the machine, that sad gas station coffee, but she doesn't care. She's like, I'm gonna get my coffee. I don't care. I call this a personality enhancer as well.

Speaker 2:
[12:04] So Lottie is shit talking with Mark. She's stirring the pot. She's like, how are you feeling about seeing Margot?

Speaker 3:
[12:10] He's like, I've always struggled with people who don't have a sense of humor, who aren't quick, who can't take it.

Speaker 2:
[12:17] You notice he does this stress thing with the beginning of his words.

Speaker 3:
[12:20] He's like, I've always struggled with people who don't have a sense of humor, who aren't quick, who can't take it.

Speaker 2:
[12:29] He's got this weird way of stressing the first letter of each word.

Speaker 1:
[12:34] He's doing fop talk to the extreme. So basically, I love Mark. He's like, I just can't understand someone who doesn't have a sense of humor. And nothing says a sense of humor than living in a Rococo Palace with gold paisley accents. You'll cross all of your furniture. There's nothing about his lifestyle that says, this is a man with a sense of humor. But he is very funny. I just think it's very, I think the irony is that he has a very serious looking life and style. And yet he's complaining about someone being too, taking themselves too seriously.

Speaker 2:
[13:13] He explains, you see in Britain, we tend not to talk about emotions. You know, if you're going to give it, you have to be able to take it. And I can take it. She's like, oh, 100%, Mark, 100%.

Speaker 3:
[13:26] And if we must, we use humor to deflect.

Speaker 2:
[13:30] Well, I have had a conversation with her and she's been quite sensitive about it, actually.

Speaker 3:
[13:34] Sensitive about what? Somebody not liking her boots.

Speaker 1:
[13:39] Yeah, but like, it wasn't just about the boots. I think that like they've lost track of what Margot was mad about. At this point, it's that when they were bitching about Margot at someone's apartment, then they, or I forget where they were. It was at Mark's apartment, but when they had that...

Speaker 2:
[13:56] Yeah, they were having like the posh people party, and then the other people were having like the cheesy Margot party with, you know, bad mouth, non-alcoholic wine.

Speaker 1:
[14:04] So Kimmy was bitching about Margot, and Mark was like, well, I heard someone came to my garden party and said that Margot is quite the accotress. So that's what she with Margot was mad at, not the boots comment. I mean, I still am not on Margot's side, like Mark is definitely overlooking what actually caused this fight and his role in it.

Speaker 2:
[14:27] Yeah, but even that was, I think he's looking at it like that was just such a dumb little comment. Like I called her fake, like, you know, like who cares? But they do keep bringing him a lot. He's like, yes, it's about people making comments about her outfits.

Speaker 3:
[14:39] And he's like, oh, well, get over it or dress better, quite frankly.

Speaker 1:
[14:45] So Margot, of course, is going on and on in her car. She's like, it's just so uncomfortable because they talk shit about me. Behind my back, just like snippet me. And I'm like, like I was on the Polo Pony and I could hear them talking about me. I would see the flashback of them talking shit about her. And then in the other car, which she's got a point.

Speaker 2:
[15:06] But that's what you're doing, too. I mean, that's every scene is you talking shit about them. Every single scene is like, oh, my God, I hate him. And he's so weird. And I just don't like them. And I hate them. Oh, she's kissing her ass. He's just frowning with her because she's rich.

Speaker 1:
[15:22] And I like Mark here. He's like, I think the nicest thing you can do to anyone, to their face, is to say something nice. Because, yeah, it may be a bit fake. Most compliments are not necessarily authentic. But when you see someone and you say to them, you look fantastic. It's so wonderful to see you. My God, you look great. You look ravaging. You're a slut. Whatever it is, if someone does that to me, they've made my day. And I don't care whether it's true or not. I really don't care.

Speaker 2:
[15:55] And Micah's just like, um, you just said all of those things to me about five minutes ago.

Speaker 3:
[16:00] Exactly. Thank you for getting it, Micah.

Speaker 2:
[16:03] And Lottie's like, well, I really just think that this is a case that Margot doesn't understand Mark's humor. You know, American humor's very different from British humor. I mean, just as for LVP. Like, why didn't this come out six years ago or whatever?

Speaker 1:
[16:17] I know.

Speaker 2:
[16:17] I love that this cast is just laying it out on the table. They're like, if you don't get it, you don't go here. Okay.

Speaker 1:
[16:23] Yeah. Micah's like, it took me a few years to understand British sense of humor.

Speaker 4:
[16:28] I'm not totally sure I still seem to get it.

Speaker 1:
[16:31] It's a lot of them just looking at me and laughing and rolling their eyes. And then they just say, oh, it's just British humor. And I just laugh along with it. I don't think it's fair.

Speaker 2:
[16:39] I moved here and then people would say to me, we're having a party. And I would say, when? They're saying, not for you. Things like that. Really funny people. Or I would come and I'd say, oh my God, what a lovely dinner, right? And I'd start to sit down. They'd say, no, not here. I mean, they really are just funny, funny people. Really funny.

Speaker 1:
[16:58] Yeah, my husband, I said, are you ever going to come back? And he said, I'm never coming back.

Speaker 4:
[17:03] I'm leaving you.

Speaker 1:
[17:04] And I was like, why did you say that? And he says, British humor. So I guess, I guess I'm just trying to go along with it.

Speaker 4:
[17:10] Just really funny people.

Speaker 2:
[17:11] Really funny.

Speaker 3:
[17:12] Yes. Well, there's definitely a culture clash. We have culture and you clash. Do you understand?

Speaker 2:
[17:20] Because I go like, are they joking? Are they not joking? Is this funny? I mean, I guess it's funny. I'm laughing, right? I'm sitting alone at a table and not going to a party. I don't even know what this is mushy stuff is, but it's pretty, it's pretty funny. I'm only crying. I'm cry laughing. I'm cry laughing.

Speaker 1:
[17:36] Mark is like, I mean, you're concerned about Boots. Wait till I get to your personality, then I will destroy you, sweetheart. British humor, Micah, British humor.

Speaker 2:
[17:45] So in the other car, Mark is like, I mean, they have bullied me and they have put me in a corner.

Speaker 1:
[17:51] Okay. Even Missy, Missy, who like the Queen Trauma Dumper is like, well, I think it's more than okay that Margot stood up for being mean, but like this is a bit much. So then Lottie in the other car is like, well, she has this impression that you're this nasty person. And I know that you're not. You're a very nice person, Mark. Well, it doesn't bother me because if you're smart, you get it.

Speaker 2:
[18:16] Yeah. Well, if somebody insults you, you laugh at it and they don't insult you again. I mean, God, we have to teach these people everything.

Speaker 1:
[18:26] Or come back at them with something sharper, smarter.

Speaker 4:
[18:30] Well, I think that as time has gone on, I've understood your personality a bit more and now I find you hilarious.

Speaker 1:
[18:37] That's why I got you a comedy suit. Do you want to put it on? No, no, no more seats, Lottie.

Speaker 2:
[18:42] It's time for a commercial. It's time for a Crappens commercial. This episode is notable because this is when all of the people who were on Margot's side realized that Margot's just a whining asshole and they don't want to be on her side anymore. And it's really funny because it all happens at one time where Margot just pushes it too far and they're like, yeah, he's fun. They're like, every time we're in this group, we look over and that group is really having a good time and our group is not. We're listening to this lady in a thong bitch. It's like, this is not fun. This is not fun.

Speaker 1:
[19:19] And also Margot is like a bit gauche for like at this country estate. And I think they're like all kind of mortified and they just don't want to associate with her. Margot, this is the episode where Margot truly kind of becomes Juliet Angus from the original Ladies of London. Just the obnoxious American. She sort of always teetered on it. But this episode is like, oh yes, the spirit of Juliet is with us now.

Speaker 2:
[19:45] Yeah. So Martha's like, well, I think moving forward, there's a way that you can react, you know, that won't escalate it further, you know. There's a way you can de-escalate. And Margot's like, well, they're like still holding me to this like nasty nose. They're like nasty to me though.

Speaker 1:
[20:03] Oh, but you'll respond to that by being nasty.

Speaker 2:
[20:06] But Martha.

Speaker 1:
[20:07] Don't give them what they want.

Speaker 2:
[20:09] But if I lose my temper, you can't be like, oh, well, you did snap back. Like that's bullshit. They're like coming for me, Martha.

Speaker 1:
[20:17] Margot is, I'm not sure, going into this weekend with the right intention. She's saying, don't judge me if I lose my temper with Mark, yet you're only judging Mark. And I don't feel like she's going in, waving the white flag, as it were. What worries me is that you're both warriors, and I don't know when this is going to end.

Speaker 2:
[20:37] It ends with me winning, Martha. I win. That's how it ends. No, it's not. This is not going to end up with you winning. This is going to end up with you crying, probably being like exed out from the show, not having a career in London, getting left by that man who clearly doesn't like you. We all saw how this was ending a long time ago, and it's not going to end well for you. I'm sorry, because I really don't hate her. I really don't hate Margot. I think she's annoying, but I like her and I like the casting that she will stand up to these people, but she's taking it a little, it's annoying now.

Speaker 1:
[21:10] She's just bratty. I actually think she's really good casting because she's the rare villain in this situation who is funny too. I think that Margot is legitimately very funny. She makes me laugh, but I'm definitely not on her side. I think that she will, she's definitely cemented herself as someone who will be on the show, tacky American, like a foil for someone like Mark. So it does work, but she is really, really annoying. So then I actually, I love this entire cast. I like even Micah, who's sort of like the boring one. I think we need kind of the boring one in there. Lottie is a little bit more low key, but I sort of like Lottie in this weird way. She's sort of like quiet, but also super judgy. Yeah, and I love her and her husband's weird, strange Tim Burton style, you know? So it all works.

Speaker 2:
[21:59] So then we go back to the other car, and Kimmy's like, oh God, a three hour drive, jeez. Well, at least we're going somewhere that's not a winery. And so they're talking about the other car, and Mark's like, well, this is the more popular vehicle. Well, I think if Missy was in our car, she'd be having a good time in this car. The other two can stay over there, who cares, but Missy would love it over here.

Speaker 1:
[22:25] Missy's just yawning in the other car, like, oh, time for a nap. So then Lottie is like, well, you know, I've been to Longleat, but never as a guest of Emma. So I was there with our water, could you believe it? Mark's like, yes, we were both at the wedding. Don't erase me, I'm Emma's friend too, Emma. The wedding was a lot of fun, more fun for me, because I was a little bit closer. I think I was sitting one pew ahead of you, Kimmy, is that it?

Speaker 2:
[22:52] Gosh, I've been to Longleat for like 20 something years or something like that, but I can't wait to go back. I simply can't wait. I love a husband. Can't wait to give him a lap dance. It's been a long time. Oh, you know what I mean? And Emma's like, Kimmy and Mark have attended lots of parties, my wedding, my 30th, big ones, Christenings, you know, proper shebang events. They were there. They were at all of those events. I cleaned up after every single one of those, planned each and every one of them.

Speaker 1:
[23:23] Yes, so many shebang events. We literally had William Hung here, and he sang shebangs, shebangs, and Mark got up on a table and danced the Macarena. Didn't make any sense, but I was happy for him.

Speaker 3:
[23:36] Well, I don't even remember my first trip to Longleat, but I do remember that the theme of the dinner was ancient Egypt, and Kimmy came as a pharaoh.

Speaker 2:
[23:45] We see photos. Kimmy is in fact dressed as a pharaoh. It's like, it was fabulous.

Speaker 1:
[23:53] It was worth it to suffer all those plagues. At least I had a nice house, but in a pyramid. So Mark is like, I cannot begin to think. The number of stories and the madness that has ensued. No one has ever left Longleat the same way. They are acting, by the way, like they're going to Jurassic Park. They kind of are going to Jurassic Park. Like this entire drive to Longleat definitely has the vibe of Lordearn on a helicopter going off to East Slut New Bar. So they get there and-

Speaker 2:
[24:24] And you know there's DNA encrusted all over the place in there.

Speaker 1:
[24:28] They literally are doing Jurassic Park things in there. Emma tells us that they are using DNA from an extinct rhinoceros to impregnate. Their rhinoceros is to bring back. So they are literally doing Jurassic Park. But it'll be British Jurassic Park, so it'll be very tame. All the dinosaurs-

Speaker 2:
[24:47] Look at the rhinoceros. It's running along with our car. It's chasing our car.

Speaker 4:
[24:51] It's on top of our car.

Speaker 3:
[24:53] My arm, my arm.

Speaker 1:
[24:56] No, all the dinosaurs in British Jurassic Park will be very polite. Like, excuse me. I do believe the power's out and my cage has become deactivated.

Speaker 3:
[25:06] Would someone mind giving me a napkin?

Speaker 2:
[25:08] I'm about to eat the man from Seinfeld.

Speaker 1:
[25:11] Oh, it appears the man from Seinfeld got lost trying to leave the island. Shall I show him where to go? Awful.

Speaker 2:
[25:20] So they drive through and it's, you know, the Jurassic Park music is playing as the gates open, you know, things flying in the air, waterfalls. And they're talking about how gorgeous it is and how palatial it is. And Lottie is like, I haven't been here since I was a child. I mean, I wasn't invited here, but I did pay a ticket to get here. Oh God, there's a real feat of British architectural state. The public restrooms aren't bad either. I have to say, lovely smelling soaps.

Speaker 1:
[25:47] There is like a fun little story that's not being emphasized at all about how Lottie basically was like middle-class British and she sort of come up in the world and now she's like hanging out with the aristocracy and she's like, wow, mommy. But like no one's really paying attention to that. Like Lottie's just there.

Speaker 2:
[26:03] I think they pay attention to it because she's always the one hanging out with the other new monies or Americans. It's like her, Missy, Margot, Micah, that's the other like old moneyed ones who are like, ooh, are you having fun over there, America?

Speaker 1:
[26:21] That's true, she is on the JV team.

Speaker 3:
[26:24] Remember when we gave them that godforsaken country and pretended that we let them win it?

Speaker 1:
[26:33] So we start seeing, then they're like, welcome to Longleat. Here's what all the halls look like. So they obviously were not given permission to film inside of Longleat. So they just have to kind of like have these scanned in photos from the brochure. Like, this is the great hall. This is where we have breakfast every day. And it's like a lithograph or something, a low res lithograph, like a 300 by 300 JPEG that's blown up on our TV. But we see all these things and Mark is like, one of the most magical things is this extraordinary drive to the house with these incredible views. It's probably one of the most beautiful landscapes in England. If you can look past the hideous pigeon feathers in the Margo War for the ride.

Speaker 2:
[27:17] So they drive up and Emma comes to greet them. And Martha's like, that lion statue has bulls! And Mark runs up to Emma and he's like, oh my god, it's Emma!

Speaker 3:
[27:31] Look at you, divine, glorious! The sun coming up in the morning, the sun setting at night. Good lord, woman, you're amazing!

Speaker 1:
[27:46] Margot's like, did everyone know? Mark has friends with Emma. Did you know?

Speaker 4:
[27:49] Mark is on Emma, Mark and Emma, they're friends!

Speaker 3:
[27:52] Waa!

Speaker 1:
[27:52] Waa!

Speaker 4:
[27:52] Waa!

Speaker 1:
[27:53] Is this really how he is with his friends?

Speaker 3:
[27:56] Yes.

Speaker 4:
[27:58] Wealthy friends.

Speaker 2:
[27:59] Have you never known a gay person? I mean, that's my question to Margot, cause Margot does verge on problematic a lot with the stuff she's going through with Mark. And like, do you know any gay people at all? Because yes, that's how we are with our friends. Girl, get you a gay. I feel bad for you.

Speaker 1:
[28:19] He is a dandy, and he has just reunited with his gorgeous, elegant, extremely wealthy lady friend. Like, we lose our minds. We're like, oh my god, everything gay culture is all about. So yeah, that's what happens.

Speaker 2:
[28:39] Yeah, so Margo keeps imitating.

Speaker 3:
[28:41] She's like, oh, hello.

Speaker 2:
[28:43] I mean, does he talk to his mother like that? Ew. So he's like, hello, Margo. Hello, how are you? Good to see you. And she's like, hi. Bullying, that was like the way he said hello, I was like, bullying.

Speaker 1:
[28:58] Bullying. And then Kimmy does her thing where she like launches into her joke with her shoulders. She goes, by the way, what a dumb. I just love the way she cracks her jokes. She's, she's like a full body joke for her. And so they're all going to be put into different cottages and stuff because that's, this estate is big enough that they're her cottages. It really is Down Abbey. Like the cottages that they wind up going to, or it looks like the, whenever in Down Abbey, someone goes into town and they're like, oh, look at that farmer. They're going to take care of my baby. These are the houses that those farmers live in. And it's like, but it's real. Of course it's real.

Speaker 2:
[29:38] I know, but you have to like live, it's kind of like living in a servant school. It's like, that's where Daisy lives from. Down Abbey.

Speaker 4:
[29:45] Daisy!

Speaker 2:
[29:46] Like, whoa, isn't this lovely? Yeah. Thank you. So Margo loves it. She's like really impressed with Emma. She's like, yeah, I seem like a different side to her. Like, I really like her now that I've seen that she lives in a castle. This is amazing. So Emma's like telling them how the lands are laid, basically. She's like, well, you know, that's where the different animals are. There's giraffes over there. There's rhinoceros over there. Then you go over a hill to the monkey cage. Then there's a Broadway level theater, about five hills away from that. Then there's a train. Then there's a plane. There's an automobile. John Candy actually comes out of that volcano at night. Surprises people every time. It's quite wonderful. Liza Minnelli isn't even dead yet, but her ghost is already staying in that cabin right over there. You're gonna love it here.

Speaker 1:
[30:35] You do have to ring a bell to get in, if you know what I'm saying. Yeah, it's crazy. They go on this boat ride. That's kind of like the Jungle Cruise at Disney, except it's real. And there's sea lions that come up, which is funny, because you wouldn't think of sea lions in the same habitat as monkeys, but they're all there together. It's a hodgepodge of animals, and it's just wild. I think what's also crazy is that this cast, I don't see this cast really going to the zoo, and that's what they're doing, and it's just kind of funny seeing them observing animals, like Kimmy being like, oh, look, there's a monkey. Isn't that fabulous? Isn't that crazy? I wonder if it wants a cocktail. Come on down here, monkey. Let's have some wine together.

Speaker 2:
[31:15] Yeah, and Emma's telling us, the Safari Park is run by International Conservation, and lots of research is done here. We've actually mixed Kimmy's DNA in with a penguin and a sea lion, and that's what you see here today. Who are you talking about?

Speaker 1:
[31:33] Her.

Speaker 2:
[31:33] Exactly. The real Kimmy's in a jar.

Speaker 1:
[31:40] We also see there is like this one monkey that's like standing on like a tree. And Mark says, Oh, look, it's Margot's inspiration for her jacket, or something like that. We see like a side by side of like the monkey and Margot's outfit. It's like, this show is so good. Why is there a monkey here?

Speaker 2:
[31:58] They see a little red panda named Lionel. So cute. Martha, do you want this in your house? Like, of course I would. I would get little red panda goggles just for Hecate, you know, never be too careful.

Speaker 1:
[32:14] Hecate would not allow that red panda. Lionel is not allowed in with Hecate. Hecate is calling the shots and Hecate's like, there will be no cuter animal in this place than me. So sorry, Lionel, you're staying in Longleat. God, Lionel is so cute. Oh my God, I could have just watched Lionel for an hour.

Speaker 3:
[32:34] So Mark is like, oh, Lionel makes a wonderful accessory, mm.

Speaker 2:
[32:39] So now they go on this boat, and we're learning about all the different animals, and then we see gorillas, and I love that we got one shot of the gorilla, and the gorilla was just like, slicked his hair back real quick, and just kept looking at him like, hi, I'm the hot gorilla.

Speaker 3:
[32:57] Welcome, welcome to my habitat.

Speaker 1:
[33:00] It's like that gorilla that like became viral a few years ago for being hot. And then this is where we see that monkey and Mark saying like, oh, now I see what Mark got that inspiration. Yeah, and Martha's like, oh, look at all these dangerous animals. I wish I could have them in close quarters in my apartment. Oh, she's losing her mind. She's so happy.

Speaker 2:
[33:24] And they're like, wow, those gorillas, they just posture and pound their chests. And Emma's like, oh, Mark does posturing as well. It's more like chimpanzee versus gorilla, I think.

Speaker 3:
[33:33] I'm sorry, that's some old inside long leak joke.

Speaker 1:
[33:38] And the sea lion comes up, it's like, arf, arf, arf. And they now have to feed the sea lions. It's just so cute.

Speaker 2:
[33:44] So they put on some rubber gloves and Kimmy's like, oh, Martha, you better bend over. It's time for your rock-toll exam.

Speaker 1:
[33:54] I cracked up when she did that. They're just so funny on this show at all times. Except for Missy, Missy's not that funny. But Missy is like, oh, Emma, we could do house swap. How would you like that? House swap, okay? Like, don't take her up on that, Emma. We've seen Missy's house.

Speaker 2:
[34:10] Yeah. So then Margo starts bullying the hippo. Margo's like, oh my God, hippo is so mean to me. You're really fast for a fatty. You're really fast. Can we not fat shame the hippos? It's like, it's how they were born, okay?

Speaker 1:
[34:27] They're also the most dangerous animal here.

Speaker 2:
[34:29] So I'm sorry, the hippo's not jerking somebody off in the cinema, but he's still a decent person. Okay.

Speaker 1:
[34:34] Yeah.

Speaker 2:
[34:34] Have some respect.

Speaker 1:
[34:36] So then this is where Emma tells us about how they're trying to resuscitate the Northern white African rhino. And then she was like, oh, and we also have a whole eucalyptus farm here, just for the koalas. Just a bonus eucalyptus farm. She's like, oh, and then there's the red panda you saw, that's done in Nepal. So we got so much going on. And Margot's like, what's really wonderful is the way in which they all coexist in such harmony. If only we were able to do the same, right? And then like Margot rolls her eyes like.

Speaker 2:
[35:09] She's like, that was bullying. You see, that was bullying, you guys. So Emma's like, there will be a test at the end of the ride, everybody. And they're like. So Margot keeps like giving looks to Mark on the boat. Like, she's clearly trying to start a fight, and he just ignores her and keeps laughing. I'm not getting dragged down to this level with you, lady. So now they go back to the property, the property to have some tea, and they have some tea drinks in this like, orangery, as you called it. And, well no, first they go see their cottages, and they're like, Mica, Margot, Lottie, you're gonna be in the gardener's cottage. Sorry, you're just kind of like leaf blower types, so I'll stick you in there.

Speaker 1:
[35:55] And then the other girl's gonna be in the prairie lodge, which is funny, because I don't think there's anything resembling a prairie out here. And then they just give, they put Mark in the place called, he's in the bath arms, which is a pub that's two miles away. And she's like, well, I thought he'd be happier in the pub. Doesn't need to interact with people for longer than it's necessary. And it's like, oh, the idea of being in a pub, let alone sleeping in one, is not something that would intrinsically please me. However, on this occasion, not being in either of these cottages comes as a pure delight.

Speaker 2:
[36:29] So everybody goes to get changed, and we see all these little cottages and stuff. And then Micah and Margot and Lottie are talking about the car ride. And Lottie's like, well, ours wasn't very relaxed, although it was entertaining. And we see flashbacks to talking about designer kids' clothes. And Kimmy's like, oh, those are awful, awful. No one wants to see a designer child. Just throw a sack over them, call it a day.

Speaker 1:
[36:56] Margot's, it's obtuse, it's obscene. I wore sailor outfits for the first six years of my life, and that is all a child should wear.

Speaker 2:
[37:06] And the funny part is, he's not even kidding, because we saw pictures of him as a child last week, and it's like a little tiny boy in sailor outfits, holding little tiny martinis and pipes.

Speaker 1:
[37:16] And what's also funny is that they're saying this to Lottie, who is clearly planning to make some designer duds for her child with her husband. Clearly going to make... I mean, her husband is literally a high-end designer, and she even said at the gender reveal, she's like, little mini seats, I can't wait for the mini seats. Like, mini seats, mini seats, mini seats, mini seats.

Speaker 3:
[37:39] They're like, disgusting, obtuse, revolting.

Speaker 2:
[37:43] And she doesn't get mad, she just laughs, you know? So he's like, can you have guinea fowl for Thanksgiving? I would love to. Turkey's just so abhorrent, isn't it?

Speaker 3:
[37:55] God, it's just so full of things.

Speaker 2:
[37:57] Like gizzards and innards and stuff like that.

Speaker 3:
[38:00] It's like, disgusting.

Speaker 1:
[38:02] It's so American. And then another part, Mark is like, Mark, how's your German?

Speaker 2:
[38:06] I love them shaming turkeys.

Speaker 1:
[38:08] I know, they're covering a wide range of topics, because now Mark goes, Mark, how's your German?

Speaker 4:
[38:14] He goes, nine!

Speaker 1:
[38:15] And they all just kind of means like, ah, ah, ah, ah, ah, ah, ah, ah, ah. So a lot of years, like, I just feel like Mark and I kind of bonded a little bit. Turns out we both detest turkey.

Speaker 2:
[38:27] It's quite nice to bond. What do you bond over? Over what? What do you mean bondage? Because, you know, just like having a one-on-one conversation with him, I sat opposite from him in the car. So it was like, you know, we could actually talk and I could see that he's actually fun and friendly and nothing like you're describing him to me, basically. And Micah's like, oh yeah, was he friendly? How was he right now, Margot, was he friendly? Well, I mean, he said, hello, God, might as well have tripped me in the hallway.

Speaker 1:
[38:55] God, I just had this vision of this cast going to the next BravoCon. And I just, what I would do to be able just to sit with them and have a cocktail, because you know, they're going to scroll away at some bar in the middle of Vegas and just talk shit about all the trashy people on Bravo. Like, oh, did you hear that? Did you meet that person on the real house? Because of Beverly His. I think her name was Dorit. Oh my god, she thinks she's from the continent. I'll tell you one thing, she is from the continent, the continent of stupidity, right?

Speaker 2:
[39:29] So, and by the way, we will be sitting and having drinks with them at Bravo, Connor, are you kidding? Of course we will. So, Margo's like, yeah, well, I mean, he said hello, but like with Mark, that means nothing, because he's so fake.

Speaker 1:
[39:43] So Lottie's like, being nice to someone, just being polite, isn't it? Doesn't mean that you're fake. Well, I don't know, because he never talks to me. And Lottie's like, well, I just feel like I'm just understanding him a lot more. That's all. And it is so funny, also the cultural divide here where the Brits are kind of like, it doesn't cost anything just to be nice to someone, just say something nice, be polite. There's nothing wrong with that. But the Americans are like, if it's not sincere, then fuck that. It needs to be authentic at all times. And that is a very American thing. I feel like the biggest crime, it often seems like, is the crime of inauthenticity. People often get, we see people get angrier at people on these shows for being inauthentic than for some of the things that they do that are legitimately bad, bad, bad behaviors. And I just think it's so funny seeing Margot get caught up on this of like, yeah, he may be nice to me, but it's fake. It's not even real. So like, what's even-

Speaker 2:
[40:39] I would rather a fake nice person than a real bee, you know? So then we go to Kimmy and Martha's place and Martha's like, oh, how are you and Margot getting on today? Are you making peace? She's like, oh, God, I haven't even said much. I haven't said anything. She hasn't said much. I think her problem's more with Mark now than me. So she's like, be nice to her. So then we go back to Lottie and she's like, you know, he just thinks that everyone needs to not take everything so seriously and have a sense of humor. And you know, the things you've been upset about, he hasn't really meant them to be that deep is what he's trying to say. She goes, well, that's a cop out. I mean, what you're upset about doesn't even matter. Sorry, Margot. God, Margot, you're such a fucking wet blanket. Good Lord, you're almost wet enough to wear.

Speaker 1:
[41:27] Yeah, Lottie's like, but we're just talking about dress sense. I mean, does it really matter? Margot's like, I don't think Lottie's gone to the dark side, but it does seem a little bit murky. And Micah's like, I think Margot sees other people loving Mark, and she's like, what? How can you love somebody that I don't love? And it's like, hard for her to see, but I'm going to help her out with the help of puppets. Okay, this puppet is Mark, and this is Margot. Talk.

Speaker 2:
[41:54] And then Lottie says, I mean, she's wearing a tank top with nipple tassels. And then we cut to her in the car with this tank top with nipple tassels. I mean, if I'm invited to this estate, I don't think I would be the time for me to wear nipple tassels. Oh, it's like, oh yes, Lottie's turned, finally.

Speaker 1:
[42:14] Yes, yeah. And it's true too, by the way. I feel like you gotta like respect the customs, right? So Margot says, if someone said to me, I don't like what you're wearing. But that's what he said. No, it's not. He told me, I love everything you're wearing. You're amazing, you're beautiful. And then I turned around and he's like gathered people to whisper behind my back. And that's just like not a nice feeling. So Mike is like, but you know, we did tell him your words hurt her. And he said, I don't like to hurt people. And I will only hurt people who dress terribly. So, I mean, I think that means something.

Speaker 2:
[42:47] He's gonna be cognizant now. So even Mike is like, I mean, Margot really needs to understand British humor. You know, the other day I was handling a taxi and he rolled down the window and he said, not you, and then he drove off. I mean, these guys, they are really, it's a funny country.

Speaker 1:
[43:08] I don't want to be the middle of you two because you and I are also friends, but at the same time, you standing up to him is going to stop him from chatting shit about you behind your back. She's like, you think so? I do think so. He's an enormous pussy, so confront him.

Speaker 2:
[43:23] Well, you don't really change somebody with a conversation. I mean, they just turn around and they just keep doing. She's like, I'm beginning to wonder if Margot's the problem, because she really enjoys this drama. You know, I don't understand her motives, but we're arguing about boots. It's embarrassing. Margot's like, nobody's on my side, like nobody. And like, it's like fine. I'm like, I'm not asking you to be on my side. I'm not like asking you to fight my battles, but like, please go to him and argue with him the rest of the episode about me. OK, like, I just I want you guys to be aware that that's how I feel. I'm like alone, like, I'm alone. Because like even Martha's like, but I love everybody. And I'm like, well, I want her to love everybody, but it's not her fight, but like, it's not my fight either. Like, why am I fighting?

Speaker 1:
[44:04] Well, we don't want you to feel like that. That's a horrible feeling. You are not alone, but you are also the poorest of this group. So we're going to be friends with Mark instead. OK, thanks. So now everyone's getting ready and Lottie is wearing this kind of like Nutcracker marching band jacket.

Speaker 2:
[44:22] I love this jacket. It was crazy. It had like a ton of little gold foil covered bonbons on it.

Speaker 1:
[44:29] It was not unlike your jacket for The Crappies, I have to say.

Speaker 2:
[44:32] Oh, yeah. Similar.

Speaker 1:
[44:34] Look at you. You're basically doing Lottie before Lottie was doing Lottie.

Speaker 2:
[44:37] I basically made it.

Speaker 1:
[44:38] Yeah, invented it.

Speaker 2:
[44:41] And then Martha and Missy are getting ready, and Martha's like, I look dumpy. Missy says, what does dumpy mean? Like middle-aged and fat. She's like, stop it. So now we go to the Orangerie, and everybody is greeting each other to go over there and making small talk and stuff. And Lottie's like, oh, did you all talk about the Mark thing? Because we did. And Missy's like, no, not much. I mean, maybe a little bit, but no one cares.

Speaker 1:
[45:13] Mark was just saying that she should just try to get a sense of humor.

Speaker 3:
[45:17] It's just a joke.

Speaker 1:
[45:18] She should try to get a sense of humor. That's all. Just try to get a sense of humor. Have you looked in the back of the newspaper? Some people are selling senses of humor. Have you tried to get one from there?

Speaker 2:
[45:28] And she thinks that he's not having an, you know, she thinks it's two-faced and he's fake. And she's like, oh, really? Yeah. And she was very upset. And she said she feels alone. Like, oh gosh, okay, you guys need to just leave it alone. This is not your thing to go talk to Mark about it, which they both will do.

Speaker 1:
[45:46] Because at the same time, but they're sort of like listlessly involving themselves because they're not like that, that impassioned, which is kind of funny. They're like, you should really do this because otherwise it's bothersome. And Lottie's like-

Speaker 2:
[46:00] Well, I think they're checking temperature with each other to be like, Margot's the problem, right? It's like, did you talk about it? Yeah, maybe she needs a sense of humor.

Speaker 1:
[46:09] Like, it's a bit insulting that she feels like she's alone.

Speaker 4:
[46:13] Then what are we? Spent milk?

Speaker 1:
[46:18] So then Mark meets up. Oh, welcome to tea. When we came for champagne. She's like, well, I don't have any, sorry. Oh, Emma, never have I heard a worse lie.

Speaker 3:
[46:29] Oh, bad girl, bad, bad girl.

Speaker 2:
[46:33] So he's talking about the wedding, Emma's wedding and the orangerie. So we're married in 2013 here. It's massive, 400 people. My father had guests wearing Nigerian robes because that's traditional.

Speaker 3:
[46:44] It was fabulous.

Speaker 2:
[46:45] Look at the pictures.

Speaker 3:
[46:46] She's like, total spectacle. So there was all Emma's family. You had society, you had a school friends, her childhood friends. It was magnificent, magnificent, glorious, huge gilded.

Speaker 1:
[47:01] It was a bit odd when Kimmy showed up still dressed as the pharaoh, but we said, whatever, go with it. It's like, wow, it was great. It was probably one of the best weddings I've ever been to before. Actually, I was wearing this hat at Emma's wedding. Fun enough, huh?

Speaker 2:
[47:15] The only reason I was wearing it at that wedding was because I took it off one of the peacocks outside. They turned one of the, they stuffed one of the peacocks. I cut off its tail and turned it into a hat. I'm still wearing it today.

Speaker 1:
[47:29] So, they're just sort of making small talk. Micah previews that she has a big event coming up, because it's going to be like the launch of her latest kind of etiquette thing. That's like, it's not about teaching etiquette. It's just about like being like, kind of like empowering and like holding space and having confidence. It's sort of like a vague thing.

Speaker 2:
[47:52] She needs to work on her branding for sure, because she's like, I'm not trying to teach etiquette to British people, you guys. Okay, not British etiquette. I'm trying to teach them that etiquette is also having self-confidence and making yourself known when you're in a room. I would try to explain that to people, but I walk into a room and they leave. They're just so funny here. But you know, so much you guys think I'm trying to teach etiquette to British people, even though I teach something called etiquette to British people. Should I work on that?

Speaker 1:
[48:19] It's going to be a great event. Everyone gets a complimentary pink walkie-talkie, so I'll see you all there. So they're like, oh, that is so amazing. I love that you're doing that. What a big achievement. Whatever it is, can't really follow it, but cool. And Margot's like, oh my God, you're like the Martha Stewart of etiquette. Oh my God, thanks. I love, I love Martha. I love, you know, Martha Stewart's like, I'm going to write a sternly written letter to Andy Cohen to remove this show from the air.

Speaker 2:
[48:47] So they're, yeah.

Speaker 1:
[48:48] Do you want to bear me to mit, Micah?

Speaker 3:
[48:50] Yeah.

Speaker 2:
[48:51] So they're standing around having like pre-drinks and laughing, and it's so big that it's echoing. Like it's hard to get any sound in here because like the room is reverberating.

Speaker 3:
[49:00] It's huge.

Speaker 2:
[49:01] And so Micah's like, well, I'm a little peckish, but I'm just, you know, it's okay. I'll wait. We're going to eat soon. Cause we see these big gorgeous trays of tea food, you know, it's gorgeous.

Speaker 1:
[49:14] And they're in like the waiters area. Like they're meant to be put out on the tables once it's time to sit for tea. I'm not even sure that these are meant for this group or not, but whatever. They're just there to the side. And so Marco's like, oh, well, if you're hungry, that's fine. And so she goes, she grabs one of the towers of tea food and sandwich, you know, little finger sandwiches, et cetera. And she just brings it to the table and just starts eating off of it. And everyone's like, oh, oh, oh, you know, because it's like-

Speaker 2:
[49:43] And then even worse, she was like, oh my God, can I get some silverware? I'm gonna need some silverware for this. God, they only give you silverware around here. Geez. It's not time to eat, you fucking nitwit. Oh, you're so embarrassing.

Speaker 1:
[49:59] It's like literally being at the restaurant and like just like grabbing something off of the pass and be like, okay, I'll just take this. I'm like, lady, it's not your turn. And Emma's like, oh, so she decided to start. Oh, okay, I won't say anything. Okay.

Speaker 2:
[50:13] And everybody's mortified. Oh my God, you're not supposed to eat at someone else's party until they offer you the food. But no one will say anything. And Margot's just like shoving it down with her hands.

Speaker 3:
[50:23] And they're like, oh no.

Speaker 1:
[50:25] This is a throwback to-

Speaker 2:
[50:28] You're starting to insult the host. What's a throwback to, Ben?

Speaker 1:
[50:32] I was gonna say Sarah eating the bow off of Heather DeBrow's cake.

Speaker 3:
[50:35] It's not time for cake yet.

Speaker 1:
[50:36] Oh yeah, totally the same thing.

Speaker 2:
[50:41] Same level of class, for sure, for sure. So we go to Margot and she's like, I don't know if these are meant to be them, but I'm gonna fucking eat them.

Speaker 1:
[50:50] Or British, it's a British tss, so it's like a tss. So Micah, they're all just like so uncomfortable with how like gauche Margot is being right now. She's like, I'm starving. I'm not drinking my calories. I need food. And Emma's like, okay, well, they've started their tea over there privately, I suppose. It's like, oh, I didn't realize that you had invited people to do that.

Speaker 2:
[51:15] Well, I might not say it, but you know what I'm thinking, because my head tilts and my eyes have clothes and I look sort of exhausted. Are you getting it?

Speaker 1:
[51:25] So then they're like, they're like, okay, I guess we'll start tea. So Martha's like, oh, okay, time to start tea. Well, I don't want to be a tartar, which we see is someone who is strict or bad tempered, which I love. I'm like, oh, I'm such a tartar right now. Better get some food in my belly.

Speaker 2:
[51:43] So they're like, oh my God, what do you guys have? Do you like cream first or jam first?

Speaker 3:
[51:48] What do we do?

Speaker 2:
[51:49] And Martha's like, I have cream and then jam. I'm sorry, sue me.

Speaker 1:
[51:58] When I went to my scone making class in London two years ago, they told me all about this big debate that rages across all of England, which is when you have your scone, do you put the jam on first or do you put the cream on first? And I was like, well, obviously, in my mind, I was like, well, obviously you would start with like the clotted cream and then put the jam on top. And I was like, that's the only way to do it. But I have to say, I did try it as an experiment with the jam first and the cream on top, which felt weird. It felt weird to spread cream on top of the jam, but it was quite delicious that way. I'm not gonna lie. I low key may have liked it even more. Is that strange?

Speaker 2:
[52:32] I'm still fighting with people about how to make a peanut butter sandwich. You go up the peanut butter on there, then you glop on the jelly on top of the peanut butter and you close the sandwich. I know.

Speaker 1:
[52:43] Jelly gets its own slice and you close them together.

Speaker 2:
[52:46] I don't want even jelly. I want little clumps of jelly around the sandwich. That's it.

Speaker 1:
[52:53] No, it should be a romance. One has one bread, one has another bread, and the two bread bring them together to make it cute. But they do not start on top of each other. They do not start hooking up, okay?

Speaker 2:
[53:03] Yeah. So it's like a glob. Like imagine like what do army people wear? It's called camouflage. It's supposed to look like camouflage. There's the peanut butter, and then there's just jelly kind of swimming around. There's little glops, little pieces like waves throughout there. That's art. That's how you make a peanut butter jelly. When you put the jelly on the bread first, you put the jelly all over the bread. It's even, and then it soaks into the bread and makes the bread a little bit wet with it. It's not how you do it.

Speaker 1:
[53:33] Yes, I want, I personally love when you bite into a peanut butter and jelly sandwich, as you bite into it, you get that kind of like cold rush of the jelly, like a nice cold jelly, and then all of a sudden you get that layer of peanut butter. And I feel like if you just get speckles of jelly, you're really just getting peanut butter with like jelly accents. And I want like, I want, I want layers.

Speaker 2:
[53:55] No, it's not speckles, it's globs.

Speaker 3:
[53:57] So you get globs.

Speaker 2:
[53:58] So you get like a nice big jelly, and the next one could be almost all peanut butter. You know, it keeps it interesting. It's like a dance. It's a dance in your mouth. But you know what? Some people are artists and some people aren't.

Speaker 1:
[54:08] So, I rebuke it.

Speaker 2:
[54:11] There's no offense to non-artists. We need people to clean our homes.

Speaker 1:
[54:16] I don't want, if I actually literally, if I bite into a peanut butter and jelly sandwich and I get all peanut butter, I will be actively upset. I want there to be, I want there to be the ratio, the ratio of both of them in each bite. I want consistency.

Speaker 2:
[54:33] Listen, I think a good thing about friendship is when you accept when your friend is wrong. I think that's super important. And I accept you. I still love you.

Speaker 1:
[54:41] I love you too, despite.

Speaker 2:
[54:44] I'm never eating one of your sandwiches, but I love you. So, Missy, they're going over this, like cream first. Martha's makes more sense to me. She believes in cream first. You put the cream like the butter and then you put the jam. That's how I would do it too.

Speaker 1:
[54:58] Same. And that's honestly, that's still really how I, when I've done it, when I've sort of like done a fake version of it here at home. But like, I'm just, I'm here to report that when you do the jelly first, it works shockingly well, way better than you'd ever expect.

Speaker 2:
[55:13] Yeah. Okay. So-

Speaker 1:
[55:15] I'm gonna make a scone after this.

Speaker 2:
[55:17] Missy's like, I didn't know there was a way of eating a scone. We know, Missy. Embarrassing.

Speaker 1:
[55:25] Missy's learning so many things this season.

Speaker 2:
[55:27] Missy literally doesn't know anything.

Speaker 3:
[55:29] Like, that's what's up.

Speaker 2:
[55:31] She's literally surprised. She's surprised by doorbells. It's like, oh my God, what is that? Someone's at the door. What a good idea. Do I just go to the door? I open it every day, just seeing when people are there. Sometimes they are, sometimes they aren't.

Speaker 1:
[55:47] Lottie, meanwhile, is like, she's trying so hard not to fangirl out. She's like, it really doesn't get more British than this. Sipping tea in this beautiful orangerie, in the grounds of the long manor with a lady and marginess of bath. It's every little girl's dream come true. And I'm just pretending I'm one of Emma's little ladies and waiting. And then a gorilla bursts through and rips her head off. It's how I want to die.

Speaker 2:
[56:12] So anyway, it's your first visit here, some of you. If you want to know any information, let me know. I just feel like I talk about it a lot and I sound insane. Look at those gorillas waiting for tea time to eat their tea. You know, I know it can sound old, but if you need something, just call me.

Speaker 1:
[56:33] I did love when she goes, I talk about this so much and I probably sound insane when I talk about it.

Speaker 2:
[56:39] I promised myself not to open up any more snack times by bragging about the rhinoceros that we've impregnated with a penguin placenta.

Speaker 1:
[56:49] I mean, Emma does have like a very wry sense of humor. That's way more low key than like Martha and Kimmy and Mark, but I really enjoy it. So then Lati is saying how she has so much respect for Emma and like, you really see the scale and the scope of all the things that she's doing here in Longleat and she's an amazing role model. And I've decided I'm going to make a giant suit for this house. There, it's happening.

Speaker 2:
[57:15] So they just keep making small talk about the place and telling Emma she's doing amazing. And she's like, you know, the important thing is like you meet your husband, you get married and you have to come into this kind of thing. And then you have to make it better. Like it's a whole job that you have to make better. And I said a couple of weeks ago that this reminded me of Ladies of London the original with the chick who was the heir of Sandwich, the Earl of Sandwich or whatever. And she's like, oh my God, how are we going to keep it open? Jump balls, we're making jewels balls, and we're going to sell them. We're going to do yoga classes on the lawn. And this operation is just so much bigger and Emma's just so much more in charge. They really one-upped their game here for sure.

Speaker 1:
[58:01] They really did. Earl of Sandwich is definitely being upstaged by Longleat. That's for sure.

Speaker 2:
[58:08] Although I was at Disneyland recently, and they had an Earl of Sandwich shop. And I thought, God damn it, Julie, still working it. Good for you, babe.

Speaker 1:
[58:18] Yeah. It almost makes me wonder if there's a British analog for the corndog castle that they have at California Adventure. Sure. There's like that corndog castle is based off of the country estate of Lady Loch Ness or something.

Speaker 2:
[58:34] So they're talking about how she, Margo's like, wow, to get married for love and then end up in this role is big. Like, you're so good at it. That's crazy.

Speaker 1:
[58:45] Yeah. And then Kimmy's like, by the way, do you have like a teddy for Mimi? Mimi wants a giraffe or a teddy, which was funny because when Kimmy asked this question, the camera like zooms in on her. And when she goes, by the way, I was like, oh shit, here comes, she's gonna spill it. She's gonna, Kimmy's about to say something vicious. And then when she's like, do you have a teddy bear for my child? I was really caught off guard by that. Yeah, now once in a while, I do act like a soft bitch myself getting a toy for my child. But you know, it's what a mom has to do once in a while.

Speaker 2:
[59:18] All right, let me just rewrite that so no one starts disrespecting me. All right, I need something for my child. Do you have a teddy bear or a bottle of vodka?

Speaker 1:
[59:29] How about did you have a tiara? Emma's like, oh, you can't have it, Mark. And it turns out that there's like this very big, prominent tiara that belongs to the estate. And then Martha explains, she goes, we're at Buckingham Palace, the gift shop. They have some really good fake tiaras. I watched the Caledonian Ball and everyone was like, oh my God, your tiara is amazing. I said, good, I want the Buckingham Palace gift shop.

Speaker 2:
[59:56] But what about that tiara that you're wearing in your wedding photo, Emma? She's like, oh, it's on display in my dress. And so we see the dress and tiara on display in the house. And Lottie's like, oh, so it's real jewels passed down. Is that something that each person wears? And they're like, yes, that's the way mouth tiara.

Speaker 1:
[60:16] I love how the people of a certain class in Britain, of a certain amount of wealth, they don't really have to be burdened with knowing things about the world. So they're just stuffed with all this information about various jewels and artifacts of the aristocracy. Oh, of course, the way mouth tiara. If I could have worn that to the Caledonian Ball, I would have, but I couldn't.

Speaker 2:
[60:41] So they're talking about how Lottie's like, I would just wear that when I'm sad. And everyone laughs, and everyone goes, yeah, I just lie on the floor watching Family Guy wrapped in a blanket, tiara. So you smoke and wonder why, if there will ever come a day where you don't smell like rhinoceros shit. I get it, I get it, actually.

Speaker 1:
[61:01] I'm sure Mark was very confused with the Family Guy reference. He's like, unless it's the sins, I don't really know what you're talking about.

Speaker 2:
[61:09] That's a great one. In the bathroom, crying, I put my tiara on. So now they move to outside where there's more tables and more waiters, more things, more things to serve them. And Kimmy and Mark are walking around arm in arm, laughing at nothing. And Martha's like, English country weekends are quite a lot about drinking because English culture is drinking. Yeah, when you go to the countryside, just start with a drink on the way. You arrive, you have drinks of tea, you go back to your room, you have another drink before dinner, because then you have pre-dinner drinks, then you have drinks at dinner, and you go back to your room, you have more drinks, and drinks whilst you're doing the countryside.

Speaker 1:
[61:54] Sounds like fun.

Speaker 3:
[61:56] Sounds like my childhood, Jesus.

Speaker 1:
[61:59] Yeah, so Martha's talking to Margot, she goes, well, you and Kimmy seem to be getting along well. She goes like, well, yeah, which is great because I just really needed a fucking break. I mean, to my face, she's super nice, but I don't know what she's cackling about behind my back. She's, well, yes, darling, but whatever people say about us behind our backs is actually none of our business. She's like, shut the fuck up, who cares?

Speaker 2:
[62:23] Lisa is like, I wrote that. I came up with that one. So then we go to Mark with Lottie and Missy sitting down, and Lottie's like, well, I spoke to Margo. Oh God, don't start this, please. It's so fun. It's like I spoke to Margo in the cottage. I was trying to explain to her that you weren't being nasty, but she wasn't having any of it, and she's not listening, and I think you two need a conversation.

Speaker 3:
[62:48] He goes, well, listen, that's fine. I'm very sorry about that, but equally, I'm sorry about the VPL.

Speaker 2:
[62:58] And Missy's like, what is VPL? Visible panty lines.

Speaker 1:
[63:07] And then we see that she actually does have a VPL. It's pretty prominent in her dress. And Mark is like, VPL was a well known thing when I was growing up. There's more underwear than dress. I think it's bad to have a visible thong at the beach. I think it's worse at Longleat House. It's just not chic. I will never be close to someone who walks around in a transparent dress. Missy goes, but I have one, a fucking transparent dress. I'm like, oh, so this is why she was cast, for this moment to be like, see? I'm transparent.

Speaker 2:
[63:42] And she goes, maybe it's just Margo because he liked my transparent dress. Luddy's like, well, my dress tomorrow is transparent, so I guess we won't be friends. And they start laughing.

Speaker 1:
[63:52] And Missy's like, I'm the trans-bound queen.

Speaker 2:
[63:55] Yeah, but cracking up. And this is why they can be friends and Margo can't, because they're like, he's just being an idiot. So Missy says, I mean, it's personal. He's not giving in. It doesn't make sense. Like, why doesn't he just talk to her? There's something behind it, I think. You guys need to have a conversation, Mark.

Speaker 3:
[64:13] It's like, I do not think that we need a conversation.

Speaker 1:
[64:18] Just say nothing then. Just say, hi, hi, bye, bye. You know what I mean?

Speaker 3:
[64:22] Point taken. Thank you so much for that. Thank you.

Speaker 1:
[64:26] So I just think that it will be better that way.

Speaker 3:
[64:28] Fine. I'll temper my craziness. By the way, you look marvelous, ravishing, fantastic, glorious.

Speaker 1:
[64:36] No, I don't want you to temper your craziness.

Speaker 3:
[64:41] Maybe I won't.

Speaker 2:
[64:45] So now Lottie's like, I just don't like people being upset and crying is, oh God, if people are going to cry over their underwear, then they should wear different underwear.

Speaker 1:
[64:56] He's not crying about that. She doesn't know that you've been making fun of her underwear yet. Micah is like, they're like, okay, whatever. Micah's like, by the way, my underwear is loose right now.

Speaker 4:
[65:08] Is that bad etiquette?

Speaker 3:
[65:10] You see, she's owning her underwear.

Speaker 2:
[65:13] Well, that's how to do it. Zach, I think the elastic wore off, so what should I do?

Speaker 1:
[65:19] Is it like your husband? Is it like your husband's underwear leaving you?

Speaker 3:
[65:24] I'm sorry, he's slagged off. It's different.

Speaker 2:
[65:27] So everyone comes over, except Martha and Margot. So Margot's just like sitting over there with pouty face, and Emma's explaining the house and how it's open to the public, and anyone can just walk into the house. And Lottie's like, with the stories of Kimmy falling down the stairs and rolling over everywhere. And Emma's like, that was right here. Actually, lots of people saw that. She's in a lot of family photos from that year.

Speaker 1:
[65:52] Look, we put up a plaque. This is called the Kimmy rolling around down the stairs garden.

Speaker 3:
[65:57] I remember being in bed once, and a tour came through the room midday. There was a family there taking pictures while the tour guide said, this is the tightest ass in all of England.

Speaker 1:
[66:10] I remember that. I was on that tour. Oh, that was you, Lottie. So Emma is like, oh, yes, I've seen people in dressing gowns loads of time. You see me in my nightie quite often. People recognize me and say nice things like, oh, thank you or something. And I have nice little interactions with visitors, or they don't recognize me. I mean, I'll just be like, the Lou is that way. I don't know, that's so funny to me, Emma, being like, hello.

Speaker 2:
[66:37] It's having tourists walk around, you're in your night gown with some Ben and Jerry's in your hands. It's like, Lou's that way. All right. So now Missy goes over to sit with Margot, who's refusing to join the group. And meanwhile, Kimmy's asking what happened. And she's like, why are chairs being pulled away from the main group? What's going on? And so at the other table, Missy's like, I spoke to him. He doesn't understand what he does, you know? And I think, you know, I said, you upset her. And he says that, you know, you don't come to Longleat with a transparent dress that you can see your underwear. And I said, I wear transparent dresses. Why are you reporting all of this? You guys stop.

Speaker 1:
[67:16] This is not the part you should be saying.

Speaker 2:
[67:18] Yeah.

Speaker 1:
[67:19] And I said, you can't do that. Not acceptable. He's like, okay, I take your notes. I'm going to stop doing it. So it's like, I don't think he's understanding. He's actually doing it. And I was like, you actually like really upset her. And he was like, okay, fine. And I said, I always wear transparent dresses. And Marco's like, what are you talking about? Wait, so he's making fun of this dress?

Speaker 4:
[67:35] I mean, it's an Aaliyah, it's an Aaliyah, Aaliyah. Okay.

Speaker 1:
[67:39] He's a very important designer. Haven't you seen Clueless? Oh, Aaliyah, Aaliyah. That's what it was. I was like, Aaliyah doesn't sound right. Aaliyah.

Speaker 2:
[67:47] I was just cringe. Haven't you seen Clueless? I was like, oh my God, I'm watching it, darling. So Marco's like, okay, so it's fine for, I'm going to wear a crop top with their tummy out. Which by the way, she looks incredible. But like, I'm not allowed to wear a sheer dress where you can see the shape of my figure. I mean, whatever. My dress is amazing. Martha's like, your dress is amazing.

Speaker 3:
[68:07] You look incredible, darling.

Speaker 2:
[68:09] Come on. So Kimmy sees, she's like, what's going on over there?

Speaker 1:
[68:14] Fireworks.

Speaker 2:
[68:15] Oh, it looks like a bitch fest to me.

Speaker 1:
[68:17] Love that. So then Emma goes over to that table, she's like, you all right? She's like, oh, hi darling. She's like, yeah, well, we're just having some like very fucking, very annoying conversations. By the way, Margo, you're the one who's whipped yourself into a frenzy about today. There was nothing happened today. You are now, you have made yourself, you put yourself on this island and there's been no conflict.

Speaker 2:
[68:41] Well, they kind of made her because they keep coming over and reporting, but she is like, you need to have my back and go talk to Mark for me. So they're talking to Mark for her and reporting back, and then she gets mad.

Speaker 1:
[68:51] So Missy's like, well, we love Mark. She's our friend, but he gives her a compliment and then he leaves and he says a really ugly thing about her and he's got to stop doing that, you know? It's like Emma's like, yeah, he's not going to stop. So what's next? We have tea.

Speaker 2:
[69:07] Have you considered that maybe that just makes him look bad? So just maybe think about that. We put so much effort into taking care of everyone. It's meant to be fun. This isn't fun. So back to Mark. He's like, oh, we were having such a lovely time. We still are. We still are having a lovely time.

Speaker 1:
[69:24] No, it's divine. It's divine. Mike is like, it is. You're not part of this. Okay, sorry.

Speaker 2:
[69:29] You guys are so funny. Well, I think her true self is coming up. That's what's happening. But he's like, well, you two have been getting along. Well, I didn't do anything. I actually didn't do anything tonight. And now that she's being crunty, I just feel like I should join in.

Speaker 1:
[69:47] Oh, guys, are we ever going to address my underwear situation? Isn't it crazy that the elastic broke? Oh, be quiet, Micah. So then back to Margo's table, Emma's like, I mean, he's got this very kind, properly genuine, amazingly deep side, but he doesn't tend to ever express that. And I'm not defending anything that's made you upset, but I do think you should just tell him so we can move on from this, because I'm quite bored right now.

Speaker 4:
[70:11] So he's like, tell him how you feel.

Speaker 2:
[70:12] Tell him, tell him. And she's like, yeah, just, I'm gonna get it on in person type of thing. You know, just go say something. I can't not say things. You should say things. And they're like, yeah, do it, do it, Margo, do it. And she goes, well, I'm more than happy to then, fine. Like everyone just wants to squash it. Okay, great. So now everyone can see that I'm not the person not squashing it. I'm up for squash.

Speaker 1:
[70:34] So Emma goes back to Mark's table.

Speaker 4:
[70:36] She's like, well, she's just upset by your sense of humor, I feel, well, that's what I said.

Speaker 1:
[70:41] So I'm like, oh, okay, no, enough, Mark, Mark, I think you and Margot need to have a chat. Kimmy's like, God, oh God, I really don't think it's necessary. I'm very, very happy.

Speaker 2:
[70:53] Mark, please go, just make peace. I mean, she's making a stink out of it, no offense. No, guys, please.

Speaker 3:
[71:01] I've never been happier. I'm not moving, but I adore you and I respect you. Well, I adore you too, but she's very hurt by things that you said. Oh, well, she'll get over it. And if she doesn't, I don't care. Not my problem.

Speaker 1:
[71:14] Oh my God, Mark. Well, if she's hurt about crushed velvet, she needs to find a new material that isn't transparent.

Speaker 2:
[71:25] But also this whole thing of Margo just sitting at a table by herself, just like having someone sent for is ridiculous. Like, fine, you go get him and I'll talk to him. Like, will you go into the principal's office? Like, get over yourself, lady.

Speaker 1:
[71:39] And the table's like not that far away either. So Margo can hear everything. That's her special skill also. She's like, Mark, I can hear you. You're just being nasty. Oh yeah. Oh yeah. Just nasty. Just nasty.

Speaker 4:
[71:53] That's all he's being.

Speaker 2:
[71:55] He is though.

Speaker 3:
[71:57] Well, I am nasty.

Speaker 2:
[71:59] Mark, just come over here and talk to her. She's like, yeah, come here, Mark. What's wrong? What are you scared of? Just come chat with me. He's like, darling.

Speaker 3:
[72:06] We were sitting right next to each other 10 minutes ago.

Speaker 1:
[72:10] Yeah, but so come sit with me now, Mark. Come on, Mark. Mark, come on. Please, Mark. He's like, no, there's no arguing at Longleat. There's no arguing at Longleat. Everyone is perfectly happy. Come on, Mark. Go on, Mark.

Speaker 3:
[72:22] Come on, do.

Speaker 1:
[72:23] Go talk.

Speaker 3:
[72:24] Stop clapping your hands at me, please, darling. And don't shimmy either.

Speaker 2:
[72:29] Mark, come on. Everyone just wants to have a chat to calm down.

Speaker 3:
[72:33] Like, oh, my God, this is so vulgar. I might have to leave. Oh, that's it. I'm going to go. I'm going back to the bath arms of all places. I'd rather be in a pub than be around you. I have to leave. I'm not going to turn this into a vulgar, vulgar day.

Speaker 1:
[72:52] Darling, relax.

Speaker 3:
[72:53] No, no, I'm going to go. I love you all. Please demike me. Please.

Speaker 1:
[72:59] Margo, he did nothing wrong. Well, if I knew that he, that was all I had to do was just go talk to him to make him leave, I would have gone talk to him a long time ago.

Speaker 2:
[73:11] I don't think that's fair that he has to leave. You're screaming at him across the garden. It's like, well, why didn't he just come sit with me? Well, why did he leave? Why did you leave this table and stop screaming at him? Well, I asked him to come talk to me. Oh, well, that's real bitchy is what it is. That's real bitchy of y'all.

Speaker 1:
[73:29] I asked him to come to me and he left. I wanted to give him the opportunity to come over here to talk. Well, why don't you come over here? You left the table.

Speaker 4:
[73:37] He doesn't want to talk.

Speaker 1:
[73:38] It's fucking rude is what it is. You're being a bitch.

Speaker 2:
[73:42] So she just gets up and follows Mark out. So you're a bitch. She goes, well, you would now, oh, fucking crybaby bitch. Crybaby, you're the up. Change the diaper, bitch.

Speaker 1:
[73:54] You're the one who cries. Oh, fuck off, Margo. You can see it was so great. And but also like, I personally, not to get too deep about it, but there was something about Margo sitting at that table and being like, what are you scared of? What are you scared of, Mark? I felt like I saw Mark as a child there, being bullied for being this gay little boy, right? Like, I'm not trying to project anything as a gay man into this, but I could see in that moment, like, I feel like I could see a window into his psychology and like, I totally understood why he was like, I'm leaving, even though Mark is totally obnoxious, but funny obnoxious, as opposed to Margo, who's not funny obnoxious, although she's actually funny. But the point is, I could totally see Mark having an internal spiral and he's like, I cannot be seen showing emotion right now. I must deem Mike, deem Mike.

Speaker 2:
[74:46] Well, I didn't see it as bullying any more than I see her stuff. Like when she's saying it's bullying, I don't really think it's bullying. I mean, I think he's being an asshole. He is being shady and he is saying mean things, you know, but she's also sitting over there talking behind his bed. They're children. They're acting like children.

Speaker 1:
[75:01] They are like children.

Speaker 2:
[75:02] I think that it does, I think it does your own bullying in the clips we see where she's like, you're such a weirdo. Why do you talk like that? And you're like, your dad left you and like he won't even talk to like a lot of that is like, yeah, that could be due to gay stuff. Like, so I think she does kind of veer towards there in the future. But so far, I just think she's an asshole. And I kind of like that he's like, I'm not going to go over there and scream and fight with a woman. Like, I'm sorry, I'm not doing it. I know that you guys want me to on this show. And she clearly, because clearly she wants to have a fight so she can be like, oh my god, misogynist, he's such an asshole to me and do all this stuff. And he's not going to fall into the trap. And so I think, you know, good for him. But at the same time, if you don't want someone wanting to talk to you, then maybe stop dissing them at the top of your lungs. That's still Team Mark, because I like him. Just like everybody else on the show, I will choose his side because he's at least entertaining. And Margot's just cloying with this at this point.

Speaker 1:
[75:56] Yeah, I think Margot's annoying. But great show, great show, great episode. Thanks everyone for being here. We hope you all have a wonderful weekend. Make sure you hop on that boat with Ronnie, because you guys are going to have an amazing time. And I can't wait to hear the stories when you get back on Monday.

Speaker 2:
[76:14] Should be good times.

Speaker 1:
[76:15] A whole new week of podcasting.

Speaker 2:
[76:17] All right, we'll see you guys later.

Speaker 1:
[76:19] Bye.

Speaker 2:
[76:20] Bye.

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Speaker 1:
[77:31] This is Living with Michelle Vivian.

Speaker 3:
[77:34] I love a ya, Olivia Williamson.

Speaker 1:
[77:36] She sure is swell, it's Raquel.

Speaker 3:
[77:39] Yes we canna, it's Sedana.

Speaker 1:
[77:41] Cast a spell with Shannon Spellman. Let's share it with Sharon Eldridge.

Speaker 2:
[77:46] Darn Skippy, it's Tippy.

Speaker 3:
[77:47] And our super premium sponsors, she's VVIP, it's Amanda V.

Speaker 1:
[77:52] Can I have a Cavanaugh? It's Anna Cavanaugh. Somebody get us 10 cc's of Betsy MD.

Speaker 2:
[77:58] We're taking the gold with Brenda Silva.

Speaker 1:
[78:01] Let's get real with Caitlin O'Neill.

Speaker 2:
[78:03] Put us on a stretcher. It's Charlotte Fletcher. Hogel your horses, it's Christine Hogel.

Speaker 3:
[78:08] Don't get salty with Christine Pepper. Can't have a meal without the Emily sides.

Speaker 1:
[78:13] Who, what, why, where, and Gwen Pentland. Nobody holds a candle to Jamie Kendall. We got our wish, it's Jen Plish. My favorite Murdo, Karen McMurdo. Let's get savage with Laura Wildman. In the study with a candlestick, it's Leslie Peacock. We're ride or die for Lisa Ryder-Baron. She's a whiz, it's Liz Sarthi. Always killing it, it's Lola Alcolani. Roger that, it's Marliss Rogers.

Speaker 3:
[78:38] The incredible, edible Matthews Sisters.

Speaker 2:
[78:41] She eases our woes, it's Melissa St. Rose. She's the lady of the house, it's Rachel Shirouse. There's a chance of meatballs, it's Rebecca Cloud. She's our princess, it's Rebecca Prince.

Speaker 1:
[78:52] Maximum love for Sandy Maximoska. She's the queen bee, it's Sarah Lemke.

Speaker 2:
[78:58] We cannot tell a lie, it's Sarah Talofsun.

Speaker 1:
[79:01] Shannon, out of a cannon, Anthony. Please don't stop, it's Solian Pop. Let's take off with Tim La Plaine.

Speaker 3:
[79:07] Strike a pose, it's Toy Rose. She ain't no shrinkin Violet Couture. We love you guys.